
The Croning
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Narrated by:
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Emily Zeller
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By:
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Laird Barron
About this listen
Strange things exist on the periphery of our existence, haunting us from the darkness looming beyond our firelight. Black magic, weird cults, and worse things loom in the shadows. The Children of Old Leech have been with us from time immemorial. And they love us....
Donald Miller, geologist and academic, has walked along the edge of a chasm for most of his nearly 80 years, leading a charmed life between endearing absent-mindedness and sanity-shattering realization. Now, all things must converge. Donald will discover the dark secrets along the edges, unearthing savage truths about his wife Michelle, their adult twins, and all he knows and trusts. For Donald is about to stumble on the secret... of The Croning.
From Laird Barron, Shirley Jackson Award-winning author of The Imago Sequence and Occultation, comes The Croning, a debut novel of cosmic horror.
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Editorial reviews
Laird Barron's debut novel plays to his strengths as a short story writer by fragmenting the chapters with a mind suffering from senile dementia. Flashbacks and forgetfulness build character of Don, a doomed man walking the edge of cosmic horror that the listener alone perceives, like a killer waiting in a closet.
The delicate-voiced Emily Zeller highlights how expertly and carefully Barron chooses his words, and also allows The Croning's horror to sneak up and stab the listener when it unexpectedly rears its hideous head. The quiet, exacting sweetness of Zeller's performance offsets the coldness of Barron's universe, its indifference to human suffering, and the sureness of its ultimate victory.
Critic reviews
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By: Laird Barron
-
The Imago Sequence
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- By: Laird Barron
- Narrated by: Ray Porter
- Length: 14 hrs and 9 mins
- Unabridged
-
Overall
-
Performance
-
Story
The title story of this collection - a devilishly ironic riff on H. P. Lovecraft's "Pickman's Model" - was nominated for a World Fantasy Award, while "Probiscus" was nominated for an International Horror Guild award and reprinted in The Year's Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.
-
-
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By: Laird Barron
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The Wide, Carnivorous Sky and Other Monstrous Geographies
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- Narrated by: Eric Martin
- Length: 12 hrs and 41 mins
- Unabridged
-
Overall
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Performance
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Story
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- Narrated by: Karin Allers
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Overall
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Laird Barron’s fourth collection gathers a dozen stories set against the backdrops of the Alaskan wilderness, far-future dystopias, and giallo-fueled nightmare vistas. Combining hard-boiled noir, psychological horror, and the occult, Swift to Chase continues three-time Shirley Jackson Award winner Barron’s harrowing inquiry into the darkness of the human heart.
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Agents of Dreamland
- Tinfoil Dossier, Book 1
- By: Caitlin R. Kiernan
- Narrated by: Danny Campbell, Chelsea Stephens
- Length: 2 hrs and 39 mins
- Unabridged
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Overall
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Performance
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Story
A government special agent known only as the Signalman gets off a train on a stunningly hot morning in Winslow, Arizona. Later that day he meets a woman in a diner to exchange information about an event that happened a week earlier for which neither has an explanation but which haunts the Signalman. In a ranch house near the shore of the Salton Sea, a cult leader gathers up the weak and susceptible - the Children of the Next Level - and offers them something to believe in and a chance for transcendence. The future is coming, and they will help to usher it in.
-
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I Really Enjoyed It
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- Narrated by: Ray Porter
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- Unabridged
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Overall
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Performance
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Over the course of two award-winning collections and a critically acclaimed novel, The Croning, Laird Barron has arisen as one of the strongest and most original literary voices in modern horror and the dark fantastic. Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron's stories have garnered critical acclaim and have been reprinted in numerous year's best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.
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Story
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story.
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The Horror of Loss
- By Jim N on 04-20-17
By: John Langan
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Blood Standard
- By: Laird Barron
- Narrated by: William DeMeritt
- Length: 8 hrs and 23 mins
- Unabridged
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Isaiah Coleridge is a mob enforcer in Alaska - he's tough, seen a lot, and dished out more. But when he forcibly ends the money-making scheme of a made man, he gets in the kind of trouble that can lead to a bullet behind the ear. Saved by the grace of his boss and exiled to upstate New York, Isaiah begins a new life, a quiet life without gunshots or explosions. Except a teenage girl disappears, and Isaiah isn't one to let that slip by. And delving into the underworld to track this missing girl will get him exactly the kind of notice he was warned to avoid.
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Decent First Foray into Crime Fiction for Barron
- By Ross on 06-19-18
By: Laird Barron
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Devil's Creek
- By: Todd Keisling
- Narrated by: Danny Campbell
- Length: 15 hrs and 54 mins
- Unabridged
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About 15 miles west of Stauford, Kentucky, lies Devil's Creek. According to local legend, there used to be a church out there, home to the Lord's Church of Holy Voices - a death cult where Jacob Masters preached the gospel of a nameless god. And like most legends, there's truth buried among the roots and bones.
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Cults, Monsters, Small-town Weirdoes and their Persecutors... it's Perfect
- By Aaron AuBuchon on 02-09-24
By: Todd Keisling
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The Immaculate Void
- By: Brian Hodge
- Narrated by: Grahame Bywater
- Length: 6 hrs and 37 mins
- Unabridged
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You wouldn’t think events happening years apart, at points in the solar system hundreds of millions of miles distant, would have anything to do with each other. When she was six, Daphne was taken into a neighbor’s tool shed and came within seconds of never coming out alive. Most of the scars healed. Except for the one that went all the way through. You wouldn’t think that the serial murders of children and the one who got away would have any connection with the strange fate of one of Jupiter’s moons.
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What. The. Hell. Is. Going. On???
- By Woozle_Wuzzle on 03-06-21
By: Brian Hodge
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The Necromancer's House
- By: Christopher Buehlman
- Narrated by: Todd Haberkorn
- Length: 11 hrs and 4 mins
- Unabridged
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Andrew Ranulf Blankenship is a handsome, stylish nonconformist with wry wit, a classic Mustang, and a massive library. He is also a recovering alcoholic and a practicing warlock, able to speak with the dead through film. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago.
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Finally - Magic / Fantasy Novel for adults.
- By David on 04-23-14
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The Ones That Got Away
- By: Stephen Graham Jones
- Narrated by: Rich Miller
- Length: 9 hrs and 58 mins
- Unabridged
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These thirteen stories are our own lives, inside out. A boy's summer romance doesn't end in that good kind of heartbreak, but in blood. A girl on a fishing trip makes a friend in the woods, except then that friend follows her back to the city. A father hears a voice through his baby monitor that shouldn't be possible, but now he can't stop listening. From prison guards making unholy alliances to snake-oil men in the Old West doling out justice, these stories carve down into the body of the mind, into our most base fears and certainties, and there's no anesthetic.
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Use your credit somewhere else
- By Doug M on 05-22-22
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Walkers
- By: Graham Masterton
- Narrated by: Andy Ingalls
- Length: 10 hrs and 53 mins
- Unabridged
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The Oaks is an idyllic, up-market country club—but its ornately carved walls hide a horrific past. Sixty years ago the house was an asylum, home to crazed psychopaths. One night all of them disappeared, never to be seen again. Jack Reed, the owner of The Oaks, has no idea about the building's terrible history. It is only when Jack's son is dragged into the walls of the mansion that he realises what happened sixty years ago—and just where the inmates have been living all this time...
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Maybe the best narrator I’ve heard
- By Erin S. on 02-17-25
By: Graham Masterton
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The Writhing
- By: Abe Moss
- Narrated by: Hillary Huber
- Length: 12 hrs and 17 mins
- Unabridged
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Alex watches from her bedroom window as the small, secluded town of Amberton sleeps: a bright, pleasant town with a dark, disturbing secret. Helen, her foster mother, is gone all hours of the night with no explanation. The neighbors, always friendly, always smiling, are also always watching. They know something Alex doesn't. Something she shouldn't....
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Abe Moss is the Real Thing
- By Michael on 01-02-21
By: Abe Moss
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X's for Eyes
- By: Laird Barron
- Narrated by: David Stifel
- Length: 3 hrs and 9 mins
- Unabridged
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Brothers Macbeth and Drederick Tooms should have it made as fair-haired scions of an impossibly rich and powerful family of industrialists. Alas, life is complicated in mid-1950s USA when you're child heirs to the throne of Sword Enterprises, a corporation that has enshrined Machiavelli's The Prince as its operating manual. Consider also those long, cruel winters at the Mountain Leopard Boarding School for Assassins in the Himalayas, or that Dad may be a supervillain, while an uncle occasionally slaughters his nephews and nieces for sport.
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Signature dark crazy nastiness plus fun
- By Bill on 09-21-16
By: Laird Barron
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American Elsewhere
- By: Robert Jackson Bennett
- Narrated by: Graham Winton
- Length: 22 hrs and 24 mins
- Unabridged
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Some places are too good to be true. Under a pink moon, there is a perfect little town not found on any map. In that town, there are quiet streets lined with pretty houses, houses that conceal the strangest things. After a couple years of hard traveling, ex-cop Mona Bright inherits her long-dead mother's home in Wink, New Mexico. And the closer Mona gets to her mother's past, the more she understands that the people of Wink are very, very different....
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You are entering the twighlight zone
- By Lisa on 07-29-13
What listeners say about The Croning
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Old Man Parker
- 10-17-12
Great Writer - Good story - VERY Wrong Reader,
Is there anything you would change about this book?
YES! The narrator! Laird Barron writes Horror Noir - a dark & scary cross of Mikey Spillane & H. P. Lovecraft. He is bound for not just being good, but being GREAT. He writes from a first person view of gritty tough-guys that have stepped right out of a violent 1940's crime pulp novel. His characters gruffly talk about their cocks, and middle age, and death, and killing, and horror. Audible, for some strange reason, chose the very beautiful, young, very feminine voice of "Emily Zeller" to read you this story. This story: of a tough old man facing cosmic inhuman mind-bending vile evil.
It's like picking "Hanna Montanna" to sing KISS's "Destroyer" album. It's as wrong as "The Captain and Tennille" singing Judas Priest's "Sad Wings of Destiny" Album, or Metalica's "Black" album. Julie Andrews should NOT sing Rob Zombie's "Hellbilly Deluxe"!
Ya' gettin' me here?
It just don't work!
The greatest reader of H. P. Lovecraft work is "Wayne June". His voice is deep, rough, and sounds like he's had a life of first hand experience of... evil things, he's walked to the edge of the pit, looked in, and made it back.
Do you want to hear Laird Barron and a correct narrator? I urge you now to go to "Tales To Terrify" (the pod cast) and listen to episode # 40. Listen to "Frontier Death Song" by Laird Barron and read by "David Robison". David has a whiskey and smokes rough voice that turns Laird's tough, noir, words into cryptic-dark-spine-freezing passages punched out of the Necronomicon by way of a 40's detective radio show wearing brass knucles. Awesome.
Don't get me wrong, Emily Zeller is a fine reader.
I want Emily Zeller to read me "The Hobbit".
Or "Lord of the Rings". Something with Elves in it.
What I DON'T want is Emily Zelle, who sounds like my cute 20 year old niece, telling me about HER dick "shooting blanks"... I don't even want to think about her thinking about things like that, let alone trying her best to sound "tough" and "mean" and middle aged, and well, male.
OK, maybe a woman could have narrated this book. However, she needs to sound like she could eat bullets and spit nails. She needs "the chops" to do it - she needs the sound in her voice of a life of hard drinking, smoking, heart breaking, and ass-kicking.
Audible - you forgot the golden first rule on this one!!!
RULE #1.) You need to know the book, and you need to know the narrator and "IF" they will work together. This is maybe one of the worst choices of reader for this novel. We needed "Mickey Rourke" , instead we got "Annette Funicello"!
What did you like best about this story?
Laird Barron is a good talent, becoming GREAT!
How could the performance have been better?
You needed "David Robison", or "Wayne June" to read this, NOT "Emily Zeller".
If this book were a movie would you go see it?
Yes.
Any additional comments?
Please know the material and put it together with the right reader! This is a good/ maybe great horror noir book, but it's hard to tell because the narration is done by the wrong person.
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67 people found this helpful
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- Amazon Customer
- 01-07-18
Barron is an elegantly raw weird fiction heir
Eccellent, imaginative and ticklingly dark. While his short stories may be better suited to to genre in general, this one really got to me.
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1 person found this helpful
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- guitarplayer
- 11-16-20
Perhaps laird barrons best book
I don’t often write reviews but the way this novel folds in on itself is wonderful. Humorous and spooky at the same time, I enjoyed the entire thing. The narrator was good, I don’t understand why everyone is so down on her?
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- Cameron Black
- 03-07-17
Good but
I initially liked the narrator. She does great with the unique voices and energy. Then there's the bland description tone with the mumbling. If your not doing anything then go for it. If you listen to books while working this isn't gonna be a great choice.
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- Sean Malia Thompson
- 02-03-15
Awesome
It was awesome. Fun, dark, and grandiose.
Little slow in the middle, however. Overall, a great novel, and an excellent performance.
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- Anonymous User
- 06-04-22
Standard Barron Fun
For those just jumping in: you should read the following two short stories prior
1. The Men from Porlock
2. Mysterium Tremendum
Then this novel will be much more interesting.
A note about the narrator:
Emily Zeller is obviously a professional. But she is not the right choice for this novel. Dont let that fool you though, it’s a fun read!
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- Anonymous User
- 11-26-24
After two false starts, I'm glad I finished it
I've read most of Barron's horror, and while this book came recommended by someone I trusted, I tried listening to this book twice and returned it twice. I really couldn't get into the reader, although Emily Zeller Woo has been a good reader on other books I liked. Then, it became free with premium, and I resolved to stick with it. I'm glad I did. Let's get the standout point of contention (of most fellow reviewers) out of the way: the reader.
I really didn't like the choice of a female reader for this story or how she read the narration at first, and honestly that had a lot to do with why I quit this book twice before. As the story progressed, as weird as it seemed to have a soft spoken sing-song female reader for a book told from the eyes of a man, involving so many male characters, the context of the story began to make it fit. That, and while I'm easily irritated by female readers trying too hard to do 'manly' voices (vice versa for male readers doing exaggerated female voices), Woo is actually good at character voices and doesn't overdo it on the male voices—that sweet spot of 'I can tell this is a man speaking' and 'doesn't sound goofy or overbearing'. Your mileage may vary on that point, but my tolerance is pretty low, so I would say if that's a pet peeve for you too, don't worry. My biggest complaint is that Woo pronounces several words completely wrong. I don't judge people in their daily lives for not knowing how to pronounce words they usually only read, but if you are some who reads books out loud professionally, I think you should familiarize yourself with a broad range of vocabulary and it's pronounciations—words like piteous, as an example from early in the book.
As for the book itself, I think it contains instances of Barron's strongest work as well instances of his worst tendencies. The Men from Porlock is my favorite work by Barron, a pretty much flawless story to my mind, and this book actually directly connects to it. The best parts of the book are the psychological and cosmic horror elements, as well as the grotesque imagery. Where it suffers is when Barron tries to write about the mundane aspects of life to fill in the plot and flesh out the characters, because it often reads like a cheesy pulp novella or just comes across as absurd—one character, an average modern middle aged guy, suddenly starts speaking like a horror novelist reciting from his final draft while recounting an old memory. I've seen this issue with Barron's shorter works before. I don't think that trying to convey the mundane aspects of life were a mistake; on the contrary, it makes the cosmic horror hit harder. Barron just struggles to do it properly, which results in a strange tone clash that doesn't do the book any favors and I think makes some parts of the book drag. However, once it got going in earnest, 6 1/2 hours left became 1 hour left before I knew it, and then the book was over, and I was glad I came back for that charmed third try.
If you liked Men from Porlock or Barron's other similar stories, I do suggest giving this a shot, and if you are put off by the reader or the first couple of chapters that take place in the modern era, stick with it. There is some really good stuff here, and I think the amount of enjoyable content outweighs the number of meh moments.
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- Amazon4go
- 06-11-21
Scary?
I listened to the first three stories. Every story begins boring and concludes… scary? The dialogue between characters isn’t capturing. I just came from a Cormac Mcarthy novel, so many I’m being overly critical in expecting a more literary experience. The stairs arcs aren’t anything new or exceptional. The moment when something finally happens and it begins to get spooky, it quickly wraps up. It reads like a middle school book—then I remembered the awkward swearing. I may listen to more as I’ve spent the credit.
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- Ryan
- 06-02-16
fantastic book, terrible narrator
She mispronounces words and puts emphasis on the wrong syllable too often. It takes you out of an otherwise great book.
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- Kindle Customer
- 09-22-17
Fantastic!
Excellent narration, and truly unique way of structuring a horrifying tale. Will recommend this to anyone who enjoys tales of the grim dark.
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