The Necronomicon was not the first book by H.P. Lovecraft to terrify readers with tales of dark and twisted horrors from beyond. No, the Al-Azif, or Book of the Insect, is the first work that told mankind of Cthulhu, Azathoth, and other terrors. Indeed, it was the book that inspired "The Mad Arab" Abdul Al-Hazred to write its more famous successor.

John Langan has, in the last few years, established himself as one of the leading voices in contemporary horror literature. Gifted with a supple and mellifluous prose style, an imagination that can conjure up clutching terrors with seeming effortlessness, and a thorough knowledge of the rich heritage of weird fiction, Langan has already garnered his share of accolades. This new collection includes nine of his substantial stories.

John Langan, author of the Bram Stoker Award-winning novel The Fisherman, returns with ten new tales of cosmic horror in Corpsemouth and Other Autobiographies. In these stories, he continues to chart the course of twenty-first century weird fiction, from the unfamiliar to the familial, the unfathomably distant to the intimate.

Recent World War II veteran Bull Ingram is working as muscle when a Memphis DJ hires him to find Ramblin' John Hastur. The mysterious blues man's dark, driving music - broadcast at ever-shifting frequencies by a phantom radio statio - is said to make living men insane and dead men rise. Disturbed and enraged by the bootleg recording the DJ plays for him, Ingram follows Hastur's trail into the strange, uncivilized backwoods of Arkansas, where he hears rumors the musician has sold his soul to the Devil.

When two teenagers go missing from the small, rural town of Sallow Bend, the residents come together to search for them. Little do they suspect that finding the wayward girls will be the start of their problems. An old evil is rising, and only one man seems to realize that everyone is in danger and this is not the first time it’s happened. With the carnival in town, people want to have a good time, but for many, this will be the worst time of their lives.

Thomas Ligotti’s debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti eschews cheap, gory thrills for his own brand of horror, which shocks at the deepest, existential, levels.

Wounds is a confounding, strange, and utterly entrancing collection of six stories, including one new novella from Shirley Jackson Award-winning author Nathan Ballingrud. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in The Visible Filth to the search for the map of hell in “The Butcher’s Table”, Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story.

In 1933, nine-year-old Stella is left in the care of her grandmother, Motty, in the backwoods of Tennessee. The mountains are home to dangerous secrets, and soon after she arrives, Stella wanders into a dark cavern where she encounters the family's personal god, an entity known as the Ghostdaddy. Years later, after a tragic incident that caused her to flee, Stella - now a professional bootlegger - returns for Motty's funeral, and to check on the mysterious 10-year-old girl named Sunny that Motty adopted.

In this masterful collection of short fiction, Joe Hill dissects timeless human struggles in 13 relentless tales of supernatural suspense, including “In The Tall Grass”, one of two stories cowritten with Stephen King, basis for the terrifying feature film from Netflix.

It’s the house of their dreams. Former marine Harry and his wife, Sasha, have packed up their life and their golden retriever, Dash, and fled the corporate rat race to live off the land in rural Idaho. Their breathtaking new home sits on more than forty acres of meadow, aspen trees, and pine forest in the Teton Valley. Even if their friends and family think it’s a strange choice for an up-and-coming pair of urban professionals, Harry and Sasha couldn’t be happier about the future they’re building, all by their lonesome.

Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his black skin that attracts the eye of wealthy white folks and their trained cops. But when he delivers an occult page to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic.

The title story of this collection - a devilishly ironic riff on H. P. Lovecraft's "Pickman's Model" - was nominated for a World Fantasy Award, while "Probiscus" was nominated for an International Horror Guild award and reprinted in The Year's Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.

Prepare to meet the wicked progeny of the master of modern horror. In Lovecraft's Monsters, H. P. Lovecraft's most famous creations--Cthulhu, Shoggoths, Deep Ones, Elder Things, Yog-Sothoth, and more--appear in all their terrifying glory. Each story is a gripping new take on a classic Lovecraftian creature. Contributors include such literary luminaries as Neil Gaiman, Joe R. Lansdale, Caitlin R. Kiernan, Karl Edward Wagner, Elizabeth Bear, and Nick Mamatas.

When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country's most infamous haunted houses, he reluctantly agrees. At least he won't be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.

Recent World War II veteran Bull Ingram is working as muscle when a Memphis DJ hires him to find Ramblin' John Hastur. The mysterious blues man's dark, driving music - broadcast at ever-shifting frequencies by a phantom radio statio - is said to make living men insane and dead men rise. Disturbed and enraged by the bootleg recording the DJ plays for him, Ingram follows Hastur's trail into the strange, uncivilized backwoods of Arkansas, where he hears rumors the musician has sold his soul to the Devil.

In the contested and unexplored territories at the edge of the Empire, a boat is making its laborious way up stream. Riding along the banks are the mercenaries hired to protect it - from raiders, bandits and, most of all, the stretchers, elf-like natives who kill any intruders into their territory. The mercenaries know this is dangerous, deadly work. But it is what they do. In the boat the drunk governor of the territories and his sons and daughters make merry. They believe that their status makes them untouchable.

A terrifying collection of horror and crime noir from the author of Southern Gods and A Lush and Seething Hell. Featuring 10 tales, two never before in print, Murder Ballads and Other Horrific Tales is an exciting glimpse into the dark territories of the human heart. These are coming-of-age stories. Stories of love and loss, grief, and revenge. Survival and redemption. From old gods to malevolent artificial intelligences, vampires to zombies to ghosts, Jacobs exposes our fears and worst imaginings.

You wouldn’t think events happening years apart, at points in the solar system hundreds of millions of miles distant, would have anything to do with each other. When she was six, Daphne was taken into a neighbor’s tool shed and came within seconds of never coming out alive. Most of the scars healed. Except for the one that went all the way through. You wouldn’t think that the serial murders of children and the one who got away would have any connection with the strange fate of one of Jupiter’s moons.

The title story of this collection - a devilishly ironic riff on H. P. Lovecraft's "Pickman's Model" - was nominated for a World Fantasy Award, while "Probiscus" was nominated for an International Horror Guild award and reprinted in The Year's Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.

Abandoned by her family, alone on the wrong side of the color line with little to call her own, Eliza Meeks is coming to terms with what she does have. It’s a gift for communicating with animals. To some, she’s a magical tender. To others, a she-devil. To a talent prospector, she’s a crowd-drawing oddity. And the Bacchanal Carnival is Eliza’s ticket out of the swamp trap of Baton Rouge. Among fortune-tellers, carnies, barkers, and folks even stranger than herself, Eliza finds a new home. But the Bacchanal is no ordinary carnival. An ancient demon has a home there too.

Dead things have been found in the fields of Enfaire, a God-fearing town north of Reams. Not just dead things, but twisted forms…unholy shapes. And there are rumors of a blasphemous union and of fell creatures that haunt the night. Yet even as plague and witch pyres blacken the sky, the town remains untouched by the malady that has already claimed thousands and will claim thousands more. It is here, in Enfaire, that an old Franciscan friar and his ward take shelter from a storm. It is here, in a little town on the edge of civilization, that they will have their faith truly tested.

New York City in 1978 is a dirty, dangerous place to live - and die. Joey Peacock knows this as well as anybody - he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city's sidewalks.

The Nameless Dark debuts a major new voice in contemporary weird fiction. Within these minutes, you'll find whispers of the familiar ghosts of the classic pulps - Lovecraft, Bradbury, Smith - blended with Grau's uniquely macabre, witty storytelling, securing his place at the table amid this current Renaissance of literary horror.

When tragedy shatters 13-year-old Zelda Ruiz’s adolescence, she retreats with her uncle Mark to the bucolic town of Greywood Bay. But nothing can prepare them for the malignant terror that has long coveted these lands.

Wounds is a confounding, strange, and utterly entrancing collection of six stories, including one new novella from Shirley Jackson Award-winning author Nathan Ballingrud. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in The Visible Filth to the search for the map of hell in “The Butcher’s Table”, Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

In this remarkable collection the author has selected over two dozen of her best Lovecraftian tales ranging from 2000s “Valentia” to her more recent classic “A Mountain Walked” as well as including the complete Dandridge Cycle, as well as a new story, “M Is for Mars.” In short, this is a cornerstone volume for Kiernan fans and Mythos devotees alike.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.

In this striking and bleak, yet luminous debut collection, Nathan Ballingrud, winner of the inaugural Shirley Jackson Award, uses the trappings of the Gothic and the uncanny to investigate a distinctly American landscape: The loneliest and darkest corners of contemporary life. Ballingrud’s stories are love stories. They’re also monster stories. Sometimes the monsters collected here are vampires or werewolves.

When two marines and their corpsman reunite after a decade apart, they find themselves caught up in the mystery of their former squad leader’s disappearance. With little more to go on than a handful of disturbing charcoal sketches and the whispers of a local legend, they plunge into the depths of one of America’s last truly wild places. But the trees themselves begin to whisper dark secrets. Secrets of trafficking and violence. Of rotten science and blood. Of something else that lurks in the shadows of the pines—something ancient, savage, and hungry.