Appearing in 1852, Basil was Wilkie Collins’s second published novel. The eponymous narrator is emotionally torn between two women: Margaret Sherwin and his sister Clara. His marriage to Margaret, a draper’s sexually precocious daughter, is to remain secret and unconsummated for the first year, as agreed with her father.

Set in the financial centres of 1820s Frankfurt and London, Jezebel’s Daughter (1880) tells the story of two widows: Madame Fontaine, who will go to any lengths to secure her daughter’s marriage, and Mrs Wagner, who devotes herself to her late husband’s social reforms. In pursuit of her endeavours, Mrs Wagner befriends Jack Straw, a former inmate of Bedlam, who plays a pivotal role as the action, full of plotting and counterplotting, unfolds, culminating in the morgue, where several lives hang in the balance.

When Lord Montbarry dies suddenly in his Venice palace, and his courier goes missing, suspicion is instantly thrown on his new wife, the beautiful Countess Narona, who has collected his life insurance and fled to America. Montbarry's former fiance, Agnes, still harboring feelings for him, and Henry Westwick, Montbarry's younger brother, decide to investigate this tragedy and head for the palace, now a hotel. Not long after their arrival they experience strange and unsettling occurrences, and the circumstances of Montbarry's death begin to unravel.

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?

Published 10 years after Collins’s most popular novel The Woman in White, Man and Wife centres on the confused and inequitable marriage laws of 19th-century Britain, reflecting the author’s own antipathy toward the institution. The plot follows the fortunes of a woman who, committed to marriage with one man, comes to believe that she may have inadvertently married his friend, according to the archaic laws of Scotland and Ireland.

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support.

Incorrectly signing her name in the marriage registry leads Valeria Woodville to discover further disturbing information about her husband, Eustace Macallan. Each revelation leads to further questions as Valeria’s journey prompts her to defy him, taking the law into her own hands as she endeavours to navigate her way through a series of false clues and obstructions.

Madame Pratolungo is a close companion to Lucilla Finch, a young woman who has been blind since birth. Madame Pratolungo records the narrative of Lucilla's trials from falling in love with Oscar Duborg, her wealthy and shy neighbor, to ending up in a romantic entanglement between Oscar and his brother Nugent. When Lucilla temporarily regains her sight thanks to Herr Grosse, mistaken identities and manipulative schemes are there to greet her.

Skyboat Media presents, paired together for the first time, both the novel and the play of The Evil Genius by Wilkie Collins. Although both versions of the story were written at the same time, the play has never before been published and was only ever performed once on the stage. In fact, it is almost entirely unknown and is otherwise unavailable.

Through a series of calculated moves that involve death and a large inheritance, a small community is rocked and shrouded in mystery at the hands of the conniving Sir Percival Glyde, who is interested only in making himself wealthy at the hands of others.... Celebrated as one of the first popular mystery novels, The Woman in White, by Wilkie Collins, skillfully incorporates the twisting and turning of more than a few plot lines that all manage to converge beautifully at the end of the work.

No, the "Moonstone" isn't a celestial relic, it's a gigantic yellow diamond of unearthly beauty that was given to Rachel Verinder as a present on her 18th birthday - and stolen that very night! Betteredge, one of the most beloved butlers in English literature, is the focus of this seminal detective novel, which examines how one family's life is turned upside-down by the theft. And find out why the answers to all of life's problems can be found in the pages of Robinson Crusoe.

In this late romantic novel, the author explores the powers of telepathy while telling a skilful tale that interweaves suspense with the familiar ingredients of Victorian melodrama.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

At the opening of The Claverings (1866) the beautiful Julia Brabazon jilts her lover Harry Clavering in order to make a marriage of convenience with a wealthy but dissolute earl. Harry licks his wounds, leaves London to train as a civil engineer, and falls in love with his employer's daughter, to whom he soon becomes engaged. But when Julia returns unexpectedly as a wealthy widow, the flame of Harry's old love is rekindled.

Old Michael Snowdon returns to London with an inheritance that he determines should go towards helping the poor—but goodness and charity are not to play a part here. Everyone has an agenda, and scheming spreads through the story like a disease. Gissing’s own experience of London as an outsider in a vast city that both fascinated and appalled him gave him the tools and the drive to create a visceral sense of place. Life is unremittingly grim for just about everyone, from the weak and well-intentioned Jane to the coarse, cunning Clem Peckover and her feckless rival Pennyloaf Candy.

Set in the financial centres of 1820s Frankfurt and London, Jezebel’s Daughter (1880) tells the story of two widows: Madame Fontaine, who will go to any lengths to secure her daughter’s marriage, and Mrs Wagner, who devotes herself to her late husband’s social reforms. In pursuit of her endeavours, Mrs Wagner befriends Jack Straw, a former inmate of Bedlam, who plays a pivotal role as the action, full of plotting and counterplotting, unfolds, culminating in the morgue, where several lives hang in the balance.

Appearing in 1852, Basil was Wilkie Collins’s second published novel. The eponymous narrator is emotionally torn between two women: Margaret Sherwin and his sister Clara. His marriage to Margaret, a draper’s sexually precocious daughter, is to remain secret and unconsummated for the first year, as agreed with her father.

Appearing in 1854, Hide and Seek was Wilkie Collins’s third published novel. At the centre of the plot is the mystery surrounding a deaf and dumb girl known as Madonna, whom the painter Valentine Blyth rescues from her life as a circus performer. But it is only when Blyth’s friend Zack Thorpe rebels against his disciplinarian father and falls into bad company that the secret of Madonna is revealed.

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support.

Skyboat Media presents, paired together for the first time, both the novel and the play of The Evil Genius by Wilkie Collins. Although both versions of the story were written at the same time, the play has never before been published and was only ever performed once on the stage. In fact, it is almost entirely unknown and is otherwise unavailable.

Published 10 years after Collins’s most popular novel The Woman in White, Man and Wife centres on the confused and inequitable marriage laws of 19th-century Britain, reflecting the author’s own antipathy toward the institution. The plot follows the fortunes of a woman who, committed to marriage with one man, comes to believe that she may have inadvertently married his friend, according to the archaic laws of Scotland and Ireland.

When Lord Montbarry dies suddenly in his Venice palace, and his courier goes missing, suspicion is instantly thrown on his new wife, the beautiful Countess Narona, who has collected his life insurance and fled to America. Montbarry's former fiance, Agnes, still harboring feelings for him, and Henry Westwick, Montbarry's younger brother, decide to investigate this tragedy and head for the palace, now a hotel. Not long after their arrival they experience strange and unsettling occurrences, and the circumstances of Montbarry's death begin to unravel.

In this late romantic novel, the author explores the powers of telepathy while telling a skilful tale that interweaves suspense with the familiar ingredients of Victorian melodrama.

A blinding snowstorm - and a homicidal maniac - traps a small party of friends in an isolated estate. Out of this deceptively simple setup, Agatha Christie fashioned one of her most ingenious puzzlers, which in turn would provide the basis for The Mousetrap, the longest-running play in history. From this classic title novella to the deliciously clever gems on its tail (solved to perfection by Hercule Poirot and Miss Jane Marple), this rare collection of murder most foul showcases Christie at her inventive best.