
The Dying Grass
A Novel of the Nez Perce War
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Narrated by:
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Henry Strozier
About this listen
The National Book Award winner takes listeners inside the epic fighting retreat of the Nez Perce Indians.
In this new installment in his acclaimed series of novels examining the collisions between Native Americans and European colonizers, William T. Vollmann tells the story of the Nez Perce War, with flashbacks to the Civil War. Defrauded and intimidated at every turn, the Nez Perces finally went on the warpath in 1877, subjecting the US Army to its greatest defeat since Little Big Horn as they fled from Northeast Oregon across Montana to the Canadian border. Vollmann's main character is not the legendary Chief Joseph but his pursuer, General Oliver Otis Howard, the brave, shy, tormented, devoutly Christian Civil War veteran. In this novel we see him as commander, father, son, husband, friend, and killer. Teeming with many vivid characters on both sides of the conflict and written in an original style, The Dying Grass is another mesmerizing achievement from one of the most ambitious writers of our time.
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In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.
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An unmatched intellectual epic
- By Delano on 06-23-22
By: Robert Musil
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Gravity's Rainbow
- By: Thomas Pynchon, Frank Miller - cover design
- Narrated by: George Guidall
- Length: 37 hrs and 21 mins
- Unabridged
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Winner of the 1973 National Book Award, Gravity's Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the 20th century as Joyce's Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.
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"Time to touch the person next to you"
- By Jefferson on 07-04-16
By: Thomas Pynchon, and others
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The Sound and the Fury
- By: William Faulkner
- Narrated by: Mike Vendetti, Kathy Verduin
- Length: 11 hrs and 49 mins
- Unabridged
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Immerse yourself in the rich, complex world of The Sound and the Fury with this captivating audiobook adaptation. Narrated by the talented Mike Vendetti, who brings the male characters to life, and Kathy Verduin, who adds depth and emotion to the female voices, this production masterfully captures the essence of Faulkner's iconic work.
By: William Faulkner
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The Complete Stories
- By: Clarice Lispector, Katrina Dodson, Benjamin Moser
- Narrated by: full cast
- Length: 22 hrs and 53 mins
- Unabridged
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Here, gathered in one volume, are the stories that made Clarice a Brazilian legend. Originally a cloth edition of 86 stories, now we have 89 in all, covering her whole amazing career, from her teenage years to her deathbed. In these pages, we meet teenagers becoming aware of their sexual and artistic powers, humdrum housewives whose lives are shattered by unexpected epiphanies, old people who don't know what to do with themselves - and in their stories, Clarice takes us through their lives - and hers - and ours.
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Wonderful Collection
- By XX on 04-25-20
By: Clarice Lispector, and others
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Hard Rain Falling
- By: Don Carpenter
- Narrated by: Elijah Alexander
- Length: 11 hrs and 1 min
- Unabridged
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The novel follows the adventures of Jack Levitt, an orphaned teenager living off his wits in the fleabag hotels and seedy pool halls of Portland, Oregon. Jack befriends Billy Lancing, a young black runaway and pool hustler extraordinaire. A heist gone wrong gets Jack sent to reform school, from which he emerges embittered by abuse and solitary connement. In the meantime Billy has joined the middle class - married, fathered a son, acquired a business and a mistress. But they will meet again....
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A Well Read, American Noir Novel from The 1960s
- By Frank Donnelly on 01-19-20
By: Don Carpenter
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The Known World
- By: Edward P. Jones
- Narrated by: Kevin Free
- Length: 14 hrs and 18 mins
- Unabridged
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Henry Townsend, a black farmer, bootmaker, and former slave, has a fondness for Paradise Lost and an unusual mentor, William Robbins, perhaps the most powerful white man in antebellum Virginia's Manchester County. Under Robbins's tutelage, Henry becomes proprietor of his own plantation, as well as of his own slaves. When he dies, his widow Caldonia succumbs to profound grief, and things begin to fall apart.
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A meandering audiobook...
- By Daniel on 09-03-04
By: Edward P. Jones
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White Noise
- By: Don DeLillo
- Narrated by: Michael Prichard
- Length: 12 hrs and 48 mins
- Unabridged
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When an industrial accident unleashes an "airborne toxic event", a lethal black chemical cloud floats over the Gladneys' lives. The menacing cloud is a more urgent and visible version of the "white noise" engulfing the Gladneys - radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings - pulsing with life yet suggesting something ominous.
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Designed to be analyzed by an English class
- By RI in Canada on 10-15-16
By: Don DeLillo
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2666
- By: Roberto Bolaño
- Narrated by: John Lee, Armando Durán, G. Valmont Thomas, and others
- Length: 39 hrs and 15 mins
- Unabridged
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Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of Santa Teresa - a fictional Juárez - on the U.S.-Mexico border.
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The Best Book I Read or Listened to in 2009
- By William on 01-05-10
By: Roberto Bolaño
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Native Son
- By: Richard Wright
- Narrated by: Peter Francis James
- Length: 17 hrs and 47 mins
- Unabridged
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Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic. Set in Chicago in the 1930s, Richard Wright's powerful novel is an unsparing reflection on the poverty and feelings of hopelessness experienced by people in inner cities across the country and of what it means to be black in America.
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Simply a classic
- By Noah Smith on 11-11-10
By: Richard Wright
What listeners say about The Dying Grass
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Amazon Customer
- 02-16-23
The end of living, the beginning of survival
The Nez Perce War put into the context of the late American 19th century. The natives must be forced from their land and culture for the Bostons to manifest their destiny. Sad! Thanks to the author and the narrator for this excellent work. Joseph is referenced as the red Napoleon and this book has the stature of Tolstoy’s War and Peace. Not a casual read but would highly recommend to those willing to take the time.
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1 person found this helpful
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- Darwin8u
- 05-24-17
It is all the same. Let us kill, die or ride away
"The destiny of the white race in America is to eat up the red men, and in this rising tide of population that rolls toward the setting sun there is no one who is backward in taking his bite -- no one except the government that temporizes and buys peace, to avoid doing the duty that the individual is doing from choice or from necessity."
-- Phillippe Régis Denis de Keredern de Trobriand (1867)
Pynchon Vollmann Analogy
Gravity's Rainbow:Europe Central::Mason&Dixon:The Dying Grass
This might not be my favorite novel of the last several years, but it is one of the best. And I can't easily grasp a novel that I liked more. I just don't know. My brain is fried. My emotions are fried. My ability to look objectively at this book, and history, and the United States is fried.
One of the best compliments I can give to the best historical fiction is that it doesn't break history, but fills in the gaps and bends it. Hillary Mantel does this very well. So too does Robert Graves, John Williams, and Patrick O'Brian. These other authors seem content to carve prose castles to tell their stories of leaders, kings, and periods. Vollmann just drops a volcano on the reader. There is just so much.
I was trying to describe the feeling of reading Vollmann (I've only read three Vollmann, the other two were Europe Central and Whores for Gloria) to my wife. To me it is equivalent of reading a strange cut-up method combination of Mantel, Pynchon, and Burroughs WHILE tripping on mushrooms. But that still doesn't do it justice. There is no easy metaphor for Vollmann. There is no way to explain Vollmann without using Vollmann. What is the only way to understand Vollmann? You have to grab the biggest Vollmann you can find and jump in without fear and without looking back. He is big, vicious, kind, detailed, warm, clinical. He just doesn't stop. He is exhausting and frustrating. He is the literary equivalent of Hieronymus Bosch. He is the hardest working hypergraphic around.
I can't imagine Vollmann is very profitable to Viking. There are just NOT that many people jostling in the age of Twitter (where the demands of reading and writing are limited to 140 characters) to read 1376 pages of digressive, experimental, inner/outer stream of consciousness narrative fiction. However, I know why they keep him on their Viking reservation: the guy WILL win the Nobel prize someday. Guaranteed. This dude has a long, harsh tail.
"It is all the same. Let us kill, die or ride away."
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45 people found this helpful
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- Christopher
- 09-08-16
Great listening experience!
It took a couple of hours to get accustomed to the writing style but Henry Strozier's performance soon brought it all together. the research and subtexts were very well done and their incorporation into the novel was seamless.
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11 people found this helpful
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- Jack Waters
- 10-18-21
Dense, dreadful, and delightful.
Vollmann is a master of magnifying the details of the past in compelling narratives. An unparalleled talent.
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1 person found this helpful
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- Arjay
- 12-06-18
I Give Up
I have listened to over two hours of this story and it makes no sense, considering what the novel is supposed to be about. I hope that this is one of those books that does not translate to the spoken word, as opposed to the written word. All I have heard is a never-ending series of vignettes that son't appear to relate to the topic and that are not placed in context. Two hours is too long for a preface. Maybe the bokk is an artistic masterpiece but you will have to wade through a lot of chaff to get to the wheat.
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3 people found this helpful
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- Cindy
- 12-26-17
bookgirl
boring. asking for a refund. i normally enjoy this type of historical information. i cannot understand how it received such high ratings.
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2 people found this helpful
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- Michelle Moore
- 02-21-16
Borrrrrrrring & hard to follow
What could have made this a 4 or 5-star listening experience for you?
This was painful
What could William T. Vollmann have done to make this a more enjoyable book for you?
Better transitions
How could the performance have been better?
Made me want to sleep
If you could play editor, what scene or scenes would you have cut from The Dying Grass?
About 40 hours
Any additional comments?
Wish I would have looked into this more first
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4 people found this helpful
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- K.C.D.
- 04-24-19
Difficult writing style
The writing style was too much like a news broadcast. This may work well for others,but I don't care for that style and would not want to listen to it for almost 55 hours.
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2 people found this helpful