Self-made American millionaire Christopher Newman arrives in Paris brimming with hope and optimism, excited to experience the culture and, hopefully, find the perfect woman to become his wife. After a chance encounter with American expatriate friends, his attention is drawn to Madame de Cintré, 25-year-old widowed daughter of the late Marquis de Bellegarde. Having fallen on hard times, the centuries-old aristocratic family permits Newman's courtship to proceed; however, they later persuade the widow to break off her engagement to the nouveau-riche businessman.

Roderick Hudson and Rowland Mallet are like two sides of the same coin: while the whimsical and egotistical Roderick recklessly follows his passions in the name of art, altruistic Rowland lives with restraint and measure. The two are bound together almost immediately when Rowland is shown a striking bronze statuette in his cousin's garden, which moves him to meet and support its creator, Roderick. They abandon their provincial New England lives for Rome, where the young sculptor perfects his craft and flourishes among Italy's great masters.

Pressured into a political career by his traditional, establishmentarian family, Nick Dormer longs to be a painter. Eventually, encouraged by the carefree aesthete Gabriel Nash, reminiscent of Oscar Wilde, he resigns from Parliament and follows his artistic dream. His journey is counterpointed with that of budding young actress Miriam Rooth, the subject of Nick's most successful paintings, and the "tragic muse" of the title, who too sacrifices an affluent life (marriage with Nick's cousin Peter) for her art.

Published in 1897, The Spoils of Poynton is one of the quintessential works of James's middle period. The "spoils" of the book's title refer to furniture and other objets d'art that the widow Adela Gereth moves to her cottage so that they are kept away from the clutches of her coarse future daughter-in-law, Mona Brigstock. However, events take an unexpected turn when her married son Owen is attracted to her friend, Fleda Vetch.

Illusion and love - two of James' favourite things - grin thorough this collection of funny and wicked tales. The illusion of social class, a favourite stamping ground for James, is explored in the glittering social comedy "The Real Thing", first published in 1892, in which an artist attempts vainly to capture the nature of aristocracy via painting what he takes to be 'real' members of that social group.

Hyacinth Robinson, drawn into the London underworld of revolutionary politics, vows to assassinate an enemy of the people. His exposure to the Princess Casamassima's world of art, nobility, and beauty leads him to lose faith in his cause.

The battle between a father and a daughter is usually portrayed in literature as a struggle between a headstrong but feisty girl and a tradition-bound lead weight of a father. Henry James, of course, had to do it somewhat differently. He tells a story of an intelligent man riding the turn of the tide in mid-19th-century New York and watching what he sees as his numbingly dull and conventional daughter making the mistake of her life in her choice of husband.

Following a violent and messy divorce, young Maisie Farange floats back and forth between her parents, Beale and Ida, who use her as a weapon to torment each other in their ongoing, internecine war. Eventually the parents both remarry, and it becomes clear that the new spouses care more for Maisie than her own parents. Beale and Ida soon embark on a series of extramarital affairs, leaving Maisie in the care of the new step-parents, who begin their own affair with each other.

Wealthy Maggie Verver has everything she could ever ask for - except a husband and a title. While in Italy, acquiring art for his museum back in the States, Maggie’s millionaire father, Adam, decides to remedy this and acquire a husband for Maggie. Enter Prince Amerigo, of a titled but now poor aristocratic Florentine family. Amerigo is the perfect candidate.

Milly Theale is a young, beautiful, and fabulously wealthy American. When she arrives in London and meets the equally beautiful but impoverished Kate Croy, they form an intimate friendship. But nothing is as it seems: materialism, romance, self-delusion, and ultimately fatal illness insidiously contaminate the glamorous social whirl.

Travelling in Europe with her family, Daisy Miller, an exquisitely beautiful young American woman, presents her fellow countryman Winterbourne with a dilemma he cannot resolve. Is she deliberately flouting social convention in the outspoken way she talks and acts, or is she simply ignorant of those conventions? When she strikes up an intimate friendship with an urbane young Italian, her flat refusal to observe the codes of respectable behaviour leave her perilously exposed.

A poignant look at the disillusionment and angst of the post-World War I generation, The Sun Also Rises introduces two of Hemingway’s most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. In his first great literary masterpiece, Hemingway portrays an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions.

First published in 1900, when Thomas Mann was 25, Buddenbrooks is a minutely imagined chronicle of four generations of a North German mercantile family - a work so true to life that it scandalized the author’s former neighbours in his native Lübeck.

Set on the French Riviera in the late 1920s, Tender Is the Night is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character - lyrical, expansive, and hauntingly evocative.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.