This beloved, larger-than-life thriller from Edgar Award - winning author Fredric Brown stars Bill Sweeney, an ace reporter with an otherworldly drinking problem who gets mixed up with a naked woman as the latter is trying to avoid becoming the fourth victim of a local serial killer - "the Ripper". Rousing himself from his drunken stupor in order to aid the woman, Bill sets out on the killer's trail. As he puts questions and answers together, he finds himself face-to-face with madness and death.

Imagine… Ghosts, gods, and devils - heavens and hells - cities in the sky and cities beneath the sea. Time machines, spaceships - certainly you can imagine Martians, but what about interplanetary vampires? Or a mouse that isn't a mouse? Honeymoon in Hell proves that Fredric Brown has a special vision, a sight beyond our wildest nightmares, a perception of things we couldn't even begin to imagine.

Richard Hudson, woman chaser and used-car salesman, has a pimp's awareness of the ways women (and men) are most vulnerable. One day Richard decides to make an ambitious film, which turns into a fiasco. Enraged, he exacts revenge on all who have crossed him.

In most murder cases, the setting stays put, if nothing else. But when murder comes to visit the J. C.Hobart traveling carnival, the entire operation has left town before Captain Weiss can gather any tangible leads. For young Ed Hunter, the case throws him together with a gorgeous redhead from the show, but as another murder occurs, and then a third, he and his Uncle Am find their hands full with more than just their ball game concession.

Fast-talking, backstabbing, womanizing, and fiercely ambitious art critic James Figueras will do anything - blackmail, burglary, and beyond - to make a name for himself. When an unscrupulous collector offers Figueras a career-making chance to interview Jacques Debierue, the greatest living - and most reclusive - artist, the critic must decide how far he will go to become the art-world celebrity he hungers to be. Will Figueras stop at the opportunity to skim some cream for himself or push beyond morality's limits to a bigger payoff?

In this new collection of short stories, vignettes, and autobiographical sketches - many previously unpublished - Charles Willeford, author of Miami Blues and The Burnt Orange Heresy creates a mosaic of the absurdities of life in the 20th century. From a malicious grandmother to prophetic depictions of the power of reality television, with his wry humor and sudden shifts to violence, he seduces, amuses, and repeatedly surprises you.

In this classic crime novel and hypnotic thriller, a panic-stricken young wife races against time to prove that her convicted husband did not murder his mistress. Writing in first person from the wife’s viewpoint, Woolrich evokes her love and anguish and, finally, desperation as she becomes an avenging angel in her attempt to rescue her husband from execution.

In this classic Miami crime story and thriller, from the writer acclaimed for his Hoke Moseley novels, a man's life is threatened when he discovers his new lover is married.

A science-fiction editor by the name of Keith Winton is eagerly awaiting viewing the first rocket landing on the moon. Something goes terribly wrong and there is an explosion. Winton is catapulted into another universe. Suddenly, he finds himself in a world of space-ships and interplanetary wars. A violent hurtling world he was never meant to see - and one he longed to escape.

The great revival of interest in Patricia Highsmith continues with the publication of a novel that will give dog owners nightmares for years to come. With an eerie simplicity of style, Highsmith turns our next-door neighbors into sadistic psychopaths, lying in wait among white picket fences and manicured lawns. In A Dog's Ransom, Highsmith blends savage humor with brilliant social satire in this dark tale of a high-minded criminal who hits a wealthy Manhattan couple where it hurts the most.

Charles Willeford was a man of letters in all senses of the word. Poet, essayist, short story writer, novelist, and raconteur, his early paperback novels with their existential/immobilized heroes were the creations (to paraphrase Chandler) of a man not himself immobilized - a man who, instead, with his trademark black-humored prose, doggedly examined the mind-thrumming banalities of our materially sated but intellectually befuddled postwar world, crafting a body of work that is only now, 50-some years after his first appearance in print, beginning to be widely appreciated.

The story follows the exploits of three desperate escaped convicts. They rob banks and have a string of successes. They buy guns, nice clothes, and fast cars and read about themselves in the newspapers. Bowie, the central figure of the three thieves, had been serving time for a murder he committed when only 16. Bowie falls in love with Keechie, the cousin of one of his partners, and she joins him on the run.

Big-band frontman Johnny Favorite was singing for the troops when a Luftwaffe fighter squadron strafed the bandstand, killing the crowd and leaving the singer near death. The army returned him to a private hospital in upstate New York, leaving him to live out his days as a vegetable while the world forgot him. But Louis Cyphre never forgets. Cyphre had a contract with the singer, stipulating payment upon Johnny's death—payment that will be denied as long as Johnny clings to life. When Cyphre hires Harry Angel to find Johnny at the hospital, Angel learns that the singer has disappeared.

Falsely convicted of fraud, the easygoing but naive Philip Carter is sentenced to six lonely, drug-ravaged years in prison. Upon his release, Carter is a more suspicious and violent man. For those around him, earning back his trust can mean the difference between life and death.

She was leaning against the door. Her smile was a sickly twisted grimace; the sort a prisoner gives a judge when he's asked if he has anything to say before he's sentenced. Russell Haxby is a ruthless used-car salesman obsessed with manipulating and cavorting with married women. In this classic of hard-boiled fiction, Charles Willeford crafts a wry, sardonic tale of hypocrisy, intrigue, and lust set in San Francisco in the early '50s.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Everyone thinks my husband is dead. Just like we planned. Eleven years ago, my husband disappeared. Eleven long hard years I waited, my heart breaking for our son, who didn’t know his father was coming back. Today, my hands shake as I try to understand what I’ve just learned: my husband has a new wife. This wasn’t part of our plan. Eleven years ago, my husband made a terrible mistake. I sacrificed everything to help him fix it. But now he’s put our son and me in danger again. We had a plan. He broke the rules. But who will pay the price?