The Aeneid represents one of the greatest cultural and artistic achievements of Western Civilization. Within the brooding and melancholy atmosphere of Virgil's pious masterpiece lies the mythic story of Aeneas and his flight from burning Troy, taking with him across the Mediterranean the survivors of the Greek onslaught. Aeneas, after many travails and adventures, including a love affair with Dido Queen of Carthage and a visit to the underworld to see his father, ends up in Italy.

Along with Virgil, Horace (Quintus Horatius Flaccus) was the greatest poet produced by Rome, and in many ways his work has had arguably an even greater impact. His brilliant expression and astonishing acumen continue to amaze readers today, either in their original Latin or in innumerable worldwide translations. Shakespeare's debt to Horace is incalculable, and it is difficult to read his Sonnets today without immediately being reminded of the famous Odes.

Listening to The Satires by Juvenal is to come face to face with the corruption, the debauchery, the waste, the sloth, and the mean-spirited greed of ancient Rome...or is it more like modern times? Indeed, these masterpieces of biting social commentary could easily have been written today about any number of metropolitan areas we are all familiar with.

Pindar was one of the greatest lyric poets of ancient Greece. He is best known today for his odes to the victors of athletic contests, including those at famed Olympia. These odes, the only complete surviving pieces by Pindar, are marvels of sustained imagination, packed with dense parallels between the athletic victor, his illustrious aristocratic ancestors, and the myths of Olympian gods and heroes like Jason, Heracles, and Perseus.

Though it is for the sparkling epic, Aeneid, that the Roman poet Virgil is best known, it was these two poems, The Eclogues and Georgics, which first established his reputation.

As one of the supremely gifted poets of all time, one might expect great things from this collection of poetry by Horace. And these works do not disappoint. The 17 poems of the Epodes cover a variety of topics, including politics, magic, eroticism and food. A product of the turbulent final years of the Roman Republic, the collection is known for its striking depiction of Rome's sociopolitical ills in a time of great upheaval. In the Epistles, Horace reveals himself as a genuine moralist, a subtle observer of life, and a very good writer.

The Iliad is one of the most enduring creations of Western Civilization and was originally written to be recited or chanted to the accompaniment of various instruments. Properly performed, this work today is just as meaningful, just as powerful, and just as entertaining as it was in the ninth century BC, and it casts its spell upon modern listeners with the same raw intensity as it did upon the people of ancient times.

Translated by W. E. D. Rouse, The March of the Ten Thousand is one of the most admired and widely read pieces of ancient literature to come down to us. Xenophon employs a very simple, straightforward style to describe what is probably the most exciting military adventure ever undertaken. It is an epic of courage, faith and democratic principle.

Paradise Lost, along with its companion piece, Paradise Regained, remain the most successful attempts at Greco-Roman style epic poetry in the English language. Remarkably enough, they were written near the end of John Milton's amazing life, a bold testimonial to his mental powers in old age. And, since he had gone completely blind in 1652, 15 years prior to Paradise Lost, he dictated it and all his other works to his daughter.

Lucretius was born in 99 BC, and On the Nature of Things is his only surviving work. His aim was to free the Roman world from its two great terrors - the gods and death. Lucretius argues that the gods are not actively involved in life, so need not be appeased; and that death is the end of everything human - body and soul - and therefore should not be feared. But On the Nature of Things is also a poem of striking imagery, intimate natural observation and touching pathos.

Among the finest poets of ancient Greece was Hesiod, a contemporary of Homer, who lived in the eighth century B.C. It is still a matter of dispute whether Homer or Hesiod was the earlier poet, and sometimes whether they were one and the same person! At any rate, Hesiod's incredible poetry serves as a major source for our understanding of Greek mythology, farming practices, time keeping and astronomy. In and of itself, the "Works and Days" is unparalleled in its richness and beauty, easily rivaling Homer.

The central core of the stories concerns a Persian king and his new bride. The king has a brother who is a vizier in faraway Samarcand, and he invites him to come to the palace for a visit. Just before his departure, the vizier is shocked to discover his wife's infidelity. Enraged, he kills her. Full of pain and grief, the vizier continues on to the court of his brother, the king. But, once arrived at his brother's palace, the vizier soon discovers the king's wife is also involved in an even more flagrant infidelity.

Julius Caesar wrote his exciting Commentaries during some of the most grueling campaigns ever undertaken by a Roman army. The Gallic Wars and The Civil Wars constitute the greatest series of military dispatches ever written. As literature, they are representative of the finest expressions of Latin prose in its "golden" age, a benchmark of elegant style and masculine brevity imitated by young schoolboys for centuries.

The Arthurian legend of Camelot has been told many times, but never better than by Alfred Tennyson. Employing some of the most stirring and beautiful blank verse ever written, Tennyson crafted his version of the Knights of the Round Table over the course of nearly fifty years, completing it in 1885. Despite the length of time, Tennyson managed to maintain a high level of style and continuity throughout.

If you had been a court poet during the reign of the Roman emperor Nero, irritating the megalomaniac ruler would not have been wise. And one of the things which would have really angered Nero would have been the effort to write an epic poem about the struggle between Pompey and Caesar in which the noble hero (portrayed by Pompey) was the man who fought to preserve the Republic, and the selfish villain (portrayed by Caesar), the man who destroyed it. Yet Lucan wrote just such a poem.