Along with Virgil, Horace (Quintus Horatius Flaccus) was the greatest poet produced by Rome, and in many ways his work has had arguably an even greater impact. His brilliant expression and astonishing acumen continue to amaze readers today, either in their original Latin or in innumerable worldwide translations. Shakespeare's debt to Horace is incalculable, and it is difficult to read his Sonnets today without immediately being reminded of the famous Odes.

Listening to The Satires by Juvenal is to come face to face with the corruption, the debauchery, the waste, the sloth, and the mean-spirited greed of ancient Rome...or is it more like modern times? Indeed, these masterpieces of biting social commentary could easily have been written today about any number of metropolitan areas we are all familiar with.

Julius Caesar wrote his exciting Commentaries during some of the most grueling campaigns ever undertaken by a Roman army. The Gallic Wars and The Civil Wars constitute the greatest series of military dispatches ever written. As literature, they are representative of the finest expressions of Latin prose in its "golden" age, a benchmark of elegant style and masculine brevity imitated by young schoolboys for centuries.

When Livy began his epic The History of Rome, he had no idea of the fame and fortune he would eventually attain. He would go on to become the most widely read writer in the Roman Empire and was eagerly sought out and feted like a modern celebrity. And his fame continued to grow after his death. His bombastic style, his intricate and complex sentence structure, and his flair for powerfully recreating the searing drama of historical incidents made him a favorite of teachers and pupils alike.

Pindar was one of the greatest lyric poets of ancient Greece. He is best known today for his odes to the victors of athletic contests, including those at famed Olympia. These odes, the only complete surviving pieces by Pindar, are marvels of sustained imagination, packed with dense parallels between the athletic victor, his illustrious aristocratic ancestors, and the myths of Olympian gods and heroes like Jason, Heracles, and Perseus.

As one of the supremely gifted poets of all time, one might expect great things from this collection of poetry by Horace. And these works do not disappoint. The 17 poems of the Epodes cover a variety of topics, including politics, magic, eroticism and food. A product of the turbulent final years of the Roman Republic, the collection is known for its striking depiction of Rome's sociopolitical ills in a time of great upheaval. In the Epistles, Horace reveals himself as a genuine moralist, a subtle observer of life, and a very good writer.

Virgil's Georgics ranks as one of the most precious pastoral poems ever written, and it has served as a model for its type ever since. Georgics means "of or relating to agriculture or rural life" and it comes from the Greek word, "georgicus". Virgil's main theme in this, his second great work after The Eclogues, was the importance of peace both in the spiritual and physical sense.

The Hellenica is Xenophon’s continuation of Thucydides’ history of the Peloponnesian War, literally resuming from where the previous author’s history was abruptly left unfinished and narrating the events of the final seven years of the conflict and the war’s aftermath. Some historians consider the Hellenica to be a personal work, written by Xenophon in retirement on his Spartan estate, and intended primarily for circulation among his friends, who would have known the main protagonists and events, having most likely participated in them.

The Aeneid represents one of the greatest cultural and artistic achievements of Western Civilization. Within the brooding and melancholy atmosphere of Virgil's pious masterpiece lies the mythic story of Aeneas and his flight from burning Troy, taking with him across the Mediterranean the survivors of the Greek onslaught. Aeneas, after many travails and adventures, including a love affair with Dido Queen of Carthage and a visit to the underworld to see his father, ends up in Italy.

An undeniable masterpiece of Western Civilization, The Metamorphoses is a continuous narrative that covers all the Olympian legends, seamlessly moving from one story to another in a splendid panorama of savage beauty, charm, and wit. All of the gods and heroes familiar to us are represented. Such familiar legends as Hercules, Perseus and Medusa, Daedelus and Icarus, Diana and Actaeon, and many others, are breathtakingly recreated.

In the pantheon of ancient men of letters, none hold a more venerated position than the Roman historian, Tacitus, venerated alike for the accuracy of his chronicles as well as for the superiority of his style. He was a writer of unexcelled genius and consummate skill. But his work fell into oblivion not long after his death, and has come down to us based on the text of a single tattered manuscript from the Middle Ages.

The central core of the stories concerns a Persian king and his new bride. The king has a brother who is a vizier in faraway Samarcand, and he invites him to come to the palace for a visit. Just before his departure, the vizier is shocked to discover his wife's infidelity. Enraged, he kills her. Full of pain and grief, the vizier continues on to the court of his brother, the king. But, once arrived at his brother's palace, the vizier soon discovers the king's wife is also involved in an even more flagrant infidelity.

The Arthurian legend of Camelot has been told many times, but never better than by Alfred Tennyson. Employing some of the most stirring and beautiful blank verse ever written, Tennyson crafted his version of the Knights of the Round Table over the course of nearly fifty years, completing it in 1885. Despite the length of time, Tennyson managed to maintain a high level of style and continuity throughout.

Paradise Lost, along with its companion piece, Paradise Regained, remain the most successful attempts at Greco-Roman style epic poetry in the English language. Remarkably enough, they were written near the end of John Milton's amazing life, a bold testimonial to his mental powers in old age. And, since he had gone completely blind in 1652, 15 years prior to Paradise Lost, he dictated it and all his other works to his daughter.

Perhaps one of the most revolutionary works of philosophy ever presented, The Phenomenology of Spirit is Hegel's 1807 work that is in numerous ways extraordinary. A myriad of topics are discussed, and explained in such a harmoniously complex way that the method has been termed Hegelian dialectic. Ultimately, the work as a whole is a remarkable study of the mind's growth from its direct awareness to scientific philosophy, proving to be a difficult yet highly influential and enduring work.