Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

September 1943: German forces occupy Rome. Gestapo boss Obersturmbannführer Paul Hauptmann rules with terror. Hunger is widespread. Rumors fester. The war’s outcome is far from certain. Diplomats, refugees, and escaped Allied prisoners flee for protection into Vatican City; at one fifth of a square mile, it's the world’s smallest state, a neutral, independent country within Rome. A small band of unlikely friends led by a courageous Irish priest is drawn into deadly danger as they seek to help those seeking refuge.

1898. Quinn le Blanc, London’s most talented con woman, has five days to pull off her most ambitious plot yet: trap a highly eligible duke into marriage and lift a fortune from the richest family in England. Masquerading as the season’s most enviable debutante, Quinn puts on a brilliant act that earns her entrance into the grand drawing rooms and lavish balls of high society—and propels her straight into the inner circle of her target: the charismatic Kendals.

When Henry Irving decides to open the Lyceum, his own London theater, with the goal of making it the greatest playhouse on earth, he hires a young Dublin clerk harboring literary ambitions by the name of Abraham Stoker as his assistant. Together, Irving and Stoker fall under the spell of Ellen Terry, a dazzlingly talented Shakespearean actress, known to all as a proto-feminist, and the lives of all three become intertwined with the Lyceum and each other.

Oxford, 1920. For the first time in its one-thousand-year history, Oxford University officially admits female students. Burning with dreams of equality, four young women move into neighboring rooms in Corridor 8. Beatrice, Dora, Marianne, and Otto—collectively known as The Eights—come from all walks of life, each driven by their own motives, each holding tight to their secrets, and are thrown into an unlikely, unshakable friendship.

Dublin 1907, a city of whispered rumours. An actress still in her teens begins an affair with a damaged older man, the leading playwright at the theatre where she works. Rebellious, irreverent, beautiful, flirtatious, Molly Allgood is a girl of the inner city tenements, dreaming of stardom in America. Witty and watchful, she has dozens of admirers. But in the backstage of her life, there is a secret.