As dawn breaks over the city of Florence on New Year's Day 1557, Jacopo da Pontormo is discovered lying on the floor of a church, stabbed through the heart. Above him are the frescoes he labored over for more than a decade―masterpieces all, rivaling the works of Michelangelo in the Sistine Chapel. When guards search his quarters, they find an obscene painting of Venus and Cupid―with the face of Venus replaced by that of Maria de' Medici, the Duke of Florence's oldest daughter. The city erupts in chaos.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

In this thoughtful collection of essays, Andrea Barrett draws from her experiences writing some of the most acclaimed historical fiction of our time to explore the mysteries and delights of the genre. Inspiration found in the past, she argues, can illuminate fiction, just as dust scatters light and makes the unseen visible.

A novel that leaps across centuries past and future, as if different eras were separated by only a door. Lina and her father arrive at an enclave called The Sea, a staging post between migrations, with only a few possessions. In this mysterious and shape-shifting place, a building made of time, pasts and futures collide. Lina befriends her neighbors: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China.

Naema, an elderly princess dedicated to her pet causes, is in a bind: struck by a malady that maroons her in Montreux, she’s unable to host an exclusive gala dinner in Berlin to honor the author Masud al-Huzeil for his lifetime achievement in Arabic literature. Not only is she unable to attend, RSVPs have been slow to materialize, and she’s reduced to begging the ancient award winner to find some attendees at the last minute. Masud invites his old friend Demian, a native Berliner, who in turn invites his two best friends.

Ukraine, 2022. Yeva is a loner and a maverick scientist who lives out of her mobile lab. She scours the country’s forests and valleys, trying and failing to breed rare snails, while her relatives urge her to settle down and finally start a family of her own. What they don’t know: Yeva already dates plenty of men—not for love, but to fund her work—entertaining Westerners who come to Ukraine on guided romance tours believing they’ll find docile brides untainted by feminism and modernity.

Sad Tiger is built on the facts of a series of devastating events. Neige Sinno was seven years old when her stepfather started sexually abusing her. At nineteen, she decided to break the silence that is so common in all cultures around sexual violence. This led to a public trial and prison for her stepfather, and Sinno started a new life in Mexico.

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

The first year of November eighteenth is coming to a close, and Tara Selter has returned to her hotel room in Paris, the place where it all began. As if perched at the edge of a precipice, she readies herself to leap into November nineteenth. Book II of Solvej Balle’s astounding seven-part series On the Calculation of Volume beautifully expands on the speculative premise of Book I, drawing us further into the maze of time, where space yawns open, as if suddenly gaining a new dimension, extending into ever more fined-grained textures.

When she first meets Adam, Coralie is new to London and feeling adrift. But Adam is clever, witty, and (he insists) a quarter inch taller than the average male. His charming four-year-old daughter only adds to his appeal. But ten years on, something important is missing from the life Coralie and Adam (though let’s face it, mostly Coralie) have built. Or maybe, having gained everything she dreamed of, Coralie has lost something else she once had: herself.

From “the great German-language writer of his generation” (Joshua Cohen) comes the second novel of Christian Kracht’s career narrated by an eponymous “Christian”. Eurotrash begins in Zurich, where Christian has returned to care for his 80-year-old mother after her discharge from a psychiatric institution. Confronting the dark shadows of his family’s past—particularly his grandfather’s strong ties with the Nazi regime—and struggling to navigate the emotionally wrenching terrain of his relationship with his mother, he sets off on a road trip with her.

Ireland 1973, a baby boy is found on the beach of a close-knit fishing village. Fisherman Ambrose Bonnar offers to bring the child into his own family: his son, Declan, wife, Christine, and up the lane, Christine's sister and aging father. The townspeople remain fascinated by the baby, now named Brendan, as he grows into a strange yet charismatic young man.

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James. Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

In 1664, England decided to invade the Dutch-controlled city of New Amsterdam on Manhattan Island. Charles II and his brother, the Duke of York, had dreams of empire, and their archrivals, the Dutch, were in the way. But Richard Nicolls, the military officer who led the English flotilla bent on destruction, changed his strategy once he encountered Peter Stuyvesant, New Netherland’s canny director general.

In a tight-knit Levantine Christian family in 1960s Cairo, Tarek’s entire life is written in advance. He’ll be a doctor like his father, marry, and have children. Under the watchful eye of the family’s strong women, he starts to do just that–until a patient’s son, Ali, enters his life and turns it upside down. The two men’s unsayable relationship sparks a series of events as dramatic as the Six-Day War and assassination of President Anwar Sadat playing out in the background.

As dawn breaks over the city of Florence on New Year's Day 1557, Jacopo da Pontormo is discovered lying on the floor of a church, stabbed through the heart. Above him are the frescoes he labored over for more than a decade―masterpieces all, rivaling the works of Michelangelo in the Sistine Chapel. When guards search his quarters, they find an obscene painting of Venus and Cupid―with the face of Venus replaced by that of Maria de' Medici, the Duke of Florence's oldest daughter. The city erupts in chaos.

Lion is about an unlikely parent, more legend than presence in his daughter's life. He is a charismatic, dashing bon-vivant, a polo player, race car driver, cocaine addict, ex-con, pilot, and sky-diver. Born in the aftershocks of Argentina's greatest earthquake, he is like a minor god who comes down to earth in a grand manner, falling in all the ways there are to fall.

Lili’s family migrated to Australia from Asia when she was a teenager. Now, in the 1980s, she’s teaching in the south of France. She makes friends, observes the treatment handed out to North African immigrants, and is creeped out by her downstairs neighbor. Lyle works for a sinister government department in near-future Australia. An Asian migrant, he fears repatriation. He’s also preoccupied with his ambitious wife, his wayward children, and his strong-minded mother. Islam has been banned, the air is smoky from a Permanent Fire Zone, and one pandemic has already run its course.

Edith, just out of school, has been sent from her quiet English life to rural Italy. It is the 1960s, and her mother has issued strict instructions: tend to her sister, ballet dancer Lydia, in the final weeks of her scandalous pregnancy; help at the birth; make a phone call that will summon the nuns who will spirit the child away to a new home. Decades later, happily divorced, recently moved, and full of new energy, Edith has made a life of contentment and comfort in Ireland. Then her best friend Maebh receives a shocking phone call from an American man.

From the author of The End We Start From, now a major film starring Jodie Comer, and taking inspiration from the influential artists and intellectuals of the Bloomsbury Group, Days of Light is a sweeping, sensual historical novel of art, desire, and faith set against the backdrop of a changing England.

Oscar is a B-list novelist in his forties. He used to be an alcoholic and a cokehead, but now he keeps himself busy by ranting on social media. When Rebecca, an actress whose looks he insulted, sends him an angry email, they strike up a combative correspondence—at the very moment that Oscar is accused of sexual harassment by his former publicist. What ensues is a no-holds-barred conversation about life under the patriarchy, and above all about addiction—to drugs, to alcohol, to the internet, to rage.

Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead.

In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of freedom.

In the shadow of an ancient abbey nestled between rivers, Daniel is growing up. He is highly intelligent but little understood by his parents, and a secret passion burns inside him for love and recognition. When his father loses his job as the headmaster of the local school, his family stumbles into a rural life for which they are ill-prepared. Daniel’s sole solace is the arrival of Philip, a new boy at school, whom he worships with a confused intensity.

“Ask anyone non-Northern, they’ll only know Donny as punchline of a joke or place they changed trains once ont way to London.” But Doncaster’s also the home of Rach, Shaz, and Kel, bezzies since childhood and Donny lasses through and through. Never mind that Rach is skeptical of Shaz’s bolder plots; or that Shaz, who comes from a rougher end of town, feels left behind when the others begin plotting a course to uni; or that Kel sometimes feels split in two trying to keep the peace―the girls are inseparable, their friendship as indestructible as they are.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

Naema, an elderly princess dedicated to her pet causes, is in a bind: struck by a malady that maroons her in Montreux, she’s unable to host an exclusive gala dinner in Berlin to honor the author Masud al-Huzeil for his lifetime achievement in Arabic literature. Not only is she unable to attend, RSVPs have been slow to materialize, and she’s reduced to begging the ancient award winner to find some attendees at the last minute. Masud invites his old friend Demian, a native Berliner, who in turn invites his two best friends.

At the turn of the twenty-first century, three young people come of age in Tanzania. Karim returns to his sleepy hometown after university with new swagger and ambition. Fauzia glimpses in him a chance at escape from a smothering upbringing. The two of them offer a haven to Badar, a poor boy still unsure if the future holds anything for him at all. As tourism, technology, and unexpected opportunities and perils reach their quiet corner of the world, bringing, each arrives at a different understanding of what it means to take your fate into your own hands.

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.

Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident.