Nora O'Malley's been a lot of girls. As the daughter of a con-artist who targets criminal men, she grew up as her mother's protégé. But when her mom fell for the mark instead of conning him, Nora pulled the ultimate con: escape. For five years Nora's been playing at normal. But she needs to dust off the skills she ditched because she has three problems.

After years of bickering, Penny and Tate have called a truce: they’ll play nice. They have to. Their mothers (life-long best friends) need them to be perfect, drama-free daughters when Penny’s mother becomes a living liver donor to Tate’s mom. Forced to live together as the Moms recover, the girls’ truce is essential in keeping everything—their jobs, the house, the finances, the Moms’ healing—running smoothly. They’ve got to let this thing between them go. There’s one little hitch: Penny and Tate keep almost kissing.

Winning the lottery has ruined Opal Devlin's life. After quitting her dead-end job where she’d earned minimum wage and even less respect, she’s bombarded by people knocking at her door for a handout the second they found out her bank account was overflowing with cash. And Opal can’t seem to stop saying yes.

Reserved tattoo artist Riley Foster has just moved apartments and can't take her eyes off the single mom who lives next door. Riley is trying very hard not to succumb to the cliche of falling for the straight girl as she gets to know Kim Jackson, an outgoing baker with an adorable nine-year-old son. A friendship forms and Riley even finds herself roped into playing Kim's fake girlfriend to get her meddling family off her back. What could go wrong . . . except for Kim suddenly questioning whether she's not as straight as she thought!

Riley is so confident and kind, and she and Valerie bond quickly over existing as multiracial teens in a very white Christian community. As Valerie explores her feelings for Riley, she begins to see that the world she knows is a carefully crafted narrative. Publicly, the girls are close friends—holding hands in prayer, rooming together at a conference. Privately, they grasp at any chance to continue their forbidden romance—until they are found out. Now, Valerie must choose between staying with a family she fears will never accept her, or running away with the girl she loves.

After a year from hell, Haf is ready to blow off steam at a Christmas party: a kind stranger, a few too many drinks and suddenly she's kissing Christopher under the mistletoe—in front of his ex-girlfriend. The next day the news is out that they're apparently a couple, coming to Oxlea to spend the festive season with Christopher's family. But Haf doesn't have better holiday plans and to save her new friend from embarrassment, she agrees to pretend to be Christopher's girlfriend for Christmas. It has the makings of a hilarious anecdote. Until Haf meets Christopher's sister....

When Jo-Lynn Kirby ‘s former best friend—pretty, nice Maddie Price—comes to her claiming to be in trouble, Jo assumes it's some kind of joke. After all, Jo has been an outcast ever since her nude photos were leaked—and since everyone decided she deserved it. There’s no way Maddie would actually come to her for help. But then Maddie is gone. As Jo digs deeper into Maddie’s disappearance, she’s left to wonder who she’s really searching for: Maddie, or the girl she used to be.

Robbie and Trevor Cresmont have a body count—the killer kind. Handsome and privileged, the Crestmont brothers have enough wealth to ensure they’ll never be found guilty of any wrongdoing, even if all of Happy Valley believes they're behind the deaths of their ex-girlfriends. First there was soccer star Victoria Moreno, Robbie’s ex, who mysteriously drowned at the family lake house. Then, a year later, Trevor’s girlfriend died of a suspicious overdose.

Twenty years ago, Ripley Fox’s entire family was killed in a fire. After years in the foster care system and trying to rebuild her life, she’s once again confronted not only with the horror of what happened that night, but also with the truth about who was responsible. Kenna Crawford is the very definition of a hard-nosed reporter. She always gets her story, never takes no for an answer and never lets go once she’s got something or someone in her sights. When she comes across the story of Ripley Fox, she’s not only intrigued by it but also by Ripley herself.

It’s 1857, and anxious debutante Beth has just one season to snag a wealthy husband, or she and her mother will be out on the street. But playing the blushing ingenue makes Beth’s skin crawl and she’d rather be anywhere but here. Gwen, on the other hand, is on her fourth season and counting, with absolutely no intention of finding a husband, possibly ever. She figures she has plenty of security as the only daughter of a rakish earl, from whom she’s gotten all her flair, fun, and less-than-proper party games.

Margo Zimmerman is gay, but she didn’t know until now. An overachiever at heart, Margo is determined to ace her newly discovered gayness. All she needs is the right tutor. Abbie Sokoloff has her own gayness down to a science. But a flunking grade in US History is threatening her acceptance to her dream school. All she needs is the right tutor. Margo agrees to help Abbie get her history grade up in exchange for “Queer 101” lessons. But as they spend more and more time together, Margo realizes she doesn’t want just any girl—she wants the girl.

The first in the Honor series, Above All, Honor introduces single-minded Secret Service Agent Cameron Roberts and the woman she is sworn to protect - Blair Powell, the daughter of the President of the United States. Cam's duty is her life - and the only thing that keeps her from self-destructing under the unbearable weight of her own deep personal tragedy. However, she hasn't counted on the fact that the beautiful, willful first daughter will do anything in her power to escape the watchful eyes of her protectors, including seducing the agent in charge.

It’s been hundreds of years since King Arthur’s reign. His descendant, Arthur, a future Lord and general gadabout, has been betrothed to Gwendoline, the quick-witted, short-tempered princess of England, since birth. The only thing they can agree on is that they despise each other. They’re forced to spend the summer together at Camelot in the run up to their nuptials, and within 24 hours, Gwen has discovered Arthur kissing a boy and Arthur has gone digging for Gwen's childhood diary and found confessions about her crush on the kingdom's only lady knight, Bridget Leclair.

A chance encounter between two lonely women leads to a passionate romance in this lesbian cult classic. Therese, a struggling young sales clerk, and Carol, a homemaker in the midst of a bitter divorce, abandon their oppressive daily routines for the freedom of the open road, where their love can blossom. But their newly discovered bliss is shattered when Carol is forced to choose between her child and her lover.

All Reyna and Kianthe want is to open a bookshop that serves tea. Worn wooden floors, plants on every table, firelight drifting between the rafters… all complemented by love and good company. Thing is, Reyna works as one of the Queen’s private guards, and Kianthe is the most powerful mage in existence. Leaving their lives isn’t so easy. But after an assassin takes Reyna hostage, she decides she’s thoroughly done risking her life for a self-centered queen. Meanwhile, Kianthe has been waiting for a chance to flee responsibility–all the better that her girlfriend is on board.