When Rudd, a troubled teenager, embarks on a school research project, he runs across the secret Mormon ritual of blood sacrifice and its role in a 1902 murder committed by the grandson of Brigham Young. Along with his newly discovered half brother, Rudd becomes swept up in the psychological and atavistic effects of this violent, antique ritual. As the past and the present become an increasingly tangled knot, Rudd is found—with minor injuries and few memories—at the scene of a multiple murder on a remote campsite.

Though published second after Altmann's Tongue, The Din of Celestial Birds (1997) consists of the best of Evenson's early stories. They take place in a country (perhaps several countries) that seems at once everywhere and nowhere, haunted by birds, ghosts, poverty, tyranny, and the permeability of the line between the living and the dead. These stories offer a heady mix of absurdity and bleakness on the one hand and exuberant magic realism on the other.

A woman falling out of sync with the world; a king’s servant hypnotized by his murderous horse; a transplanted ear with a mind of its own—the characters in these 25 stories live as interlopers in a world shaped by mysterious disappearances and unfathomable discrepancies between the real and imagined, revealing the breadth and depth of Evenson’s uncanny vision.

Still reeling from a brutal dismemberment, detective Kline is forcibly recruited to solve a murder inside a religious cult that takes literally the New Testament idea that you should cut off your hand if it offends you. Armed only with his gun, his wits, and a gift for self-preservation, Kline must navigate a gauntlet of lies, threats, and misinformation. All too soon he discovers that the stakes are higher than he thought and that his survival depends on an act of sheer will.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.

Lay provost Eldon Fochs is a happily married father of four. Based on his disturbing dreams, he may also be a sex criminal. His therapist isn’t sure, and his church is determined to protect its reputation. Written from the perspectives of Fochs, his analyst Dr. Alexander Feshtig, and the letters exchanged between Feshtig and his superiors in the church, Father of Lies is Brian Evenson’s fable of power, paranoia, and the dangers of blind obedience. It offers a terrifying vision of how far institutions will go to protect themselves from the innocents who may be their victims.

Brian Evenson's fifth story collection constructs a human landscape as unearthly as it is mundane. Replete with the brutality, primordial waste, and savage blankness familiar to listeners of his earlier works, Evenson's Kafkaesque allegories entice the mind while stubbornly disordering it.

In Dark Property, a woman carries a dying baby across a desert waste, moving toward a fortress harboring a mysterious resurrection cult. Menaced by scavengers, she nevertheless begins to suspect that the reality within the fortress may be even more unsettling than the blasted environment outside. In Contagion and Other Stories, Evenson takes his audiences into a world that is at once apocalyptic, dark, observant, and grotesque without ever dipping into static genre conventions.

You open your eyes for what you know is not the first time and you remember nothing. You find out that a catastrophic event known as the Kollaps has destroyed life as we know it. Something crucial has been stolen - but under no circumstances can you know what or why. You’ve got to get it back or something bad is going to happen. And you’ve got to get it back fast, so they can freeze you again before your own time runs out. Paralyzed from the waist down, you’re being carried around on the backs of two men who don’t seem anything like you at all.

X doesn’t have a name. He thought he had one—or many—but that might be the result of the failing memories of the personalities imprinted within him. Or maybe he really is called X. He’s also not as human as he believes himself to be. But when he discovers the existence of another—above ground, outside the protection of the Warren—X must learn what it means to be human, or face the destruction of their two species.

Thomas Ligotti’s debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti eschews cheap, gory thrills for his own brand of horror, which shocks at the deepest, existential, levels.

In this striking and bleak, yet luminous debut collection, Nathan Ballingrud, winner of the inaugural Shirley Jackson Award, uses the trappings of the Gothic and the uncanny to investigate a distinctly American landscape: The loneliest and darkest corners of contemporary life. Ballingrud’s stories are love stories. They’re also monster stories. Sometimes the monsters collected here are vampires or werewolves.

Karl Edward Wagner (1945-1994) has earned a reputation as one of the finest horror writers of the modern era, but his work has been out of print and nearly unobtainable for many years. His seminal volume In a Lonely Place collects eight of his best tales, including "In the Pines," a classic ghost story evocatively set in the Tennessee woods, "Beyond Any Measure," an original take on the vampire story.

John Langan has, in the last few years, established himself as one of the leading voices in contemporary horror literature. Gifted with a supple and mellifluous prose style, an imagination that can conjure up clutching terrors with seeming effortlessness, and a thorough knowledge of the rich heritage of weird fiction, Langan has already garnered his share of accolades. This new collection includes nine of his substantial stories.

Over the course of two award-winning collections and a critically acclaimed novel, The Croning, Laird Barron has arisen as one of the strongest and most original literary voices in modern horror and the dark fantastic. Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron's stories have garnered critical acclaim and have been reprinted in numerous year's best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.

You open your eyes for what you know is not the first time and you remember nothing. You find out that a catastrophic event known as the Kollaps has destroyed life as we know it. Something crucial has been stolen - but under no circumstances can you know what or why. You’ve got to get it back or something bad is going to happen. And you’ve got to get it back fast, so they can freeze you again before your own time runs out. Paralyzed from the waist down, you’re being carried around on the backs of two men who don’t seem anything like you at all.

The night Quin Kincaid takes her oath, she will become what she has trained to be her entire life. She will become a Seeker. This is her legacy, and it is an honor. As a Seeker, Quin will fight beside her two closest companions, Shinobu and John, to protect the weak and the wronged. Together they will stand for light in a shadowy world. And she'll be with the boy she loves - who's also her best friend. But the night Quin takes her Oath, everything changes. Being a Seeker is not what she thought. Her family is not what she thought. Even the boy she loves is not who she thought.

Udo's biggest problem isn't being a digger (that's low class), or staying drunk (that's damn expensive), or avoiding the Dwergaz (they're monsters), or even pissing off the supposed Gods. It's that his reality...well, it isn't what he thought. And now, he can't even afford to drink because his so-called friend Nicz is cutting into his business, digging up tin, iron, and copper. So Udo forms a new plan: clay. After all, clay jars are used to store everything: meat, herbs, and, his personal favorite, ale.

Best-selling author Robert Jackson Bennett has won widespread critical acclaim for his unique brand of darkly inventive fiction. In The Troupe, 16-year-old George Carole joins vaudeville in search of Heironomo Silenus, the man he believes to be his father. But what he discovers casts a dark pall over his world: Silenus' troupe hides a dangerous secret - one that invites death to all in its vicinity.

Thomas Usher has a terrible gift. Following a car crash in which his wife and daughter are killed, he can see the recently departed, and it's not usually a pretty sight. When he is called to investigate the violent death of the daughter of a prominent local gangster, Usher's world is torn apart once more. For the barriers between this world and the next are not as immutable as once he believed.

In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story.

Alma Harper has been trying to forget what happened in Widowsfield 16 years ago. She has a good life as a music teacher now, and might rekindle her relationship with her one true love. However, the number 314 haunts her, and threatens to bring her back to the day that her brother disappeared. When a reporter shows up, just days before March 14th, Alma realizes that her past is coming back to haunt her. What happened on March 14th, at 3:14, 16 years ago? No one but The Skeleton Man can remember.

In the post-apocalyptic, neo-medieval city of Ark, speech is constrained to 500 sanctioned words. If somewhere were to speak outside that approved lexicon, they'd face banishment. The only exceptions to this rule are the Wordsmith and his apprentice, Letta. Together, they are the keepers and archivists of all language. But when Letta's master dies, she is suddenly promoted to Wordsmith and finds the situation more complicated than she knew.

Mara Dyer believes life can't get any stranger than waking up in a hospital with no memory of how she got there. It can. She believes there must be more to the accident she can't remember that killed her friends and left her strangely unharmed. There is. She doesn't believe that after everything she's been through, she can fall in love. She's wrong.

It is freezing in the churchyard, even before the dead arrive. Every year, Blue Sargent stands next to her clairvoyant mother as the soon-to-be dead walk past. Blue herself never sees them - not until this year, when a boy emerges from the dark and speaks directly to her. His name is Gansey, and Blue soon discovers that he is a rich student at Aglionby, the local private school. Blue has a policy of staying away from Aglionby boys. Known as Raven Boys, they can only mean trouble. But Blue is drawn to Gansey, in a way she can't entirely explain.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

When Jessica marries David, he is everything she wants in a family man: brilliant, attentive, ever youthful. Yet she still feels something about him is just out of reach. Soon, as people close to Jessica begin to meet violent, mysterious deaths, David makes an unimaginable confession: More than 400 years ago, he and other members of an Ethiopian sect traded their humanity so they would never die, a secret he must protect at any cost.

When Sara and Jamie discovered the artifacts, they sensed the pull of a dim, distant place, a world of misty forests, ancient magics, mythical beings, ageless bards...and restless evil.

In the first book of the Shaw Confessions, the companion series to the New York Times best-selling Mara Dyer novels, old skeletons are laid bare and new promises prove deadly. This is what happens after happily ever after. Everyone thinks 17-year-old Noah Shaw has the world on a string. They're wrong. Mara Dyer is the only one he trusts with his secrets and his future. He shouldn't. And both are scared that uncovering the truth about themselves will force them apart. They're right.

The ugly truth. Nicholas Dismas is a Private Investigator, but like no other that has gone before him. He carries a secret to which not even he has the answer. Dismas is hired to find a missing baby. One that was taken away at birth... Or was it? His investigation takes him to a mysteriously located place called Perfect Rest, a nursing home for the elderly. Here Dismas will discover the dark secret of the Others. And in an astonishing and spectacular finale he will resolve the enigma of his own existence.

A provocative collection of literary horror stories by one of America’s most acclaimed and inventive writers whose unique prose “can be soul-shaking” (New Yorker).

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.

Lay provost Eldon Fochs is a happily married father of four. Based on his disturbing dreams, he may also be a sex criminal. His therapist isn’t sure, and his church is determined to protect its reputation. Written from the perspectives of Fochs, his analyst Dr. Alexander Feshtig, and the letters exchanged between Feshtig and his superiors in the church, Father of Lies is Brian Evenson’s fable of power, paranoia, and the dangers of blind obedience. It offers a terrifying vision of how far institutions will go to protect themselves from the innocents who may be their victims.

When Rudd, a troubled teenager, embarks on a school research project, he runs across the secret Mormon ritual of blood sacrifice and its role in a 1902 murder committed by the grandson of Brigham Young. Along with his newly discovered half brother, Rudd becomes swept up in the psychological and atavistic effects of this violent, antique ritual. As the past and the present become an increasingly tangled knot, Rudd is found—with minor injuries and few memories—at the scene of a multiple murder on a remote campsite.

In Dark Property, a woman carries a dying baby across a desert waste, moving toward a fortress harboring a mysterious resurrection cult. Menaced by scavengers, she nevertheless begins to suspect that the reality within the fortress may be even more unsettling than the blasted environment outside. In Contagion and Other Stories, Evenson takes his audiences into a world that is at once apocalyptic, dark, observant, and grotesque without ever dipping into static genre conventions.

Still reeling from a brutal dismemberment, detective Kline is forcibly recruited to solve a murder inside a religious cult that takes literally the New Testament idea that you should cut off your hand if it offends you. Armed only with his gun, his wits, and a gift for self-preservation, Kline must navigate a gauntlet of lies, threats, and misinformation. All too soon he discovers that the stakes are higher than he thought and that his survival depends on an act of sheer will.

Brian Evenson’s hallucinatory and darkly comic stories of paranoia, pursuit, sensory deprivation, amnesia, and retribution rattle the cages of the psyche and peer into the gaping moral chasm that opens when we become estranged from ourselves. From sadistic bosses with secret fears to a woman trapped in a mime’s imaginary box, and from a post-apocalyptic misidentified Messiah to unwitting portraitists of the dead, the mind-bending world of this modern-day Edgar Allan Poe exposes the horror contained within our daily lives.

Thomas Ligotti’s debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti eschews cheap, gory thrills for his own brand of horror, which shocks at the deepest, existential, levels.

You open your eyes for what you know is not the first time and you remember nothing. You find out that a catastrophic event known as the Kollaps has destroyed life as we know it. Something crucial has been stolen - but under no circumstances can you know what or why. You’ve got to get it back or something bad is going to happen. And you’ve got to get it back fast, so they can freeze you again before your own time runs out. Paralyzed from the waist down, you’re being carried around on the backs of two men who don’t seem anything like you at all.

Brian Evenson's fifth story collection constructs a human landscape as unearthly as it is mundane. Replete with the brutality, primordial waste, and savage blankness familiar to listeners of his earlier works, Evenson's Kafkaesque allegories entice the mind while stubbornly disordering it.

In this striking and bleak, yet luminous debut collection, Nathan Ballingrud, winner of the inaugural Shirley Jackson Award, uses the trappings of the Gothic and the uncanny to investigate a distinctly American landscape: The loneliest and darkest corners of contemporary life. Ballingrud’s stories are love stories. They’re also monster stories. Sometimes the monsters collected here are vampires or werewolves.

Uncover the secret annals of untold history in these eighteen medieval manuscripts. Each tortured scribe will bring you face to face with ancient horrors lurking in cursed castles, wild woodlands, haunted hamlets, and mysterious monasteries. Including a lineup of authors both established and emerging, HOWL Society Press presents the first-ever anthology of historical horror from the medieval period, fittingly introduced by the writer who arguably started it all: Christopher Buehlman, author of the medieval horror epic Between Two Fires.

Though published second after Altmann's Tongue, The Din of Celestial Birds (1997) consists of the best of Evenson's early stories. They take place in a country (perhaps several countries) that seems at once everywhere and nowhere, haunted by birds, ghosts, poverty, tyranny, and the permeability of the line between the living and the dead. These stories offer a heady mix of absurdity and bleakness on the one hand and exuberant magic realism on the other.