In That Endlessness, Our End
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By:
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Gemma Files
About this listen
Come closer, friend. Let me tell you a story.
Heard the one about the Airbnb that eats your dreams or the iron-crowned king who preys on his own bloodline from the air, still smoldering centuries after being burnt alive? How about the cloudy antique bottle you can wish your excess rage inside, or that crooked alley down which something waits to replace your disappointing child with a far more pleasant facsimile? We all know the truth, especially in times like these—in an anxiety-ridden, sleepless world such as ours, it’s only ever our very worst dreams that come true. Here streets empty out and people pull themselves apart like amoebas, breeding murderous doppelgangers from their own flesh; houses haunt, ideas possess, and a cold and alien moon stares down, whispering that it’s time to spawn. New myths rise and ancient evils descend. From the seemingly mundane terrors of a city just like yours to all the most dark and distant places of a truly terrible universe, nothing is as it seems … not even that dimly-recalled cinematic memory you’ve been chasing all these years, the one you think might be just something you stumbled upon while flipping through channels after midnight. The one that still disturbs you enough to raise a cold sweat all over your body, whenever you try to will its details clear.
Hot on the heels of her 2018 This Is Horror Award–winning short story collection Spectral Evidence, critically horror author Gemma Files compiles fifteen more of her most startling recent nightmares—a creepily seductive downward spiral of dark poetry and existential dread, entirely suitable to the slow apocalypse going on all around us. So take your mind off your troubles and send it somewhere the rules still operate, if only to punish those who violate them.
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Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.
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The definitive version!
- By Kristopher G. Hesson on 10-03-24
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Fahrenheit 451
- By: Ray Bradbury
- Narrated by: Tim Robbins
- Length: 5 hrs and 1 min
- Unabridged
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- By Joel on 03-27-17
By: Ray Bradbury
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The Mistake
- By: K. L. Slater
- Narrated by: Lucy Price-Lewis
- Length: 8 hrs and 26 mins
- Unabridged
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You think you know the truth about the people you love. But one discovery can change everything.... Eight-year-old Billy goes missing one day, out flying his kite with his sister Rose. Two days later he is found dead. Sixteen years on, Rose still blames herself for Billy's death. How could she have failed to protect her little brother? Rose has never fully recovered from the trauma, and one of the few people she trusts is her neighbour Ronnie, who she has known all her life.
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How much do we really know about the ones we love?
- By T. West on 12-03-17
By: K. L. Slater
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Mary Jane
- By: Amy Herzog
- Narrated by: Rachel McAdams, April Matthis, Brenda Wehle, and others
- Length: 1 hr and 16 mins
- Original Recording
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Academy Award nominee Rachel McAdams stars in Mary Jane, a poignant and intimate drama following a single mother’s journey caring for her chronically ill young son. Set in New York City, the play unfolds in two parts—Mary Jane's small Queens apartment and a pediatric hospital. With unflinching honesty and unexpected humor, we witness Mary Jane's tireless devotion, her interactions with medical professionals, and her struggle to maintain her sense of self.
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Amazing performance
- By Andrew Reynolds on 12-28-24
By: Amy Herzog
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Ghost Stories: Stephen Fry's Definitive Collection
- By: Stephen Fry, Washington Irving, M.R. James, and others
- Narrated by: Stephen Fry
- Length: 8 hrs and 18 mins
- Unabridged
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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From the haunted hills of Roman Britain to the sewers of occupied Warsaw … in the bloodied streets of Revolutionary Paris, and the anarchy World War II Shanghai … out of the wilds of America, India, Africa and Europe … down the long savage darkness of the centuries, monsters have fed upon us. They are shapeshifters, vampires, sorcerers and spirits—things named only in myth, and things for which we have no name. They are our demons, our reflections, our desires and our nightmares. And all too often, they are … only human.
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Terrible narration
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Smartly done and well written.
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Only a few decent stories in this bunch.
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incomplete release
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To Charles Fort, with Love
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To Charles Fort, with Love is award-winning fantasist Caitlín R. Kiernan’s third collection of short fiction, a haunting parade of the terrible things which may lie beyond the boundaries of science, the minds which may exist beyond psychology, and the forbidden places which will never be located in any orthodox globe. A deceptively even dozen, this collection includes Kiernan’s celebrated stories “Onion” and “Andromeda Among the Stones”, as well as a number of more obscure pieces.
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Frustrating and unsatisfying
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Little Girls
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When Laurie was a little girl, she was forbidden to enter the room at the top of the stairs. It was one of many rules imposed by her cold, distant father. Now, in a final act of desperation, her father has exorcised his demons. But when Laurie returns to claim the estate with her husband and 10-year-old daughter, it's as if the past refuses to die. She feels it lurking in the broken moldings, sees it staring from an empty picture frame, hears it laughing in the moldy greenhouse deep in the woods.
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good characters good story
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Screams from the Dark
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From werewolves and vampires, to demons and aliens, the monster is one of the most recognizable figures in horror. But what makes something, or someone, monstrous? Award-winning and up-and-coming authors like Richard Kadrey, Cassandra Khaw, Indrapramit Das, Priya Sharma, and more attempt to answer this question. These all-new stories range from traditional to modern, from mainstream to literary, from familiar monsters to the unknown . . . and unimaginable.
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Save your credits/money
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Beneath an Oil-Dark Sea
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In his Locus review of Two Worlds and in Between - the first volume of The Best of Caitlín R. Kiernan - Gary K. Wolfe wrote, “...it makes you wish the second volume were here now.” Well, the long wait is over. This second volume completes this ambitious undertaking, collecting the finest of Kiernan’s stories from 2004 to 2012, selected by the author herself. The book includes 25 short stories and one poem, plus the short novel Black Helicopters - more than 200,000 words of fiction, including the World Fantasy Award-winning “The Prayer of 90 Cats”.
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Oh, Ms. Kiernan, how do I love your stories?
- By Ross on 11-28-20
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Beneath a Pale Sky
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Fans of cosmic horror will have much to sup on in these eight tales. The supernatural intrudes upon a wedding; a pier becomes the site of tragedy; a collapsed building is only the start of the nightmare for those trapped in the ruins; a scientist makes the discovery of a lifetime, only to find out that what he’s unearthed has dire consequences not only for himself, but for all of mankind.
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Lots and f surprises!!
- By Joan on 12-02-21
By: Philip Fracassi
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Hark! The Herald Angels Scream
- By: Christopher Golden - editor, Joe R. Lansdale, Scott Smith, and others
- Narrated by: Charles Constant, Teri Schnaubelt
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That there is darkness at the heart of the Yuletide season should not surprise. Charles Dickens' A Christmas Carol is filled with scenes that are unsettling. The hideous children - Want and Ignorance - beneath the robe of the Ghost of Christmas Yet to Come. In the finest versions of this story, the best parts are the terrifying parts. Best-selling author and editor Christopher Golden shares his love for Christmas horror stories with this anthology of all-new short fiction from some of the most talented and original writers of horror today.
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Some good, some clunkers. Some fun, none scary.
- By Max Trivial on 12-24-18
By: Christopher Golden - editor, and others
What listeners say about In That Endlessness, Our End
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Peter J Larsen
- 04-04-23
Another Great Collection
While I keep hoping Files will produce another novel, she keeps writing and releasing excellent short stories. There’s something about her dry, laconic tone coving themes of desperation, defeat, and bleak acceptance that really makes her stories hit hard. “Cut Frame” and “The Church in the Mountains” return to the subject of Canadian film, “Look Up” is a great mix of social anxiety and bewildered horror, and “Cuckoo” ends the collection with biting anger. If you’ve never tried Files, a couple of her stories should be available on the podcast Pseudopod, which may spark your interest.
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- DP
- 08-13-24
Solid collection, if a bit repetitive
I enjoyed this collection quite a bit, it generally maintains a high quality and I enjoy the author's distinct voice in writing. My main complaint was that the stories often felt like they were treading similar ground in their content, and often fell into similarly abrupt ambiguous endings. These aren't problems for the stories on their own, it's just something that starts to stick out while reading them back to back.
Another small gripe was in the narration - most of them are ok, but I feel like I've heard stronger performances from the readers I recognized. And I felt like there was one bad choice on the production end, where a character spends their entire story using a vocal modifier of some sort. The production carried that through to the narration, so the reader spends the entire story using a grating characteristic that's just unpleasant to listen to. I'd rather just sacrifice some "realism" and have them read it normally.
Oh well, those are minor complaints, it's a good collection overall and a solid recommend.
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- osmosiphobe
- 06-14-23
Good ideas, not-great stories
As the title here suggests, there were a lot of good ideas, but the telling of the stories just doesn’t do it. Instead of actually seeing the characters, I see someone sitting on her laptop writing them, if that makes any sense. The first narrator is… not good. There’s way too much “performance” going on there. The wobbly voice on the second story just grates at you. I understand that the text says that the character distorted her voice, but it also says this is a transcript, so… not necessary and doesn’t add anything useful. Overall, you can skip this one. Read descriptions of the stories, they’ll give you about as much as the stories themselves.
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