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In That Endlessness, Our End
- Narrated by: Deanna Anthony, Neil Hellegers, Steven Jay Cohen, Bronson Pinchot, Andi Arndt, Chelsea Stephens, Zura Johnson, Sarah Beth Pfeifer
- Length: 14 hrs and 5 mins
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Publisher's summary
Come closer, friend. Let me tell you a story.
Heard the one about the Airbnb that eats your dreams or the iron-crowned king who preys on his own bloodline from the air, still smoldering centuries after being burnt alive? How about the cloudy antique bottle you can wish your excess rage inside, or that crooked alley down which something waits to replace your disappointing child with a far more pleasant facsimile? We all know the truth, especially in times like these—in an anxiety-ridden, sleepless world such as ours, it’s only ever our very worst dreams that come true. Here streets empty out and people pull themselves apart like amoebas, breeding murderous doppelgangers from their own flesh; houses haunt, ideas possess, and a cold and alien moon stares down, whispering that it’s time to spawn. New myths rise and ancient evils descend. From the seemingly mundane terrors of a city just like yours to all the most dark and distant places of a truly terrible universe, nothing is as it seems … not even that dimly-recalled cinematic memory you’ve been chasing all these years, the one you think might be just something you stumbled upon while flipping through channels after midnight. The one that still disturbs you enough to raise a cold sweat all over your body, whenever you try to will its details clear.
Hot on the heels of her 2018 This Is Horror Award–winning short story collection Spectral Evidence, critically horror author Gemma Files compiles fifteen more of her most startling recent nightmares—a creepily seductive downward spiral of dark poetry and existential dread, entirely suitable to the slow apocalypse going on all around us. So take your mind off your troubles and send it somewhere the rules still operate, if only to punish those who violate them.
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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The Strange Case
- By: Derek Kolstad, Mitali Jahagirdar, Laurie Kirwan-Ashman, and others
- Narrated by: Vanessa Kirby, David Oyelowo, Sofie Gråbøl, and others
- Length: 4 hrs and 9 mins
- Original Recording
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Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.
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Love the Originals !!
- By r2coder on 08-04-24
By: Derek Kolstad, and others
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
- Original Recording
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
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The year is 1993. Esmeralda has been living on the fringes of society for as long as she can remember. Until an incident unlocks a cache of nightmarish memories. Visions of a bizarre town in the desert, shadowy recollections of a mysterious woman, the pain of an ultimate betrayal, and the shame of a bargain made in blood. Now, she must confront a twisted world where abominations indulge in sadistic pleasures. There, she will learn the secrets of the ravenous cosmos.
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When young Henry Thorne is kidnapped and held prisoner in a remote farmhouse surrounded by miles of forest, he finds himself connecting with a strange force living in the woods—using that bond to wreak havoc against his captors. Unknown to the boy, however, is that this ancient being has its own reasons for wanting the interlopers gone—there is something hidden beneath the house, tucked away in the dark, damp root cellar . . . waiting for its return.
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Ugh
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The Secret of Ventriloquism
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Jon Padgett's The Secret of Ventriloquism, named the Best Fiction Book of 2016 by Rue Morgue Magazine, heralds the arrival of a significant new literary talent. With themes reminiscent of Shirley Jackson, Thomas Ligotti, and Bruno Schulz, but with a strikingly unique vision, Padgett's work explores the mystery of human suffering, the agony of personal existence, and the ghastly means by which someone might achieve salvation from both.
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Stunning Modern Weird!
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What listeners say about In That Endlessness, Our End
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Peter J Larsen
- 04-04-23
Another Great Collection
While I keep hoping Files will produce another novel, she keeps writing and releasing excellent short stories. There’s something about her dry, laconic tone coving themes of desperation, defeat, and bleak acceptance that really makes her stories hit hard. “Cut Frame” and “The Church in the Mountains” return to the subject of Canadian film, “Look Up” is a great mix of social anxiety and bewildered horror, and “Cuckoo” ends the collection with biting anger. If you’ve never tried Files, a couple of her stories should be available on the podcast Pseudopod, which may spark your interest.
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- DP
- 08-13-24
Solid collection, if a bit repetitive
I enjoyed this collection quite a bit, it generally maintains a high quality and I enjoy the author's distinct voice in writing. My main complaint was that the stories often felt like they were treading similar ground in their content, and often fell into similarly abrupt ambiguous endings. These aren't problems for the stories on their own, it's just something that starts to stick out while reading them back to back.
Another small gripe was in the narration - most of them are ok, but I feel like I've heard stronger performances from the readers I recognized. And I felt like there was one bad choice on the production end, where a character spends their entire story using a vocal modifier of some sort. The production carried that through to the narration, so the reader spends the entire story using a grating characteristic that's just unpleasant to listen to. I'd rather just sacrifice some "realism" and have them read it normally.
Oh well, those are minor complaints, it's a good collection overall and a solid recommend.
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- osmosiphobe
- 06-14-23
Good ideas, not-great stories
As the title here suggests, there were a lot of good ideas, but the telling of the stories just doesn’t do it. Instead of actually seeing the characters, I see someone sitting on her laptop writing them, if that makes any sense. The first narrator is… not good. There’s way too much “performance” going on there. The wobbly voice on the second story just grates at you. I understand that the text says that the character distorted her voice, but it also says this is a transcript, so… not necessary and doesn’t add anything useful. Overall, you can skip this one. Read descriptions of the stories, they’ll give you about as much as the stories themselves.
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