The Challenge from Beyond by Robert E. Howard is a gripping tale of cosmic horror, written as part of a collaborative effort by five prominent writers of weird fiction. Howard's section stands out for its vivid descriptions, action-packed narrative, and themes of survival in the face of incomprehensible, otherworldly forces. The story begins when a group of archaeologists uncovers a strange, alien artifact buried deep in the Earth's surface.

The Black Stone is a short story by Robert E. Howard, first published in 1931, and is a classic example of cosmic horror. The story follows an unnamed narrator, an antiquarian and scholar, who becomes obsessed with an ancient monolith called the Black Stone after reading references to it in historical documents. The Black Stone is located in a remote region of Hungary, where strange and disturbing events have been associated with it for centuries. Intrigued, the narrator embarks on a journey to investigate the mysterious artifact.

The Children of the Night is a short story written by Robert E. Howard, first published in 1931. The tale is a blend of horror, dark fantasy, and the supernatural, typical of Howard's style. It centers around a group of scholars and intellectuals who gather to discuss ancient history and the occult. One of the central characters, John O'Donnell, finds himself inexplicably drawn to an ancient skull during their conversation.

Worms of the Earth is a dark fantasy story by Robert E. Howard, first published in 1932. Set in the world of Roman-occupied Britain, the tale follows Bran Mak Morn, the last king of the Picts, as he seeks revenge against the oppressive Roman Empire. When a Roman official publicly tortures and humiliates one of Bran's people, the Pictish leader turns to an ancient, forbidden race— the Worms of the Earth— for help in exacting his vengeance.

People of the Dark is a short story by Robert E. Howard, first published in 1932. The tale blends elements of fantasy, horror, and adventure, set within the dark and mysterious world of ancient races and reincarnation. The protagonist, John O'Brien, experiences strange dreams in which he finds himself in a past life as a warrior named Conan. Through these visions, he discovers a lost civilization and becomes entangled in an ancient conflict. The story is notable for its exploration of themes such as the cyclical nature of time, the struggle for power, and the primal instincts buried deep within human nature.

Dig Me No Grave by Robert E. Howard is a dark and chilling tale of supernatural horror, exploring themes of occultism, fate, and the consequences of dabbling in forbidden knowledge. The story is narrated by John Conrad, who recounts a terrifying experience he shared with his friend, John Grimlan.

The Haunter of the Ring by Robert E. Howard is a supernatural horror story steeped in dark magic, occultism, and the perilous consequences of meddling with ancient forces. The narrative follows John Kirowan, a recurring character in Howard's mythos, who is drawn into a sinister plot involving a cursed ring and a malevolent spirit. The story begins when Kirowan's friend, John Conrad, reaches out to him in desperation. Conrad's wife, Evelyn, has been behaving strangely, seemingly under the influence of a powerful, malevolent force.

The Fire of Asshurbanipal by Robert E. Howard is a thrilling adventure story with elements of supernatural horror, blending historical mystery with the timeless allure of lost treasures. Set in the deserts of the Middle East, the tale follows two treasure hunters—Steve Clarney, an American adventurer, and Yar Ali, his Afghan companion—on their dangerous quest to uncover an ancient artifact known as the Fire of Asshurbanipal.

The Thing on the Roof by Robert E. Howard is a chilling tale rooted in the dark mythos of ancient civilizations, exploring themes of human greed, forbidden knowledge, and the consequences of disturbing things best left forgotten. The story follows the first-person narration of an unnamed scholar, who recounts the events surrounding a dangerous expedition undertaken by his associate, Tussmann, an arrogant archaeologist driven by ambition.

The Shadow Kingdom is one of the earliest examples of sword-and-sorcery fiction, written by Robert E. Howard in 1929. The story is set in the mythic past, in the ancient kingdom of Valusia, ruled by King Kull, a barbarian warrior from Atlantis. As Kull takes the throne, he faces a hidden and insidious threat from a race of shape-shifting serpent people who have secretly controlled the kingdom for generations. The story explores themes of power, betrayal, and identity, blending elements of fantasy, horror, and adventure.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Two astronomers have detected a strange, pulsing signal from deep space. Within hours, the US government goes into lockdown, restricting airspace and scrubbing scientific data. Was the signal an intercepted communication revealing alarming plans for an enemy’s military strike? Or has humanity at long last found proof of extraterrestrial life?

A collection of Robert E. Howard's early tales, all of which appeared in Weird Tales Magazine between 1928 and 1932.

This collection features Howard at his finest and Conan at his most savage. Truly heroic fantasy at its best, this volume contains "The Servants of Bit-Yakin", "Beyond the Black River", "The Black Stranger", "The Man-Eaters of Zamboula", and "Red Nails", which is perhaps Conan's most famous adventure.

With Conan the Cimmerian, Robert E. Howard created more than the greatest action hero of the twentieth century---he also launched a genre that came to be known as sword and sorcery. But Conan was not the first archetypal adventurer to spring from Howard's fertile imagination.

Between the years when the oceans drank Atlantis and the gleaming cities...there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars.... Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand...to tread the jeweled thrones of the earth under his sandalled feet.

From Robert E. Howard's fertile imagination sprang some of fiction's greatest heroes, including Conan the Cimmerian, King Kull, and Solomon Kane. But of all Howard's characters, none embodied his creator's brooding temperament more than Bran Mak Morn, the last king of a doomed race.