In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had “a rough few years.” She described the sessions in a journal she created for her husband, John Gregory Dunne. For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods.

Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1983. This wry, propulsive story about a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them, is a glorious debut novel from a seasoned playwright with immense empathy and a flair for dialogue.

When Graydon Carter was offered the editorship of Vanity Fair in 1992, he knew he faced an uphill battle—how to make the esteemed and long-established magazine his own. Not only was he confronted with a staff that he perceived to be loyal to the previous regime, but he arrived only a few years after launching Spy magazine, which gloried in skewering the celebrated and powerful—the very people Vanity Fair venerated.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

Fight is the backstage story of bloodsport politics in its rawest form—the clawing, backstabbing, and rabble-rousing that drove Donald Trump into the White House and Democrats into the wilderness. At every turn, the combatants went for the jugular, whether they were facing down rivals in the other party or their own.

From two of America’s most respected journalists, an unflinching and explosive reckoning with one of the most fateful decisions in American political history: Joe Biden’s run for reelection despite evidence of his serious decline—amid desperate efforts to hide the extent of that deterioration

Bruce Vilanch is known as a go-to comedy writer for award shows, sitcoms, and top-heavy variety specials, but he has also been responsible for quite a few of the worst shows ever put on television—legendarily bad productions. It Seemed Like a Bad Idea at the Time is a lifetime reflection of what Vilanch has experienced, learned, forgotten, dismissed, and embraced in decades of working in show business

When Tiger Woods went on an extraordinary majors run between 1999 and 2008, one man stood at his side: his caddie Steve Williams. Together Steve and Tiger dominated the PGA Tour and won an astonishing 13 major championships, their sights set on breaking Jack Nicklaus’s record 18 majors. Before they could overtake Nicklaus, however, their partnership ended abruptly, and a 12-year period without talking began. Years later, the two reconnected. Together We Roared offers an inside look at what it is like to ride alongside greatness.

Shining a white-hot spotlight on America’s famous, from Hollywood legends to Broadway stars to media moguls, Notorious is a captivating assortment of columnist Maureen Dowd’s most compelling style features and profiles. Using her signature wit and incisive commentary as a scalpel, Dowd dissects influential cultural elite.

Over the fifty years that Lorne Michaels has been at the helm of Saturday Night Live, he has become a revered and inimitable presence in the entertainment world. He’s a tastemaker, a mogul, a withholding father figure, a genius spotter of talent, a shrewd businessman, a name-dropper, a raconteur, the inspiration for Dr. Evil, the winner of more than a hundred Emmys—and, essentially, a mystery. Generations of writers and performers have spent their lives trying to figure him out, by turns demonizing and lionizing him.

The #1 New York Times bestselling author of Fire and Fury delivers a breathtaking insider account of the 2024 Trump campaign—undoubtedly the wildest, most unpredictable campaign in U.S. history, including multiple criminal trials, two assassination attempts, and a sudden switch of opponents.

Over the course of the last four years, the American public looked on as the former president faced a series of daunting obstacles to return to the White House. The lingering cloud of January 6, a shadow effort within the Republican establishment to defeat him in the primary, multiple indictments, assassination attempts, and an 11th hour change of his opponent all threatened to derail his return to power at any moment.

Van Halen's rise in the 1980s was one of the most thrilling the music world had ever seen - their mythos an epic party, a sweaty, sexy, never-ending rock extravaganza. During this unparalleled run of success, debauchery, and drama, no one was closer to the band than Noel Monk. Throughout Van Halen's meteoric rise and abrupt halt, this confidant, fixer, friend, and promoter saw it all and lived to tell. Now, for the first time, he shares the most outrageous escapades.

Before Anna Delvey, before the Tinder Swindler, there was Kari Ferrell. Adopted at a young age by a Mormon family in Utah, Kari struggled with questions of self-worth and identity as one of the few Asian Americans in her insulated community, leading her to run with the “bad crowd” in an effort to fit in. Soon, stealing from superstores turned into picking up men (and picking their pockets), and before she knew it, Kari had graduated from petty theft to Utah’s most wanted list. Though Kari was able to escape the Southwest, she couldn’t outrun her new moniker: the Hipster Grifter.

Stephen Sondheim died on November 26, 2021, but for countless fans around the world, he is “still here,” to quote one of his lyrics. With acclaimed revivals of his landmark shows occurring around the world and introducing new generations to the man who transformed American musical theater, Sondheim’s legacy has only grown. What is it about such classic songs as “Rose’s Turn” from Gypsy, “Send in the Clowns” from A Little Night Music, and “Children Will Listen” from Into the Woods that speaks to us so intimately and profoundly?

In 2006, Matthew Specktor moved into a crumbling Los Angeles apartment opposite the one in which F. Scott Fitzgerald spent the last moments of his life. Fitz had been Specktor's first literary idol, someone whose own passage through Hollywood had, allegedly, broken him. Freshly divorced, professionally flailing, and reeling from his mother's cancer diagnosis, Specktor was feeling unmoored. But rather than giving in or "cracking up", he embarked on an obsessive journey to make sense of the mythologies of "success" and "failure" that haunt the artist's life and the American imagination.

"The Rock Trenches: Journal of a Music Industry Executive" by Phillip Rauls is the memoir of a Memphis-born music promoter who worked with some of the top rock 'n' roll recording artists of the 1960s-1990s, including the Gentrys, Robert Palmer, Yes, Red Hot Chili Peppers, Emerson, Lake & Palmer, the Eagles, and Led Zeppelin, to name a few. The Rock Trenches begins with Phillip as he gains entry into the music business by becoming the road manager for a local band just out of high school, the Gentrys. The Memphis band scored a million selling record in 1965 titled "Keep On Dancing" and Rauls...

The Bahamas, 1941. Newly widowed Leonora “Lulu” Randolph arrives in Nassau to investigate the governor and his wife for a New York society magazine. After all, American readers have an insatiable appetite for news of the duke and duchess of Windsor, that glamorous couple whose love affair nearly brought the British monarchy to its knees five years earlier. What more intriguing backdrop for their romance than a wartime Caribbean paradise, a colonial playground for kingpins of ill-gotten empires? Or so Lulu imagines.

Born and Razed recounts the author's gripping and deeply personal journey. Beth's life began at Grenville, where her parents were teachers. The picturesque campus on the banks of the St. Lawrence River masked a dark reality: behind its idyllic facade lay a world of strict control, religious zealotry, and emotional abuse.

More than a story of personal triumph, Of My Own Making is a soulful and scientific exploration of the power to shape one's destiny. In facing the stark reality of her past, Burke reminds us that every moment demands a choice, and that we owe it to ourselves to reparent our inner child and reclaim the lives we deserve. Part memoir, part methodology, it is a fearless rallying cry inspiring us to excavate and examine the stories that define our lives. Ultimately, the narratives that we craft with ourselves are the only ones that matter.

Sorrowful Mysteries is a detailed and extraordinarily compassionate examination of the appearance of Our Lady of Fátima, an attempt to unravel and put into perspective the lives of the three children, how this life-altering event changed them and the world they knew, and how it intersected with so many of the signal moments of the twentieth century—pandemics, revolutions, world wars, assassinations, and even skyjackings.

"Dearly Beloved, we are gathered here today to get through this thing called life." When Prince spoke those words over celestial organ sounds in the opening moments of "Let's Go Crazy," he wasn't just inaugurating yet another Billboard Hot 100 hit—one of forty-seven in his career; he was also giving voice to the deep-seated and richly complex spiritual underpinning of his art.

On a spring day in 1926, Aimee Semple McPherson wandered into the Pacific Ocean and vanished. Weeks later she reappeared in the desert, claiming to have been kidnapped. A national media frenzy and months of investigation ensued. Who was this woman? America’s most famous evangelist, McPherson was a sophisticated marketer who used spectacle, storytelling, and the newest technology—including her own radio station—to bring God’s message to the masses.

At a moment when America’s tech gods are more influential than ever, Hubris Maximus is a cautionary tale about the pitfalls of lionizing magnetic leaders. Washington Post journalist Faiz Siddiqui offers a gripping, detailed portrait of a singularly messy and lucrative period in Musk’s career, as well as a case study in the power of using one’s platform to shape the public narrative in a world that can’t turn away from its screens.

Fleetwood Mac has had a groundbreaking career spanning over fifty years and includes some of the bestselling albums and greatest hits of the twentieth and twenty-first centuries. But the band's unique story is one of enormous triumph and also deep tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension, and incredible highs and lows as Fleetwood Mac. Dreams is a must-listen for casual Fleetwood Mac fans and die-hard devotees alike.

Never allowing show business to change her, Kwan persevered in an industry where everything was stacked against her, breaking through barriers and becoming a beacon of hope to generations of Asians who aspired to be seen. The World of Nancy Kwan is a multi-faceted personal history of an iconic actress whose triumphant rise and resilience illuminates the broader history of Hollywood and how the only way forward is to stay true to oneself.

It's easy to think that ancient history is, well, ancient history—obsolete, irrelevant, unjustifiably focused on Greece and Rome, and at risk of extinction. In What Is Ancient History?, Walter Scheidel presents a compelling case for a new kind of ancient history—a global history that captures antiquity's pivotal role as a decisive phase in human development, one that provided the shared foundation of our world and continues to shape our lives today.

During his nearly fifteen-year reign of terror, Ronald Lloyd Bailey’s depraved obsession with sexual sadism held communities across southeast Michigan in a shroud of fear. From the early 1970’s to the mid-1980’s, the former patient at one of Michigan’s foremost psychiatric hospitals, abducted as many as fifteen teens and over time became a sadistic serial killer.

Run the Song is also the story of how a professional critic, frustrated with conventional modes of criticism, finds his way back to a deeper relationship with music. When stumped or preoccupied by a piece of music, Ratliff starts to think that perhaps running can tell him more about what he’s listening to—let’s run it, he’ll say. And with that, the listener in turn is invited to listen alongside one of the great listeners of our day in this wildly inventive and consistently thought-provoking chronicle of a profoundly unsettling time.

In Gandolfini, critic and historian Jason Bailey traces the twinned stories of the man and the unforgettable roles he played. Gandolfini’s roots were working class, raised in northern New Jersey as the son of Italian immigrants, and acting was something he loved for a long time before he could see it as a career. It wasn’t until he was well into his bohemian twenties that he dedicated himself to a life on the stage and screen.