On a Thursday morning in May 1961, a well-mannered twenty-one-year-old named Marlene enters the Fifth Avenue apartment of Lee Radziwill to interview for the position of housekeeper and cook. The stylish wife of London-based Prince Stanislaw Radziwill, Princess Lee is intelligent and creative, with ambitions beyond simply jet-setting. But to the public, she is always First Lady Jackie Kennedy's little sister. As Marlene becomes a trusted presence in the Radziwill household, she observes the dazzling array of famous figures who flit in and out of Lee’s intimate circle

For nearly thirty years, Nell has kept a childhood promise to never reveal what she and Evie found tucked inside a copy of Jane Eyre in their mother's bookcase—a record of Evie's birth naming a stranger as her mother. But lately, Nell has been haunted by hazy memories of their early life in Mississippi, years their reclusive mother, Hazel, has kept shrouded in secrecy.

Now, with The Golden Hour, Specktor blends memoir, cultural criticism, and narrative history to tell the story of the modern motion picture industry—illuminating the conflict between art and business that has played out over the last seventy-five years in Hollywood. Braiding his own story with that of his father, mother (a talented screenwriter whose career was cut short), and figures ranging from Jack Nicholson to CAA’s Michael Ovitz, Specktor reveals how Hollywood became a laboratory for the eternal struggle between art, labor, and capital.

From 1783, when German immigrant John Jacob Astor first arrived in the United States, until 2009, when Brooke Astor’s son, Anthony Marshall, was convicted of defrauding his elderly mother, the Astor name occupied a unique place in American society. The family fortune, first made by a beaver trapping business that grew into an empire, was then amplified by holdings in Manhattan real estate. Over the ensuing generations, Astors ruled Gilded Age New York society and inserted themselves into political and cultural life, but also suffered the most famous loss on the Titanic.

1867, Richmond, Virginia: Though she wears the same low-cut purple gown that is the uniform of all the girls who work at Worsham's gambling parlor, Arabella stands apart. It's not merely her statuesque beauty and practiced charm. Even at seventeen, Arabella possesses an unyielding grit, and a resolve to escape her background of struggle and poverty. Collis Huntington, railroad baron and self-made multimillionaire, is drawn to Arabella from their first meeting. Collis is married and 30 years her senior, yet they are well-matched in temperament, and flirtation rapidly escalates into an affair.