1940: In south-west Ireland, the young and beautiful Lady Charlotte Rathmore is pronounced dead after she disappears by the lake of Blackwater Hall. In London, on the brink of the Blitz, Nancy Rathmore is grieving Charlotte's death when a letter arrives containing a secret that she is sworn to keep. 2019: Ellie Fitzgerald is forced to leave Dublin disgraced and heartbroken. Abandoning journalism, she returns to rural Kerry to weather out the storm. But, when she discovers a faded letter, tucked inside the pages of an old book, she finds herself drawn in by a long-buried secret.

Wyoming, 1876. For as long as they have lived on the frontier, the Bemis and Webber families have relied on each other. With no other settlers for miles, it is a matter of survival. But when Ernest Bemis finds his wife, Cora, in a compromising situation with their neighbor, he doesn’t think of survival. In one impulsive moment, a man is dead, Ernest is off to prison, and the women left behind are divided by rage and remorse.

On Midsummer’s Eve, Alinor waits in the church graveyard, hoping to encounter the ghost of her missing husband and thus confirm his death. Until she can, she is neither maiden nor wife nor widow, living in a perilous limbo. Instead she meets James, a young man on the run. She shows him the secret ways across the treacherous marshy landscape of the Tidelands, not knowing she is leading a spy and an enemy into her life. England is in the grip of a bloody civil war that reaches into the most remote parts of the kingdom.

When an infected bolt of cloth carries plague from London to an isolated village, a housemaid named Anna Frith emerges as an unlikely heroine and healer. Through Anna's eyes we follow the story of the fateful year of 1666, as she and her fellow villagers confront the spread of disease and superstition. As death reaches into every household and villagers turn from prayers to murderous witch-hunting, Anna must find the strength to confront the disintegration of her community and the lure of illicit love.

Del Wensley, wife of the most celebrated preacher in Harlan County, tries to mind her place. Until her husband’s infidelity pushes an already strained marriage to a breaking point. Clinging to her last hope for self-respect, Del turns her back on the rigid life she’s known. A coal train is rolling through the valley. With her eyes wide open to the unfamiliar, and to the freedom she craves, Del takes to the rails.

“And you are telling me,” said Gil Cunningham, “that David Drummond vanished away forty years ago and is now returned, seemingly not a day older?” “That’s about the sum of it,” agreed Sir William Stewart. In Sir William’s remote part of Scotland it seems almost possible that a young boy could have been stolen away by the fairies and returned forty years later, no older – and if he isn’t Davie Drummond, who is he? And then he suffers a succession of near-fatal ‘accidents’.

Ian Cameron, a Boston cabinetmaker turned frontier trapper, has come to Mountain Laurel hoping to remake himself yet again - into his planter uncle’s heir. No matter how uneasily the role of slave owner rests upon his shoulders. Then he meets Seona - beautiful, artistic, and enslaved to his kin. Seona has a secret: She’s been drawing for years, ever since that day she picked up a broken slate to sketch a portrait. When Ian catches her at it, he offers her opportunity to let her talent flourish, still secretly, in his cabinetmaking shop.

When the peat-cutters came to report the dead man, Gil Cunningham was up in the roof-space of his mother's house, teaching his new young wife swordplay. They believe the corpse to be that of a local missing man. His wife and the widow who runs the local coalmine are sure the body belongs to someone else, but then they find themselves accused of having killed him by witchcraft. And if the corpse is not the missing man, who is it? Gil and Alys try to get to the heart of the matter.

The year is 1729, and Resolute Talbot and her siblings are captured by pirates, taken from their family in Jamaica and brought to the New World. Resolute and her sister are sold into slavery in colonial New England and taught the trade of spinning and weaving. When Resolute finds herself alone in Lexington, Massachusetts, she struggles to find her way in a society that is quick to judge a young woman without a family. As the seeds of rebellion against England grow, Resolute is torn between following the rules and breaking free.

A sweeping story about obsession, mysticism, art and earthly desire. At the centre of this story is the Cathedral. Its design and construction in the 13th and 14th centuries in the fictional town of Hagenburg unites a vast array of unforgettable characters whose fortunes are inseparable from the shifting political factions and economic interests vying for supremacy. From the bishop to his treasurer, from local merchants to lowly stonecutters, the fate of everyone, both Gentile and Jew, is affected by the slow rise of Hagenburg’s cathedral.

Margaret of Ashbury wants to write her life story. However, like most women in 14th-century England, she is illiterate. Three clerics contemptuously decline to be Margaret’s scribe, and only the threat of starvation persuades Brother Gregory, a Carthusian friar with a mysterious past, to take on the task. As she narrates her life, we discover a woman of startling resourcefulness.

The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm - that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict. Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon.

"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

Bess Southerns, an impoverished widow, lives with her children in a crumbling old tower in Pendle Forest. Drawing on Catholic ritual, medicinal herbs, and guidance from her spirit-friend Tibb, Bess heals the sick and foretells the future in exchange for food and drink. As she ages, she instructs her best friend, Anne, and her granddaughter, Alizon, in her craft. Anne ultimately turns to dark magic, while Alizon struggles to accept the power she has inherited and dreams of a simpler life.

France, 1562. War sparks between the Catholics and Huguenots, dividing neighbors, friends, and family - meanwhile, 19-year-old Minou Joubert receives an anonymous letter at her father’s bookshop. Sealed with a distinctive family crest, it contains just five words: "She knows that you live." Before Minou can decipher the mysterious message, she meets a young Huguenot convert, Piet Reydon. Piet has a dangerous task of his own, and he will need Minou’s help if he is to stay alive.

The year is 1729, and Resolute Talbot and her siblings are captured by pirates, taken from their family in Jamaica and brought to the New World. Resolute and her sister are sold into slavery in colonial New England and taught the trade of spinning and weaving. When Resolute finds herself alone in Lexington, Massachusetts, she struggles to find her way in a society that is quick to judge a young woman without a family. As the seeds of rebellion against England grow, Resolute is torn between following the rules and breaking free.

A sweeping story about obsession, mysticism, art and earthly desire. At the centre of this story is the Cathedral. Its design and construction in the 13th and 14th centuries in the fictional town of Hagenburg unites a vast array of unforgettable characters whose fortunes are inseparable from the shifting political factions and economic interests vying for supremacy. From the bishop to his treasurer, from local merchants to lowly stonecutters, the fate of everyone, both Gentile and Jew, is affected by the slow rise of Hagenburg’s cathedral.

Margaret of Ashbury wants to write her life story. However, like most women in 14th-century England, she is illiterate. Three clerics contemptuously decline to be Margaret’s scribe, and only the threat of starvation persuades Brother Gregory, a Carthusian friar with a mysterious past, to take on the task. As she narrates her life, we discover a woman of startling resourcefulness.

The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm - that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict. Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon.

"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

First published in 1869, Lorna Doone is the story of John Ridd, a farmer who finds love amid the religious and social turmoil of 17th-century England. He is just a boy when his father is slain by the Doones, a lawless clan inhabiting wild Exmoor on the border of Somerset and Devon. Seized by curiosity and a sense of adventure, he makes his way to the valley of the Doones, where he is discovered by the beautiful Lorna.

The Doones are a clan of murdering thieves, and among their victims is John Ridd's father. The strong, noble Ridd determines to avenge his father's death; but his plans are complicated when he falls in love with one of the hated family - the beautiful Lorna. Lorna is promised against her will to another; and that other will not let her go lightly. Set amid the political turmoils of the late 17th century, Lorna Doone brings West Country history and legends alive with wonderfully imaginative fiction.

Cadfael's return to his Welsh homeland for a visit proves a rather discomfiting homecoming when an honorable nobleman turns up in a patch of forest with an arrow embedded in his chest. There are questions about the arrow, the man's daughter needs Cadfael's help, and a very odd burial takes place.

When her adorable baby brother is replaced by an ugly, ill-tempered changeling, Mollie is determined to find the so-called Kinde Folke who took baby Thomas, return the changeling she calls Guest, and make them give Thomas back. Natural and magical obstacles and her own reckless temperament make her journey arduous and full of dangers, and a plot rich in surprises and twists makes this book a must-listen for Mary Downing Hahn’s fans.

“And you are telling me,” said Gil Cunningham, “that David Drummond vanished away forty years ago and is now returned, seemingly not a day older?” “That’s about the sum of it,” agreed Sir William Stewart. In Sir William’s remote part of Scotland it seems almost possible that a young boy could have been stolen away by the fairies and returned forty years later, no older – and if he isn’t Davie Drummond, who is he? And then he suffers a succession of near-fatal ‘accidents’.

Ian Cameron, a Boston cabinetmaker turned frontier trapper, has come to Mountain Laurel hoping to remake himself yet again - into his planter uncle’s heir. No matter how uneasily the role of slave owner rests upon his shoulders. Then he meets Seona - beautiful, artistic, and enslaved to his kin. Seona has a secret: She’s been drawing for years, ever since that day she picked up a broken slate to sketch a portrait. When Ian catches her at it, he offers her opportunity to let her talent flourish, still secretly, in his cabinetmaking shop.

Orphaned as a young child, Mirin O'Malley has been brought up by her grandparents on their isolated, rambling estate Hob's Hallow. Long ago her family prospered due to a deal struck with the mer, the terrifying creatures who live in the depths of the sea: safety for their merchant ships in return for a child of each generation. But for many years the family have been unable to keep their side of the bargain and their fortunes have suffered as a result. When Mirin's grandfather dies, her grandmother puts in train a plan to restore their glory - but at the price of Mirin's freedom.

Adam Bede (1859), George Eliot's first full-length novel, marked the emergence of an artist to rank with Scott and Dickens. Set in the English Midlands of farmers and village craftsmen at the turn of the 18th century, the book relates a story of seduction issuing in "the inward suffering which is the worst form of Nemesis". But it is also a rich and pioneering record - drawing on intimate knowledge and affectionate memory - of a rural world that we have lost.

The most acclaimed Scottish novel of all time, Sunset Song is a powerful portrait of a land and people in turmoil, seen through the life and struggles of its heroine, Chris Guthrie. In the years up to and beyond the First World War, Chris' resilience, like the land itself, endures despite everything and is portrayed with a lyrical intensity that echoes through the years and still resonates today.

It is the late 14th century, a dangerous time beset by war and plague. Nicholas Barber, a young and wayward cleric, stumbles across a group of travelling players and compounds his sins by joining them. Yet the town where they perform reveals another drama: a young woman is to be hanged for the murder of a 12-year-old boy. What better way to increase their takings than to make a new play, to enact the murder of Thomas Wells?

But as the actors rehearse, they discover that the truth about the boy's death has yet to be revealed.