Madness and incantations in the nightmares of poets. Vicious ancient cults in the mountains and swamps. A corpse city rising in the sea. After Professor Angell meets a sudden and mysterious end, Francis Thurston, while sorting through his uncle's papers, makes a fateful discovery that ties these malignant manifestations together.

H.P. Lovecraft never found fame during his lifetime and died in 1937 in relative obscurity. But in the decades that followed his death, his importance as a unique and original visionary in the genre of science fantasy and 'weird fiction' has grown monumentally, so that even talents such as author Stephen King and film-maker John Carpenter have described him as a prime influence upon their creative lives. Here, then, is a selection of his stories.

In a small village a cruel elderly couple are killing their neighbor's pets with gleeful abandon. When an orphan traveling with a band of gypsies has his beloved kitten killed by the weird old couple, he retaliates in a horrifying act of supernatural revenge.

Following the phenomenal success of Necronomicon, its companion volume brings together Lovecraft's remaining major stories plus his weird poetry, a number of obscure revisions, and some notable nonfiction, including the seminal critical essay "Supernatural Horror in Literature." athering together in chronological order the rest of Lovecraft's rarely seen but extraordinary short fiction, this collection includes the entirety of the long-out-of-print collection of thirty-six sonnets "Fungi from Yuggoth."

During a time of political and social unrest in Egypt, a god-like force, Nyarlathotep, emerges. He travels the land dazzling people with electricity and psychology. While witnesses of this god-like creature encourage others to see him, afterwards, people seem terrified. As the narrator recounts his experiences, he becomes disoriented. By the end of the story, the narrator and the other viewers of Nyarlathotep begin to lose touch with reality.

Here, for the first time, is a complete history of the world based on the beliefs and writings of secret societies, researched with the help of an initiate of more than one secret society.

Written 200 years after Charles Darwin and Abraham Lincoln shared a birthday on February 12, 1809, this insightful account sheds new light on two men who changed the way we think about the meaning of life and death. Award-winning journalist Adam Gopnik's unique perspective, combined with previously unexplored stories and figures, reveals two men planted firmly at the roots of modern views and liberal values.

The author of such acclaimed books as The Hero With a Thousand Faces and The Power of Myth discusses the primitive roots of mythology, examining them in light of the most recent discoveries in archaeology, anthropology, and psychology.

This version of Nature is an 1843 revision to the popular essay written and published in 1836. In the original essay, Emerson put forth the foundation of transcendentalism and suggested that reality can be understood by studying nature. Within the essay, Emerson divides nature into four usages: commodity, beauty, language and discipline. These distinctions define how humans use nature for their basic needs, their desire for delight, their communication with one another, and their understanding of the world.

The Discarded Image paints a lucid picture of the medieval worldview, providing the historical and cultural background to the literature of the middle ages and renaissance. It describes the 'image' discarded by later years as "the medieval synthesis itself, the whole organization of their theology, science, and history into a single, complex, harmonious mental model of the universe". This, Lewis' last book, has been hailed as "the final memorial to the work of a great scholar and teacher and a wise and noble mind".

Published to great acclaim in 1873, Walter Pater’s compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the “holy writ of beauty.” It was Pater’s cry of “art for art’s sake” that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater’s essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance.

If you don't know Melville's letters to Hawthorne, you don't know Melville. These letters are full of passion, humor, doubt, and spiritual yearning, and offer an intimate view of Melville's personality. Lyrical and effusive, they are literary works in themselves. This correspondence has been out of print for decades, and even when it was in print it appeared in scholarly volumes of Melville's complete correspondence, aimed at the academy.

This mesmerizing, surreal account of the bizarre adventures of Terence McKenna, his brother Dennis, and a small band of their friends, is a wild ride of exotic experience and scientific inquiry. Exploring the Amazon Basin in search of mythical shamanic hallucinogens, they encounter a host of unusual characters - including a mushroom, a flying saucer, pirate Mantids from outer space, an appearance by James and Nora Joyce in the guise of poultry, and translinguistic matter - and discover the missing link in the development of human consciousness and language.

Ralph Waldo Emerson is one of the most important figures in the history of American thought, religion, and literature. The vitality of his writings and the unsettling power of his example continue to influence us more than a hundred years after his death. Now Robert D. Richardson Jr. brings to life an Emerson very different from the old stereotype of the passionless Sage of Concord.

Ranier Maria Rilke challenges you, "...to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answers." Rilke's ability to combine the sensual and the spiritual into an inspired vision of the art of living is brought to vivid life in his letters. Through his eyes, the everyday difficulties of love, sex, solitude, sadness, and doubt are seen as the archetypal elements of the drama called life.

C. S. Lewis had one of the great minds of the 20th century. Many know Lewis as an author of fiction and fantasy literature, including the Chronicles of Narnia and the Space Trilogy. Others know him for his books in apologetics, including Mere Christianity and The Problem of Pain. But few know him for his scholarly work as a professor of medieval and Renaissance literature. What shaped the mind of this great thinker?

At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued and which he believed would define literature in the century to come. Here, in Six Memos for the Next Millennium, are the five lectures he completed, forming not only a stirring defense of literature but also an indispensable guide to the writings of Calvino himself. He devotes one "memo" each to the concepts of lightness, quickness, exactitude, visibility, and multiplicity.

A beautiful facsimile of the 1923 original edition which is considered "one of the greatest poems of the twentieth century" by The New York Times. Spring and All is a manifesto of the imagination - a hybrid of alternating sections of prose and free verse that coalesce in dramatic, energetic, and beautifully cryptic statements of how language re-creates the world. Spring and All contains some of Williams' best-known poetry.

James Gleick's story begins at the turn of the 20th century, with the young H. G. Wells writing and rewriting the fantastic tale that became his first book, an international sensation: The Time Machine. A host of forces were converging to transmute the human understanding of time, some philosophical and some technological - the electric telegraph, the steam railroad, the discovery of buried civilizations, and the perfection of clocks.

The Smoky God is a classic tale from the genre of hollow Earth or subterranean literature. A once-favorite tale of Amazing Stories publisher Ray Palmer, The Smoky God is the (purportedly true) tale of two Norwegian fishermen Jens and Olaf Jansen, who sailed their fishing vessel into the inner Earth in the year 1829. While in the center of the Earth, they find an entire society and meet a race and of advanced giants.

In this exhilarating book, we accompany Umberto Eco as he explores the intricacies of fictional form and method. Using examples ranging from fairy tales and Flaubert, Poe and Mickey Spillane, Eco draws us in by means of a novelist's techniques, making us his collaborators in the creation of his text and in the investigation of some of fiction's most basic mechanisms.

The New York Times best-selling author of seagoing epics now celebrates an American classic.Moby-Dick is perhaps the greatest of the Great American Novels, yet its length and esoteric subject matter create an aura of difficulty that too often keeps readers at bay. Fortunately, one unabashed fan wants passionately to give Melville's masterpiece the broad contemporary audience it deserves.

In this book novelist Colm Tóibín offers a deeply personal introduction to the work and life of one of his most important literary influences - the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tóibín creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own.

Following the phenomenal success of Necronomicon, its companion volume brings together Lovecraft's remaining major stories plus his weird poetry, a number of obscure revisions, and some notable nonfiction, including the seminal critical essay "Supernatural Horror in Literature." athering together in chronological order the rest of Lovecraft's rarely seen but extraordinary short fiction, this collection includes the entirety of the long-out-of-print collection of thirty-six sonnets "Fungi from Yuggoth."

James Gleick has long been fascinated by the making of science: how ideas order visible appearances, how equations can give meaning to molecular and stellar phenomena, how theories can transform what we see. In Chaos, he chronicled the emergence of a new way of looking at dynamic systems; in Genius, he portrayed the wondrous dimensions of Richard Feymnan's mind.

Ralph Waldo Emerson is one of the most important figures in the history of American thought, religion, and literature. The vitality of his writings and the unsettling power of his example continue to influence us more than a hundred years after his death. Now Robert D. Richardson Jr. brings to life an Emerson very different from the old stereotype of the passionless Sage of Concord.

In “The End of the Story” by Clark Ashton Smith, mysterious passion and ardor lead us through forbidden manuscripts, mystical encounters, and matters of the heart. Set in 17th-century France, young law student Christophe Morand discovers the tale of Gerard de Venteillon, a knight seduced by a lamia dwelling in the ruins of Chateau des Faussesflammes near Perigon. Will Morand share his fate? The choice between heart and the abbot’s counsel becomes pivotal, and the enigmatic woman continues to tempt.

The compelling story of the effect of Charles Darwin's book On the Origin of Species on a diverse group of American writers, abolitionists, and social reformers, including Henry David Thoreau and Bronson Alcott, in 1860.

Published to great acclaim in 1873, Walter Pater’s compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the “holy writ of beauty.” It was Pater’s cry of “art for art’s sake” that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater’s essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance.

Ranier Maria Rilke challenges you, "...to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answers." Rilke's ability to combine the sensual and the spiritual into an inspired vision of the art of living is brought to vivid life in his letters. Through his eyes, the everyday difficulties of love, sex, solitude, sadness, and doubt are seen as the archetypal elements of the drama called life.