A group of adventurers set out from Damascus to visit the legendary Gate of Baghdad, also known as the Gate of Death. When one of the party is found dead, the others look to the seemingly unimpeachable Mr Parker Pyne.

Polina Nazarova is a soprano whose past is dangerously entangled with the present. Given the opportunity to sing her Tosca opposite the arrogant and cruel Andre Breon, it seems that her desire for revenge may prove irresistible.

A foggy night... a lonely country house... and a woman with a gun in her hand quietly surveying the dead body of her husband. It looked like a straightforward case of murder. Or was it? As the ghosts of an old wrong begin to emerge from the past, the case begins to look anything but straightforward... First staged at the Duchess Theatre in London in 1958, this play ran for 604 performances and is as gripping and ingenious as you would expect from the Queen of Crime.

This is the very first Poirot/Hastings story. Set in 1916, we meet Captain Hastings as he is invalided out of the Great War and goes to convalesce at Styles Court, the family home of his great friend, John Cavendish. By an extraordinary coincidence, billeted in the village is a brilliant little retired detective with an egg-shaped head, who made a considerable impression on the Captain when he was in Belgium. Styles is not a happy household and in the blistering summer heat, tensions mount.

Lady Tresselian invites several guests to stay at her seaside house at Gull’s Point. Against her better judgment she has allowed her late husband’s ward, handsome tennis ace Neville Strange, and his wife Kay to come at the same time as Neville’s ex-wife Audrey. Other guests include Mary, Lady Tresselian’s companion; Ted, Kay’s ever-present friend; Thomas, a family friend who has just returned from spending the war in Africa and Lady Tresselian’s old friend Lord Justice Treves.

Father Gorman is called to a dingy rooming house to see a woman who, before she dies, confesses a bizarre tale to him. Leaving the house he is followed but, in the fog, a fatal blow is struck. Nine names on a piece of paper found in the dead priest's shoe is recovered. The clue leads Mark Easterbrook, a historian, to The Pale Horse Inn, home of three women: a psychic, a medium and a witch.

Theo is determined to seek happiness with her husband's business rival, Vincent. Having fled London for Paris, however, she soon learns of Richard's financial collapse - and discovers that rather more than just his job is at stake.

When Alex and Terry set up their own e-commerce company in Philomel Cottage, everything looks rosy until money goes missing from Alex's account. Soon she is questioning her partner - and, indeed, the cottage itself….

A blizzard has hit England. In the tiny village of Sittaford, on the fringes of Dartmoor, a party of six is gathered in Sittaford House, home of Captain Trevelyan. He has rented the house out for the winter and is staying in a nearby village. As evening draws in, a seance is proposed. But it reveals more than they had anticipated - TREVELYAN DEAD, spells out the board. Slowly the table begins to rock again, spelling out the word M-U-R-D-E-R. Is it true? And who would kill a man who doesn’t have an enemy in the world?

As Miss Marple sat basking in the Caribbean sunshine, she felt mildly discontented with life. True, the warmth eased her rheumatism, but here in paradise nothing ever happened. Eventually, her interest was aroused by an old soldier's yarn about strange coincidence. Infuriatingly, just as he was about to show her an astonishing photograph, the Major's attention wandered. He never did finish the story....

Miss Marple, Agatha Christie’s deceptively mild spinster sleuth, is being treated to a few days’ holiday by her niece, staying at Bertram’s Hotel, a dignified, unostentatious establishment tucked away in a back street of busy Mayfair. Here is a place where sedate upper class ladies, retired military gentlemen and the higher echelons of the clergy can indulge in the comforts of a bygone age. But Miss Marple begins to feel uneasy. Something sinister lurks beneath the polished veneer.

Carla Lemarchant was a child of five when her mother was accused and convicted of poisoning her father, the famous painter Amyas Crale. After Caroline Crale dies in prison, Carla is sent to live with her uncle and aunt in Canada. Only on her 21st birthday does Carla learn of her family history when she reads a letter written by Caroline before her death, in which she denies murdering her husband. But if her mother didn't kill Amyas Crale, who did?

The year is 1920, and an ambitious doctor meets a nun apparently traumatised by what she witnessed in the Great War. An attempt to restore the woman's sanity results in the uncovering of something very sinister indeed.

A Radio 4 full-cast dramatisation starring June Whitfield as the deceptively mild Miss Marple with Ian Lavender, Joan Sims and Susannah Harker. Elspeth McGillicuddy is down from Scotland for a holiday and boards the 4:50 train from Paddington station to visit her friend, Miss Marple. During the journey, another train pulls alongside, and through the window Mrs McGillicuddy witnesses a tall, dark man strangling a blonde woman. She reports what she has seen, yet no one takes any notice.

Three critically acclaimed recordings are joined together in this dazzling Agatha Christie Triple Bill, read by award-winning narrators Alison Larkin and James Warwick, star of the Partners in Crime TV series on Masterpiece Theater.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.