The Thing on the Roof by Robert E. Howard is a chilling tale rooted in the dark mythos of ancient civilizations, exploring themes of human greed, forbidden knowledge, and the consequences of disturbing things best left forgotten. The story follows the first-person narration of an unnamed scholar, who recounts the events surrounding a dangerous expedition undertaken by his associate, Tussmann, an arrogant archaeologist driven by ambition.

Dig Me No Grave by Robert E. Howard is a dark and chilling tale of supernatural horror, exploring themes of occultism, fate, and the consequences of dabbling in forbidden knowledge. The story is narrated by John Conrad, who recounts a terrifying experience he shared with his friend, John Grimlan.

The Fire of Asshurbanipal by Robert E. Howard is a thrilling adventure story with elements of supernatural horror, blending historical mystery with the timeless allure of lost treasures. Set in the deserts of the Middle East, the tale follows two treasure hunters—Steve Clarney, an American adventurer, and Yar Ali, his Afghan companion—on their dangerous quest to uncover an ancient artifact known as the Fire of Asshurbanipal.

The Gods of Bal-Sagoth is an adventure-fantasy story by Robert E. Howard, first published in 1931. The tale follows Turlogh Dubh O'Brien, an Irish warrior and mercenary, who finds himself caught in a storm at sea and cast ashore on a mysterious, uncharted island. There, he encounters Athelstane, a Viking prince who leads him to the legendary lost city of Bal-Sagoth. The city, once ruled by an ancient, god-like race, is now in decline, its people divided and warring among themselves.

The Black Stone is a short story by Robert E. Howard, first published in 1931, and is a classic example of cosmic horror. The story follows an unnamed narrator, an antiquarian and scholar, who becomes obsessed with an ancient monolith called the Black Stone after reading references to it in historical documents. The Black Stone is located in a remote region of Hungary, where strange and disturbing events have been associated with it for centuries. Intrigued, the narrator embarks on a journey to investigate the mysterious artifact.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.