Exploring identity, place, and exile, Kantika also reveals how the female body—in work, art, and love—serves as a site of both suffering and joy. A haunting, inspiring meditation on the tenacity of women, this lush, lyrical novel from Elizabeth Graver celebrates the insistence on seizing beauty and grabbing hold of one’s one and only life.

Nina, a teenage runaway, wakes up in the unfamiliar stairwell of a Tel Aviv apartment in a torn minidress. As her memory starts to resurface—the abusive older man she’s running away from, the crime she witnessed—she knows one thing: she needs to find a place to hide. When one of the building’s tenants, Carmela, a lonely old widow suffering from memory loss, mistakes Nina for her granddaughter she hasn’t seen in years, Nina jumps at the opportunity for a safe haven. Soon, the two strangers become each other’s lifeline as Nina settles into the apartment with sweet, reassuring Carmela.

Lilach has it all: a beautiful home in the heart of Silicon Valley, a successful husband and stable marriage, and a teenage son, Adam, with whom she has always felt a particular closeness. Israeli immigrants, the family has now lived in the U.S. long enough that they consider it home. But after a brutal attack on a local synagogue shakes their sense of safety, Adam enrolls in a self-defense class taught by a former Israeli Special Forces officer. There, for the first time, he finds a sense of confidence and belonging. Then, tragedy strikes again.

From the attic of Lyntons, a dilapidated English country mansion, Frances Jellico sees them - Cara first - dark and beautiful - then Peter - striking and serious. The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy, and the color hit of Pop Art, Autumn is a witty excavation of the present by the past. The novel is a stripped-branches take on popular culture and a meditation, in a world growing ever more bordered and exclusive, on what richness and worth are, what harvest means.

The Coin’s narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory, and her attempt to thrive in America seems doomed from the start. In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in an intercontinental scheme reselling Birkin bags.

1950. Thousands of Yemeni Jews have immigrated to the newly founded Israel in search of a better life. In an overcrowded immigrant camp in Rosh Ha’ayin, Yaqub, a shy young man, happens upon Saida, a beautiful girl singing by the river. In the midst of chaos and uncertainty, they fall in love. But they weren’t supposed to; Saida is married and has a child, and a married woman has no place befriending another man.

From the summer of 1870 to the spring of 1871, famously dubbed the "Terrible Year" by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans-then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris.

Three years into her graduate studies at a demanding Boston university, the unnamed narrator of this nimbly wry, concise debut finds her onetime love for chemistry is more hypothesis than reality. She's tormented by her failed research - and reminded of her delays by her peers, her advisor, and most of all her Chinese parents, who have always expected nothing short of excellence from her throughout her life.

For Jews today, the attack on Israel on October 7th has drawn a clear and irreversible demarcation in time. On that day, the Jewish community woke up to an unrecognizable new reality, witnessing the stark rise in antisemitism, the world’s oldest hatred, in its wake. But even in this dark hour, the Jewish community is experiencing something profound and beautiful: a deep, abiding connection to community, culture, and faith. Drawing on the rich trove of Jewish history and tradition, Rabbi Elliot Cosgrove helps listeners make sense of this fraught time.

1950. Thousands of Yemeni Jews have immigrated to the newly founded Israel in search of a better life. In an overcrowded immigrant camp in Rosh Ha’ayin, Yaqub, a shy young man, happens upon Saida, a beautiful girl singing by the river. In the midst of chaos and uncertainty, they fall in love. But they weren’t supposed to; Saida is married and has a child, and a married woman has no place befriending another man.

Nina, a teenage runaway, wakes up in the unfamiliar stairwell of a Tel Aviv apartment in a torn minidress. As her memory starts to resurface—the abusive older man she’s running away from, the crime she witnessed—she knows one thing: she needs to find a place to hide. When one of the building’s tenants, Carmela, a lonely old widow suffering from memory loss, mistakes Nina for her granddaughter she hasn’t seen in years, Nina jumps at the opportunity for a safe haven. Soon, the two strangers become each other’s lifeline as Nina settles into the apartment with sweet, reassuring Carmela.

When Orna meets Gil on an online dating site, their lackluster affair seems like nothing more than a way to stave off the pain of her recent divorce. But soon it becomes clear that Gil may not be exactly who he claims to be and that Orna’s own lies may be weaving an unexpected trap for her.

Exploring identity, place, and exile, Kantika also reveals how the female body—in work, art, and love—serves as a site of both suffering and joy. A haunting, inspiring meditation on the tenacity of women, this lush, lyrical novel from Elizabeth Graver celebrates the insistence on seizing beauty and grabbing hold of one’s one and only life.

An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past.