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The Safekeep
- Narrated by: Stina Nielsen, Saskia Maarleveld
- Length: 9 hrs and 30 mins
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Publisher's summary
Longlisted for the Booker Prize | “Remarkable…Compelling…Fine and taut…Indelible” —The New York Times • “Mesmerizing and shockingly good…I was utterly blown away.” —Miranda Cowley Heller, author of The Paper Palace • “A brilliant debut, as multifaceted as a gem.” —Kirkus Reviews (starred review) • “Moving, unnerving, and deeply sexy.” —Tracy Chevalier, author of Girl with the Pearl Earring • “Fans of Patricia Highsmith and Ottessa Moshfegh’s Eileen will find much to admire here.”—Vulture
An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past.
A house is a precious thing...
It is 1961 and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the war is truly over. Living alone in her late mother’s country home, Isabel knows her life is as it should be—led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel’s doorstep as a guest, to stay for the season.
Eva is Isabel’s antithesis: she sleeps late, walks loudly through the house, and touches things she shouldn’t. In response, Isabel develops a fury-fueled obsession, and when things start disappearing around the house—a spoon, a knife, a bowl—Isabel’s suspicions begin to spiral. In the sweltering peak of summer, Isabel’s paranoia gives way to infatuation—leading to a discovery that unravels all Isabel has ever known. The war might not be well and truly over after all, and neither Eva—nor the house in which they live—are what they seem.
Mysterious, sophisticated, sensual, and infused with intrigue, atmosphere, and sex, The Safekeep is a brilliantly plotted and provocative debut novel you won’t soon forget.
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The actual book The Art of War, not a commentary
- By Fred271 on 12-31-19
By: Sun Tzu
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Technically Speaking
- By: Michael Elliot
- Narrated by: Coco Jones, Keith Powers, Queen Latifah, and others
- Length: 1 hr and 50 mins
- Original Recording
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Oakland-bred LaVeesha “Vee” Gilliam (Coco Jones) is a determined single mother of an autistic son and a gifted aspiring coder. When Vee loses her job as a food-services worker at the onsite restaurant at Grapengine, a large Silicon Valley tech company, she’s unable to pay for her son’s much-needed specialized education. By a twist of fate, mistaken identity, and her tech skills, Vee meets Troy Wilson (Keith Powers), the company’s wealthy founder and CEO and a wunderkind in the tech industry, who believes that Vee is a college-educated techie who works at his company.
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Overdue Diverse Representation in Tech!
- By Jatai Pollock on 09-26-24
By: Michael Elliot
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Ghost Stories: Stephen Fry's Definitive Collection
- By: Stephen Fry, Washington Irving, M.R. James, and others
- Narrated by: Stephen Fry
- Length: 8 hrs and 18 mins
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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The Strange Case
- By: Derek Kolstad, Mitali Jahagirdar, Laurie Kirwan-Ashman, and others
- Narrated by: Vanessa Kirby, David Oyelowo, Sofie Gråbøl, and others
- Length: 4 hrs and 9 mins
- Original Recording
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Overall
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Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.
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Love the Originals !!
- By r2coder on 08-04-24
By: Derek Kolstad, and others
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
- Original Recording
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Performance
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
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Annoying narrator
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A bit lacking
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James
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When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers/listeners of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.
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Can we ever be free
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It's 1994, and Adam, a drug addict from New York City, arrives at a kibbutz in Israel with a medieval sapphire brooch. To make up for a past crime, he needs to get the priceless heirloom to a woman his grandfather loved when he was a Holocaust refugee on the kibbutz 50 years earlier.
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Better for reading than listening
- By Debbie Israel and Jerry Dubin on 08-21-15
By: Jessamyn Hope
What listeners say about The Safekeep
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Leslie S. Miller
- 07-20-24
Stick with it
This book will stay with me. I think in a way I didn’t expect. It started a little slow and then as you get into the book, you sort of realize why it starts that way it’s an interesting story about family dynamics, and isolation and repressed love I think if you hang in there with the book, you want to be disappointed.
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- Pen Name
- 10-09-24
Storytelling
Slow reveal. Goosebumps. Something not quite right but What/Who is it and Why. Excellent.
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- Sara C. Weinberg
- 08-19-24
Compelling tale of loss and safe haven
Beautiful story. The brothers’ characters were not well developed and rather one dimensional. But the two women were complex and striking.
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- K. Bella Bestia
- 10-13-24
This One Should Win
I have no idea what the Booker Prize committee will decide, but IMHO, this one should win. This is a totally new (and erotic?) take on the problems associated with displacement and the right of return in our time—and how trauma persists or can be eventually healed. I mean, I really love James and Creation Lake, too—that committee has a tough choice this time around—but this novel has deep roots in the anxiety, zeitgeist, and faintest hope of this particular historical moment, and those roots are deep enough to sustain something that will live and last for a long time yet to come.
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- Courtney Mauro
- 10-20-24
Wow!!! Plot twist!
This book was amazing. Totally ended different from what I thought. Definitely rated R. Love the WW2 element
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- love it
- 09-23-24
Least favorite of the Booker Longlist
Decent book if you are looking for a romance novel. Not my genre. Plot was predictable, writing was above average.
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- Madeline S Weed
- 06-24-24
Wow! This is a wonderful listen!
This book is beautifully written with a taut, intense plot on top cooking hot and a bread-crumb tra subplot happening underneath. In the end, it all surfaces and the reader is faced with a whole host of intense feelings. I loved it.
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- Nancy
- 09-29-24
If I had it to do over I’d read the print version
Compelling story, well told, and sadly undercut by the primary reader. The readers voice was breathless and theatrical, and increasingly annoying — esp in describing a protagonist who, for much of the novel, aspired to a 2-dimensional life, and had no recognition of her own emotions. I can’t recall another novel with so much dialogue involving unfinished sentences. My sense is that it would flow much more easily on the written page, and hope others will consider engaging in that medium.
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- Katia
- 09-01-24
I was quite unengaged
The narrator sounded too pathetic, and the story is utterly forgettable and dull. I wouldn’t recommend.
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- k
- 10-31-24
dragged on forever
I should have returned this book. other reviews said stick with it, so I did. Never got better, it just dragged on forever. Narrator was irritating. storyline actually had potential, just never was fulfilled.
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