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The Hours
- A BBC Radio 4 Full-cast Dramatisation
- Narrated by: Fenella Woolgar, full cast, Rosamund Pike, Teresa Gallagher
- Length: 1 hr and 52 mins
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Publisher's summary
Winner of the Gold Award for Best Drama in the New York Festivals Radio Awards 2018
A BBC radio adaptation of the Pulitzer Prize-winning book by Michael Cunningham, inspired by Virginia Woolf's Mrs Dalloway
Three separate women, living in different locations and eras, are linked by their passion for Virginia Woolf's novel Mrs Dalloway. As they each live through a Tuesday in June, their thoughts and experiences mirror each other and become interwoven.
In Richmond in 1923, Virginia Woolf struggles to write a novel whose protagonist is Mrs Dalloway. In Los Angeles in 1949, Laura ignores her chores and small son to sit in bed reading Mrs Dalloway. In 1990s New York, Clarissa goes to buy flowers for a party, mirroring the start of the fictional Mrs Dalloway’s day. The party is in honour of her sick friend Richard, who long ago dubbed her Mrs Dalloway.
As their stories intertwine, they converge to become one, weaving together themes of storytelling, domestic tension, friendship, love, loss, parental guilt, loneliness, bisexuality and the challenges of hosting social rituals.
Adapted by Sony Award-winning dramatist Frances Byrnes, this affecting dramatisation stars Fenella Woolgar as Virginia Woolf, Teresa Gallagher as Laura and Rosamund Pike as Clarissa.
Cast:
Virginia/Kitty...Fenella Woolgar
Laura...Gallagher
Dan/Walter...Corey Johnson
Richie...Jack Towbin
Clarissa...Rosamund Pike
Sally/Vanessa...Lia Williams
Leonard/Louis...David Annen
Nelly...Rachel Atkins
Julia...Haley McGee
Other voices by Sydney Beveridge and Josh Wakesberg
Directed by Judith Kampfner and Polly Thomas
Produced by Judith Kampfner
A Corporation For Independent Media production for BBC Radio 4
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Winner of the National Book Award when it was first published in 1964, Herzog traces five days in the life of a failed academic whose wife has recently left him for his best friend. Through the device of letter writing, Herzog movingly portrays both the internal life of its eponymous hero and the complexity of modern consciousness.
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Set against a backdrop of jazz music, bootlegging, and lavish parties, The Great Gatsby is the story of Midwesterner Nick Carraway’s curious introduction to the decadent world of his mysterious, wealthy neighbor Jay Gatsby, whose thirst for riches is matched only by his tragic obsession with the beautiful Daisy Buchanan. This dangerously propulsive tale of glitz and glamour continues to be relevant as listeners long for escapist novels—a chance to flee into Gatsby’s famed mansion and lose oneself in the rush of opulence.
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Published two weeks after Vladimir Nabokov’s seventieth birthday, Ada, or Ardor is one of his greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest, but it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.
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John Galsworthy's magnificent trilogy of power and passion chronicles the wealthy Forsyte family. The complete Chronicles are divided into three volumes, containing nine books and four interludes in total. Volume 2, A Modern Comedy, focuses on Soames's vivacious daughter, Fleur. Soames tries constantly to protect her but is baffled by the carefree attitudes in post-war London. Fleur and her husband Michael Mont host society gatherings, but her previous affair with Jon Forsyte leaves embers of a passion that are ready to ignite - with dreadful consequences.
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Very worthwhile
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Burdened by debt after her husband's death, Lucy Muir insists on moving into the very cheap Gull Cottage in the quaint seaside village of Whitecliff, despite multiple warnings that the house is haunted. Upon discovering the rumors to be true, the young widow ends up forming a special companionship with the ghost of handsome former sea captain Daniel Gregg. Lucy finds in her secret relationship with Captain Gregg a comfort and blossoming love she never could have predicted.
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Bias Review Warning
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England, 1932: Grace Hamblin is growing up on the beautiful estate of the marquess and marchioness of Penselwood. The beekeeper's daughter, she knows her place and what the future holds - that is until her father dies. Her childhood friend, Freddie, has recently become her lover, and she is thankful when they are able to marry and take over her father's duties. But there is another man who she just can't shake from her thoughts.
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Fantastic!
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Now, Voyager
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Boston blueblood Charlotte Vale has led an unhappy, sheltered life. Lonely, dowdy, repressed, and pushing 40, Charlotte finds salvation at a sanitarium, where she undergoes an emotional and physical transformation. After her extreme makeover, the new Charlotte tests her mettle by embarking on a cruise and finds herself in a torrid love affair with a married man which ends at the conclusion of the voyage. But only then can the real journey begin, as Charlotte is forced to navigate a new life for herself.
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The Inspiration for The Movie Classic
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The Good Apprentice
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Stuart Cuno has decided to become good. Not believing in God, he invents his own methods, which include celibacy, chastity, and the abandonment of a promising academic career. Interfering friends and relations question his sincerity, his sanity, and his motives.
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Albinus, a respectable, middle-aged man and aspiring filmmaker, abandons his wife for a lover half his age: Margot, who wants to become a movie star. When Albinus introduces her to Rex, an American movie producer, disaster ensues. What emerges is an elegantly sardonic and irresistibly ironic novel of desire, deceit, and deception, a curious romance set in the film world of Berlin in the 1930s.
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Death is often the point of life's joke
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Charlotte Dean enjoys nothing more than the solitude of her London flat and the monotonous days of her work at a travel bookshop. But when her younger sister unceremoniously bursts into her quiet life one afternoon, Charlotte's world turns topsy-turvy. Beloved author D. E. Stevenson captures the intricacies of post-World War I England with a light, comic touch that perfectly embodies the spirit of the time. Alternatively heartbreaking and witty, The Young Clementina is a touching tale of love, loss and redemption through friendship.
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Miss Dean's Dilemma
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Fairy-tale romances end with a wedding and the fairy tales don't get complicated. In this book, celebrated writer Mr. Fox can't stop himself from killing off the heroines of his novels, and neither can his wife, Daphne. It's not until Mary, his muse, comes to life and transforms him from author into subject that his story begins to unfold differently....
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A Great Novel, just Poor for Audio
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What listeners say about The Hours
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- deepesh
- 11-23-18
Highly Recommend
A very deep story and brilliant narration that really brings the story to life. One small problem being that one might have trouble distinguishing characters by their voice at the start, so it could be helpful to look up a list of major characters. However the story gets really deep as it progresses and the narration is absolutely brilliant.
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- Johannah Timbreblue
- 06-21-19
An enjoyable ABRIDGED version
THE HOURS
Audio, 1 hr 52 mins
BBC Radio full cast dramatisation
This is one of my favorite books. I was delighted when it was adapted for the screen, and enjoyed the multi-award-winning 2002 movie starring Nicole Kidman, Julianne Moore, and Meryl Streep. The film received an Academy Award (Best Actress, Kidman), two Golden Globe Awards (Best Picture and Best Actress, Kidman), two BAFTA Awards (Best Film Music and Best Actress, Kidman), and many more accolades. So I had high expectations for this full-cast recording.
This BBC Radio version is an enjoyable listen with a talented voice cast, particularly Rosamund Pike as Clarissa. The distinctions between voices and shifts between timelines are easy to follow. I do recommend this title, and it is a thoughtful drama about three women in three very different times, linked by a beautiful book (MRS DALLOWAY by Virginia Woolf).
However…
"UNABRIDGED?" NO.
Audible has this labeled "Unabridged" and it is SO very abridged that much of the dialogue does not appear in Mr Cunningham's Pulitzer Prize-winning book.
Examples:
The audio begins with a breathy, musing Virginia: "Hmm. Mrs. Dalloway. Mrs Dalloway. Clarissa Dalloway. What does she say? Something. What? Hmm. I might start there. Mrs Dalloway, going on an errand, in June. I might start there. Mrs. Dalloway, going on an errand, on a day in June.
Instead of the soldiers marching off to lay the wreath in Whitehall. Is it the right beginning? Is it too ordinary? Mrs. Dalloway said … something. Yes. Hmm."
However, Mr. Cunnigham's text begins: "Prologue. She hurries from the house, wearing a coat too heavy for the weather. It is 1941. Another war has begun. She has left a note for Leonard, and another for Vanessa."
For the relevant section of the book (Virginia's musing about how to begin her book), one must turn to page 29 where the text reads: "Mrs. Dalloway said something (what?), and got the flowers herself. It is a suburb of London. It is 1923. Virginia awakens. This might be another way to begin, certainly; with Clarissa going on an errand on a day in June, instead of soldiers marching off to lay the wreath in Whitehall. But is it the right beginning? Is it a little too ordinary? Virginia lies quietly in her bed, and sleep takes her again so quickly she is not conscious of falling back to sleep at all."
(Page 29, Picador Modern Classics edition, Kindle)
This radio version is an excellent way to become acquainted with the story, but it is absolutely not an "Unabridged" recording. This version loses so much of the cerebral nature of the book that it could at best be called an adaptation, and I would go so far as to call it "inspired by" the modern-classic novel THE HOURS. If you enjoy this story, read the book!
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3 people found this helpful
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- Ahsoso
- 11-18-19
Disappointing, confusing and not what I expected.
Found it hard to follow who was speaking to what character and why they were.
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