It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm’s length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn’t been back to their small Wisconsin town since their father ran out on them seven years before.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Then: Linda has it all: a gorgeous home, a devoted husband, two loving daughters. But she throws it all away to chase an impossible dream. Now: Linda is alone and penniless, living in a shabby rented flat. With nothing to lose, she signs up to a dating app for the over 50s. But the one man who responds to her profile, a man calling himself Tony Fortin, is not who he says he is. Linda recognises him immediately. He’s Marcus, her second husband. But that’s impossible. Marcus died eight months ago. He drowned off the coast of Corfu.

This newer edition of the King James Bible published in 1769 is usually preferred by most that read it over the older 1611 version. This 1769 edition is highly sought after due to being more reader/listener friendly than the 1611 since many typos were fixed.... We hope your new audio bible will go everywhere with you and be a blessing for years to come.

Emily has spent her life running away. She never speaks about what happened between her and her mother at her family home when she was a child. All anyone knows is that same night her father packed up the car and drove Emily away. For her safety, he said. She hasn’t been home since. When her mother dies on her 28th birthday, everything changes. She sees her mother everywhere. She catches glimpses at the corner of her eye. She haunts her dreams.

How far would you go to protect your family? Single dad Ben is doing his best to raise his children, with the help of his devoted mother, Judi. And then Ben meets Amber. Everyone thinks this is a perfect match for Ben, but Judi isn't so sure.... There's just something about Amber that doesn't add up. Ben can't see why his mother dislikes his new girlfriend. And Amber doesn't want Judi anywhere near her new family. Amber just wants Ben and the children.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

They said write what you know so that's what I did. I wrote dirty, I wrote erotic, I wrote the truth. And then they called me a liar. But it's not me who's lying, it's them. Our story isn't for everyone. It's not even for us. So if you're looking for the fairy tale and the stupid prince on his dumb white horse, move along. You've got a hold of the wrong book. This is not your story, this is not your life, and this is not your opportunity to dip your frightened little toe into the dark pool of water and "try new things" and then pull it out and decide... #NotForMe.

Renowned as much for her wit and satirical social commentary as for her stories of love and romance, Jane Austen remains unfailingly relevant and one of Britain’s best loved authors. In this Audible Original collection, an all-star list of narrators (Billie Piper, Claire Foy, Emma Thompson, Florence Pugh and Gugu Mbatha-Raw) capture Austen’s pin-sharp humour and tone in these dramatisations of her six beloved novels accompanied by a full cast.

Once an inventive puppeteer, Sabbath at sixty-four is still defiantly antagonistic and exceedingly libidinous. But after the death of his longtime mistress—an erotic free spirit whose adulterous daring surpassed even his own—Sabbath, bereft and grieving and besieged by the ghosts of those who loved and hated him most, contrives a succession of farcical disasters that take him to the brink of madness and extinction.

In this book (which may or may not be fiction), Philip Roth meets a man who may or may not be Philip Roth. Because someone with that name has been touring Israel, promoting a bizarre reverse exodus of the Jews. Roth is intent on stopping him, even if that means impersonating his own impersonator. With excruciating suspense, unfettered philosophical speculation, and a wild cast of characters, Operation Shylock barrels across the frontier between fact and fiction, seriousness and high comedy, history and nightmare.

Goodbye, Columbus is the story of Neil Klugman and pretty, spirited Brenda Patimkin. Neil comes from poor Newark, while Brenda is of suburban Short Hills. On one summer break, they meet and dive into an affair that is as much about social class and suspicion as it is about love. The novella is accompanied by five short stories that range in tone from the iconoclastic to the astonishingly tender.

Gertrude and Claudius are the "villains" of Hamlet: he the killer of Hamlet’s father and usurper of the Danish throne; she his lusty consort, who marries Claudius before her late husband’s body is cold. But in this imaginative "prequel" to the play, John Updike makes a case for the royal couple that Shakespeare only hinted at. Gertrude and Claudius are seen afresh against a background of fond intentions and family dysfunction, on a stage darkened by the ominous shadow of a sullen, erratic, disaffected prince.

The hero of Everyman is obsessed with mortality. As he reminds himself at one point, "I'm 34! Worry about oblivion when you're 75." But he cannot help himself. He is the ex-husband in three marriages gone wrong. He is the father of two sons who detest him, despite a daughter who adores him. A masterful portrait of one man's inner struggles, Everyman is a brilliant showcase for one of the world's most distinguished novelists.

The Counterlife is about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate. Illuminating these lives in transition and guiding us through the book's evocative landscapes, familiar and foreign, is the mind of the novelist Nathan Zuckerman.

Bucky Cantor is a vigorous, dutiful twenty-three-year-old playground director during the summer of 1944. A javelin thrower and weightlifter, he is disappointed with himself because his weak eyes have excluded him from serving in the war alongside his contemporaries. As the devastating disease begins to ravage Bucky’s playground, Roth leads us through every inch of emotion such a pestilence can breed: fear, panic, anger, bewilderment, suffering, and pain.

Jim Crace has been called "one of the brightest lights in contemporary British fiction" by The New York Times Book Review. His novels have won a Whitbread Prize, an E.M. Forster Award, the Guardian Fiction Award, the GAP International Prize for Literature, and have been shortlisted for the Booker Prize. Far-ranging in its imagery, Being Dead is a provocative examination of mortality.

When she was still a child, Lucy Nelson had her alcoholic failure of a father thrown in jail. Ever since then she has been trying to reform the men around her, even if that ultimately means destroying herself in the process. With his unerring portraits of Lucy and her hapless, childlike husband, Roy, Roth has created an uncompromising work of fictional realism, a vision of provincial American piety, yearning, and discontent that is at once pitiless and compassionate.

A fiction-within-a-fiction, a labyrinthine edifice of funny, mournful, and harrowing meditations on the fatal impasse between a man and a woman, My Life as a Man is Philip Roth’s most blistering novel. At its heart lies the marriage of Peter and Maureen Tarnopol, a gifted young writer and the woman who wants to be his muse but who instead is his nemesis. Their union is based on fraud and shored up by moral blackmail, but it is so perversely durable that, long after Maureen’s death, Peter is still trying—and failing—to write his way free of it.

Abe Ravelstein is a brilliant professor at a prominent Midwestern university and a man who glories in training the movers and shakers of the political world. He has lived grandly and ferociously - and much beyond his means. His close friend Chick has suggested that he put forth a book of his convictions about the ideas that sustain humankind, or kill it, and much to Ravelstein’s own surprise, he does and becomes a millionaire.

As a student in college, David Kepesh styles himself “a rake among scholars, a scholar among rakes.” Little does he realize how prophetic this motto will be—or how damning. For as Philip Roth follows Kepesh from the domesticity of childhood into the vast wilderness of erotic possibility, from a ménage à trois in London to the throes of loneliness in New York, he creates a novel that “ranks among the major achievements in the literature of our time”—Village Voice.

Patrimony, a true story, touches the emotions as strongly as anything Philip Roth has ever written. Roth watches as his 86-year-old father - famous for his vigor, his charm, and his repertoire of Newark recollections - battles with the brain tumor that will kill him. The son, full of love, anxiety, and dread, accompanies his father through each fearful stage of his final ordeal, and, as he does so, discloses the survivalist tenacity that has distinguished his father's long, stubborn engagement with life.

Everything is over for Simon Axler, the protagonist of Philip Roth’s startling book. One of the leading American stage actors of his generation, now in his sixties, he has lost his magic, his talent, and his assurance. His Falstaff and Peer Gynt and Vanya, all his great roles, “are melted into air, into thin air.” When he goes onstage he feels like a lunatic and looks like an idiot. His confidence in his powers has drained away; he imagines people laughing at him; he can no longer pretend to be someone else.

Philip Roth, one of the best-known and award winning literary masters of our time, engages his readership with insightful and challenging novels of the human condition. With The Dying Animal, he revisits the character David Kepesh. At age 60, Kapesh is drawn out of his carefully ordered existence and into an obsessive affair with one of his students.