The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

Based in part on Cheever's adolescence in New England, the novel follows the destinies of the impecunious and wildly eccentric Wapshots of St. Botolphs, a quintessential Massachusetts fishing village. Here are the stories of Captain Leander Wapshot, venerable sea dog and would-be suicide; of his licentious older son, Moses; and of Moses' adoring and errant younger brother, Coverly.

New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the 75-year marriage between a preeminent publication and its preeminent context with this collection of 44 of its best stories from (so to speak) home.

Here is the preface to twelve magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

Here is the preface to 12 magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

Here is the preface to 12 magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

Here is the preface to twelve magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

Here is the preface to 12 magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

Here is the preface to 12 magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

Here is the preface to 12 magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

Eliot Nailles loves his wife and son to distraction; his Bullet Park neighbour, Paul Hammer, is a bastard named after a common household tool. The pair become fatefully linked by the mysterious binding power of their names.

Father knows best - or does he? Reliable family man Jim Anderson deals with the everyday problems of postwar life in the radio precursor to the famous 1950s TV series. Robert Young stars in these 16 heartwarming comedy classics - including several previously uncirculated broadcasts. Visit the white frame house on Maple Street, and listen in as Father struggles to keep his cool and set a good example in spite of an onslaught of surprises, secrets, and shenanigans!

Here is the preface to twelve magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

Here is the preface to 12 magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

In the past 50 years, the American short story has changed dramatically. New voices, forms, and mixtures of genres have brought this unique US genre a thrilling burst of energy. This rich anthology celebrates this avalanche of talent. Beginning in 1970, it culls together a half century of powerful American short stories from all genres, including - for the first time in a literary anthology - science fiction, horror, and fantasy.

Based in part on Cheever's adolescence in New England, the novel follows the destinies of the impecunious and wildly eccentric Wapshots of St. Botolphs, a quintessential Massachusetts fishing village. Here are the stories of Captain Leander Wapshot, venerable sea dog and would-be suicide; of his licentious older son, Moses; and of Moses' adoring and errant younger brother, Coverly.

Here is the preface to 12 magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

A convict named Farragut struggles to remain a man while inside a nightmarish prison. Cheever crafted his most powerful work of fiction out of Farragut's suffering and astonishing salvation.

The Enormous Radio and The Swimmer are two magnificent stories in which John Cheever celebrates with unequaled grace and tenderness the deepest feelings we have. As Cheever wrote, "These stories seem at times to be stories of a long lost world when the city of New York was still filled with a river light, when you heard the Benny Goodman quartets from a radio in the corner stationery store, and when almost everybody wore a hat."

By the time of his early death in 1988, Raymond Carver had established himself as one of the great practitioners of the American short story. Where I'm Calling From, his last collection, encompasses classic stories from Cathedral, What We Talk About When We Talk About Love, and earlier Carver volumes, along with seven new works previously unpublished in book form.

In the past 50 years, the American short story has changed dramatically. New voices, forms, and mixtures of genres have brought this unique US genre a thrilling burst of energy. This rich anthology celebrates this avalanche of talent. Beginning in 1970, it culls together a half century of powerful American short stories from all genres, including - for the first time in a literary anthology - science fiction, horror, and fantasy.

The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

There is simply no A-Z like the alphabet of fiction writers who have appeared in the pages of The New Yorker in the last hundred years. The book boasts inarguable classics like Salinger’s “A Perfect Day for Bananafish,” Annie Proulx’s “Brokeback Mountain,” and Shirley Jackson’s “The Lottery” alongside stunners to be rediscovered. Some stories defined a moment or a now-lost world (Isaac Bashevis Singer’s “The Cafeteria”); others showed us a whole new way fiction could sound and feel (“The Red Girl,” by Jamaica Kincaid).

New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the 75-year marriage between a preeminent publication and its preeminent context with this collection of 44 of its best stories from (so to speak) home.

Wallace Stegner's uniquely American classic centers on Lyman Ward, a noted historian who relates a fictionalized biography of his pioneer grandparents at a time when he has become estranged from his own family. Through a combination of research, memory, and exaggeration, Ward voices ideas concerning the relationship between history and the present, art and life, parents and children, and husbands and wives.