Unlike the other arts, American literature has been a powerful, influential, and leading aspect of American culture. By turns sedate and mercurial and possessing a moral mind set of various social values, the American short story reveals in its pages the psyche of a growing, sprawling nation whose sense of destiny has always been larger than life. Here are seven masterpieces that will make you smile, make you frown, and leave you pondering the mystery that surrounds the soul of a great nation.

A treasure chest of timeless short stories by some of the world's greatest authors.

In her celebrated fiction, Shirley Jackson explored the darkness lurking beneath the surface of small-town America. But in Life Among the Savages, she takes on the lighter side of small-town life. In this witty and warm memoir of her family's life in rural Vermont, she delightfully exposes a domestic side in cheerful contrast to her quietly terrifying fiction. With a novelist's gift for character, an unfailing maternal instinct, and her signature humor, Jackson turns everyday family experiences into brilliant adventures.

O. Henry's short stories are well known for their wit, wordplay, warm characterization, and clever twist endings. This collection includes "The Last Leaf", "The Love Philter of Ikey Schoenstein", "The Caliph", "Cupid and the Clock", "The Brief Debut of Tildy", "The Higher Abdication", "The Ransom of Red Chief", "One Dollar’s Worth", "Cupid a la Carte", "Girl", "Springtime a la Carte", "The Ethics of Pig", "The Social Triangle", "Witches Loaves", "The Romace of the Buys Broker", and more.

This wonderful collection of 18 short stories includes work by some of literature's most treasured names, including Mark Twain, Edgar Allan Poe, James Joyce, Virginia Woolf, F. Scott Fitzgerald, Oscar Wilde, and many more. This superlative treasury includes "The Cask of Amontillado" by Edgar Allan Poe; "A Piece of String" by Guy Le Maupassant; "The Story of an Hour" by Kate Chopin; "The Mark on the Wall" by Virginia Woolf; "Nuns at Lunch" by Aldous Huxley, and many more!

After the publication of her short story “The Lottery” in the New Yorker in 1948 received an unprecedented amount of attention, Shirley Jackson was quickly established as a master horror storyteller. This collection of classic and newly reprinted stories provides listeners with more of her unsettling, dark tales, including the “The Possibility of Evil” and “The Summer People”.

These stories display Twain's place in American letters as a master writer in the authentic native idiom. He was exuberant and irreverent, but underlying the humor was a vigorous desire for social justice and a pervasive equalitarian attitude.

"My father was in the hospital and every night when I visited him, I read aloud to him. James Thurber. And one night he said, 'You really should do that on your show,' and I said, 'Dad, it’s a television newscast. I’d love to, but how could it possibly fit?' And he said, 'How often have I ever suggested anything for your shows?' And I remembered that he never had. But I also reminded him that there were things like copyrights and bills, to which he said, 'Try it. You never know.'"

In the past 50 years, the American short story has changed dramatically. New voices, forms, and mixtures of genres have brought this unique US genre a thrilling burst of energy. This rich anthology celebrates this avalanche of talent. Beginning in 1970, it culls together a half century of powerful American short stories from all genres, including - for the first time in a literary anthology - science fiction, horror, and fantasy.

Guy de Maupassant, (1850 - 1893), a native of Normandy, wrote in a bold and vigorous style that moves inexorably along clear plot lines. He had an astonishing capacity for creating believable characters, and he wasted little ink in putting his stories in motion. Maupassant was a master of "le mot juste," waiting until the perfect word came to him before setting his thoughts to paper. He was one of the first truly modern writers, and today his stories still resonate with enthusiasm and originality.

French literature may be said to begin with the ninth century "Song of Roland," and it has since then churned out masterpiece after masterpiece in every century right up to the present. Beginning with Balzac and Dumas in the early part of the nineteenth century and proceeding to Sartre and Camus at the midpoint of the twentieth, the stories in this collection showcase the talents of some of the greatest French masters of the short story.

The central core of the stories concerns a Persian king and his new bride. The king has a brother who is a vizier in faraway Samarcand, and he invites him to come to the palace for a visit. Just before his departure, the vizier is shocked to discover his wife's infidelity. Enraged, he kills her. Full of pain and grief, the vizier continues on to the court of his brother, the king. But, once arrived at his brother's palace, the vizier soon discovers the king's wife is also involved in an even more flagrant infidelity.

Russian literature exudes an atmosphere of mysticism, which is said to be a natural result of the simplicity of her people. Often, instead of being "about" anything, Russian stories sometimes seem to be the "thing" in itself. Be this as it may, it is an undeniable fact that with hardly any portent of future greatness to come, Russian literature suddenly sprang fully developed into existence in the 19th century.

Since their first publication in 1812, Grimm's Fairy Tales have proven to be an enduring feature of Western literature. The stories have been translated into over 100 languages worldwide, and their influence has cast its spell on many film makers, as well. The stories were collected from traditional storytellers from around Germany, usually women, and the motivation to collect them grew out of the wave of romantic nationalism of the early 19th century.

A blinding snowstorm - and a homicidal maniac - traps a small party of friends in an isolated estate. Out of this deceptively simple setup, Agatha Christie fashioned one of her most ingenious puzzlers, which in turn would provide the basis for The Mousetrap, the longest-running play in history. From this classic title novella to the deliciously clever gems on its tail (solved to perfection by Hercule Poirot and Miss Jane Marple), this rare collection of murder most foul showcases Christie at her inventive best.

Unlike the other arts, American literature has been a powerful, influential, and leading aspect of American culture. By turns sedate and mercurial and possessing a moral mind set of various social values, the American short story reveals in its pages the psyche of a growing, sprawling nation whose sense of destiny has always been larger than life. Here are seven masterpieces that will make you smile, make you frown, and leave you pondering the mystery that surrounds the soul of a great nation.

The greatest short story writers strive to achieve a single, dramatic effect, a feature which the early masters of this genre perfected. Although the short story came from Europe, it was reborn in America and reached a pinnacle of superb form on these shores by the turn of the 20th century. In so many of our best writers, we hear echoes of a pioneer ethos that sustains the heart of a great literature. Here are 12 of America's best.

Represented here are 16 short stories by seven great American writers, dating from the 19th and 20th centuries. Different in atmosphere and writing style, they nevertheless caught the mood and concerns of the day in a way that was distinctly American.

In the past 50 years, the American short story has changed dramatically. New voices, forms, and mixtures of genres have brought this unique US genre a thrilling burst of energy. This rich anthology celebrates this avalanche of talent. Beginning in 1970, it culls together a half century of powerful American short stories from all genres, including - for the first time in a literary anthology - science fiction, horror, and fantasy.

Here are twelve magnificent stories in which John Cheever celebrates—with unequaled grace and tenderness—the deepest feelings we have.