
The Late Americans
A Novel
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Narrated by:
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Kevin R. Free
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By:
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Brandon Taylor
INSTANT NATIONAL BESTSELLER
NAMED A MOST ANTICIPATED BOOK OF THE YEAR BY VOGUE, ELLE, OPRAH DAILY, THE WASHINGTON POST, BUZZFEED AND VULTURE
“Erudite, intimate, hilarious, poignant . . . A gorgeously written novel of youth’s promise, of the quest to find one’s tribe and one’s calling.” —Leigh Haber, Oprah Daily
The Booker Prize finalist and widely acclaimed author of Real Life and Filthy Animals returns with a deeply involving new novel of young men and women at a crossroads
In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. Among them are Seamus, a frustrated young poet; Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicate her relationships with friends and a trusted mentor; and Noah, who “didn’t seek sex out so much as it came up to him like an anxious dog in need of affection.” These four are buffeted by a cast of artists, landlords, meatpacking workers, and mathematicians who populate the cafes, classrooms, and food-service kitchens of the city, sometimes to violent and electrifying consequence. Finally, as each prepares for an uncertain future, the group heads to a cabin to bid goodbye to their former lives—a moment of reckoning that leaves each of them irrevocably altered.
A novel of friendship and chosen family, The Late Americans asks fresh questions about love and sex, ambition and precarity, and about how human beings can bruise one another while trying to find themselves. It is Brandon Taylor’s richest and most involving work of fiction to date, confirming his position as one of our most perceptive chroniclers of contemporary life.
©2023 Brandon Taylor (P)2023 Penguin AudioListeners also enjoyed...




















Critic reviews
“The Late Americans is Brandon Taylor’s best book so far. . . . For all their disagreements and misunderstandings and incompatibilities, [his characters are] all attempting to make peace with the cosmic bêtise of existence, to figure out how to live without compromising everything they value. It’s beautiful and wrenching to watch them try.” —Charles Arrowsmith, Boston Globe
“Brandon Taylor's third book is the most dazzling example of his sharp pen and keen observations of human nature yet. . . . Taylor develops his characters so precisely, they feel like close friends: recognizable, sometimes infuriating, and always worth following to the book's last page.” —Harper's Bazaar
“One of the best contemporary writers on young queer creatives, Taylor continues the theme with this offering about a group of Iowa City friends. . . . Over a year of creative and personal revolution, they go through partnerships, daddy issues, and complicated friendships — all simultaneously chaotic, messy, and loving.” —Rolling Stone
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Overall, this is a resentful, argumentative book full of resentful, argumentative characters.
I was left wondering what the point of all this was or if we were supposed to have some takeaway.
The beginning was promising...
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Disjointed depressing stories of disaffected 20 something’s
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A bad boring pretentious novel
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Truly a bad novel
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The performance was good, but the material is bad. A disappointment after Taylor's previous novel.
Characters Lacked Depth, No Plot
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Vivid and beautiful journey!
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why did I continue to listen to this?
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