
The Late Show
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Narrated by:
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Katherine Moennig
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By:
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Michael Connelly
About this listen
A compelling thriller introducing a driven young detective trying to prove herself in the LAPD.
Renée Ballard works the night shift in Hollywood, beginning many investigations but finishing none as each morning she turns her cases over to day shift detectives. A once up-and-coming detective, she's been given this beat as punishment after filing a sexual harassment complaint against a supervisor. But one night she catches two cases she doesn't want to part with: the brutal beating of a prostitute left for dead in a parking lot and the killing of a young woman in a nightclub shooting.
Ballard is determined not to give up at dawn. Against orders and her own partner's wishes, she works both cases by day while maintaining her shift by night. As the cases entwine, they pull her closer to her own demons and the reason she won't give up her job - no matter what the department throws at her.
©2017 Hieronymous, Inc (P)2017 Hachette AudioListeners also enjoyed...
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The Law of Innocence: Booktrack Edition
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Performance
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- Length: 15 hrs and 24 mins
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Overall
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Performance
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By: Michael Connelly
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Overall
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Performance
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-
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By: Lee Child
-
The Cuckoo's Calling
- By: Robert Galbraith
- Narrated by: Robert Glenister
- Length: 15 hrs and 54 mins
- Unabridged
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Overall
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Performance
-
Story
After losing his leg to a land mine in Afghanistan, Cormoran Strike is barely scraping by as a private investigator. Strike is down to one client, creditors are calling, and after a breakup with his longtime girlfriend, he’s living in his office. Then John Bristow walks through his door with a shocking story: His sister, the legendary supermodel Lula Landry - known to her friends as the Cuckoo - famously fell to her death a few months earlier.
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By: Robert Galbraith
-
The Poisoner
- The Poisoner Series, Book 1
- By: I.V. Ophelia
- Narrated by: Matt Sykes, Stephanie Willis
- Length: 11 hrs and 55 mins
- Unabridged
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Overall
-
Performance
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Story
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Angry auntie reading
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A very warm welcome to Renee Ballard!
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Love it
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This is gripping thriller though it can get classified as a police procedural. It has all the twist and turns which keep surprising you. The sub plots ensure that there is not one single minute when you are not gripped by the narrative. Wow. it was an awesome ride!
Wonderful
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I liked his introduction of a new female detective working the late shift, the story is decent and engaging throughout. But as an audio book it is made EXTREMELY DIFFICULT to get through because of reader Katherine Moennig.
I always shy away from blaming the person reading a novel, as I always find that even the lesser ones slowly pull me in as I get into their rhythm and style. However in this case it was made impossible because Moennig (despite her voice sounding pleasant and inviting) keeps reading everything mostly in the same tone. No matter whether it's speedy action or slow parts she rarely makes a change in her tone, and the worst part - what makes it near impossible to get through - is that she never does anything to make different characters sound different!
Now I'm not saying she should go into full blown parody and talk with a deep voice for one character, high pitch for another and so on, but as a performer - when reading dialogue between two or more people - you MUST do something, tiny audible traits that makes it possible to understand who is saying what.
Her constant lack of doing so created so many moments of confusion for me as listener, making focusing on the plot a difficult task when instead I'm stuck wondering which character is talking. It also made it difficult for me to ever get truly emgulfed in the story. The only exceptions are a few long sequences where the main character is alone with her thoughts.
It's a dang shame. I do not understand how the producer/director of this audiobook didn't stop and tell the narrator to do a better job. Hopefully it was a learning experience as the feedback comes in from disappointed listeners, but as things stand now, I will never again listen to anything performed by this reader, but more than anything it's the fault of whoever produced the recording. They should really know better!
Good story, bad narration
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Ok book with good story and terrible performance.
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Rene Ballard The Late Show
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The reader is clear and easy to follow. She seems to be a little new at the game: the text following a conversation takes on the emotion of the conversation itself. For example, if Connelly writes: "Do you really want to do this?" she said, Moennig will read the last two words as part of the question itself. Not that it distracts from the performance.
A nice Connelly
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Katherine Moennig is a fantastic reader
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