The throne of England is slipping from King Henry’s grasp. His only son has drowned in the English Channel, and the predators are gathering ready to devour both England and Normandy. When the last of King Harold’s housecarls returns to England to die, he brings with him a reluctant hero who will save the kingdom. Alfraed, son of Ridley, is the first of a new breed; he is an English knight.

When his father is killed at Arsuf protecting King Richard, Thomas is knighted. His hopes of inheriting his family's manor are dashed when Prince John takes power in his brother's absence. With a handful of men, Sir Thomas is forced to travel to Sweden where he joins the Jarl Birger Brosa fighting the Estonians, Karelians and Slavs. Fighting in the harsh environment of a Baltic winter makes Sir Thomas and his men stronger. There he learns of further treachery and dishonour among Bishops, Kings and Princes who value thrones more than men.

Hunting the Falcon is the story of how Henry VIII’s obsessive desire for Anne Boleyn changed him and his country forever. John Guy and Julia Fox, two of the most acclaimed and distinguished historians of this period, have joined forces to present Anne and Henry in startlingly new ways.

England, 1459: Cecily, duchess of York, is embroiled in a plot to topple the weak-minded King Henry VI from the throne. But when the Yorkists are defeated at the Battle of Ludford Bridge, Cecily’s family flee and abandon her to face a marauding Lancastrian army on her own. Cecily can only watch as her lands are torn apart and divided up by the ruthless Queen Marguerite.

This is the story of the dramatic final 24 hours of the life of Anne Boleyn. The story is told in a compelling minute by minute countdown which ends with her final walk to the scaffold, and her beheading by the hangman of Calais' sword. The book describes the actions and thoughts of some the leading players during those final 24 hours including Thomas Cranmer, Chapuys, Jane Seymour, Lady Mary, Sir William Kingston, Thomas Wyatt and, of course, the three principle players.

Henry VIII ruled England from 1509 to 1547. As a young man, he was fond of sports and hunting and was said to be uncommonly handsome. Standing more than six feet tall, he loomed large in the lives and minds of his subjects as he navigated his country through the tricky diplomatic and military hazards of the 16th century.

The child of a scheming father and ruthless mother, Lady Jane Grey is born during a time when ambition dictates action. Cousin to Edward VI, Mary I, and Elizabeth I, she is merely a pawn in a political and religious game in which one false step means a certain demise. But Lady Jane has remarkable qualities that help her to withstand the constant pressures of the royal machinery far better than most expect.

In When Christ and His Saints Slept, the first of a trilogy that will tell the story of Henry II and Eleanor of Aquitaine, master storyteller and historian Sharon Kay Penman illuminates one of the less known but fascinating periods of English history. It begins with the death of King Henry I, son of William the Conqueror and father of Maude, his only living legitimate offspring.

Ten remarkable women. One remarkable era. In the Tudor period, 1485 to 1603, a host of fascinating women sat on the English throne. The dramatic events of their lives are told in The Turbulent Crown: The Story of the Tudor Queens.

The Kingdom of Jerusalem, also known as Outremer, is the land far beyond the sea. Baptized in blood when the men of the First Crusade captured Jerusalem from the Saracens in the early 12th century, the kingdom defined an utterly new world, a land of blazing heat and a medley of cultures, a place where enemies were neighbors and neighbors became enemies. At the helm of this growing kingdom sits young Baldwin IV, an intelligent and courageous boy committed to the welfare and protection of his people.

The history books have cast Katherine of Aragon, the first queen of King Henry VIII of England, as the ultimate symbol of the Betrayed Woman, cruelly tossed aside in favor of her husband’s seductive mistress, Anne Boleyn. Katherine’s sister, Juana of Castile, wife of Philip of Burgundy and mother of the Holy Roman Emperor Charles V, is portrayed as “Juana the Mad,” whose erratic behavior included keeping her beloved late husband’s coffin beside her for years.

Sixteenth-century Europe was a hostile world dominated by court politics and patriarchal structures–and yet against all odds, two women rose to power: Elizabeth I and Catherine de Medici. Much has been written about these shrewd and strategic sovereigns, but though their l legacies have been heavily scrutinized, nothing has been said of their complicated relationship—thirty years of camaraderie, competition, and conflict that forever changed the face of Europe.

Elizabeth of York, her life already tainted by dishonour and tragedy, now queen to the first Tudor king, Henry the VII. Joan Vaux, servant of the court, straining against marriage and motherhood and privy to the deepest and darkest secrets of her queen. Like the ravens, Joan must use her eyes and her senses, as conspiracy whispers through the dark corridors of the Tower.

A powerful ruler, an alluring young woman, a scandal that would rock the nation: Anne Boleyn’s life story sounds more like a juicy TV docu-drama than a chapter of English history. Although she is not of noble birth or even especially beautiful, Anne Boleyn manages to rise to the very pinnacle of the English aristocracy. Renowned for her extraordinarily vivid recreations of historical events, Carolly Erickson brings out the full fascinating story of the enigmatic Anne Boleyn.

In this remarkable biography, Carolly Erickson brings Elizabeth I to life and allows us to see her as a living, breathing, elegant, flirtatious, diplomatic, violent, arrogant, and outrageous woman who commands our attention, fascination, and awe. With the special skill for which she is acclaimed, Carolly Erickson electrifies the senses as she evokes with total fidelity the brilliant colors of Elizabethan clothing and jewelry, the texture of tapestries, and even the close, perfumed air of castle rooms. Erickson demonstrates her extraordinary ability to discern and bring to life psychological and physical reality.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.