
The Magnificent Ambersons
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Narrated by:
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Peter Berkrot
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By:
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Booth Tarkington
Set in the Midwest in the early 20th century - the dawn of the automobile age - The Magnificent Ambersons begins by introducing the Ambersons, the richest family in town. Exemplifying aristocratic excess, the Ambersons have everything money can buy - and more. But George Amberson Minafer, the spoiled grandson of the family patriarch, is unable to see that great societal changes are taking place and that business tycoons, industrialists, and real-estate developers will soon surpass him in wealth and prestige.
Rather than join the new mechanical age, George prefers to remain a gentleman, believing that "being things" is superior to "doing things". But as his town becomes a city, and the family palace is enveloped in a cloud of soot, George's protectors disappear one by one, and the elegant, cloistered lifestyle of the Ambersons fades from view and finally vanishes altogether. The book won the 1919 Pulitzer Prize for fiction and inspired the Orson Welles film of the same name.
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Great story
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Wonderful, classic story
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Rare find
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The narrative opens with a pleasantly nostalgic survey of life in a small Midwestern city at the end of the 19th century — sort of a slow, gracious “Meet Me in St. Louis” world — but then turns into a somewhat simplistic and didactic fable about the downfall of a wealthy, socially prominent Midwestern family. Every character and plot point seems almost cartoonishly unreal and exaggerated: The family in question, the Ambersons, seems not just wealthy and powerful, but excessively so; the spoiled young protagonist, Georgie Minafer Amberson, seems an unremittingly arrogant, snobbish, repulsive bully (who gets an occasional well-deserved comeuppance in an all-too-neat sitcom way); the beautiful girl he falls in love with seems implausibly wise and clever each time she opens her mouth; her father, a visionary inventor, seems likewise too unendingly wise. I soon grew impatient with these artificial creations.
However, Peter Berkrot’s performance was superb, and — as skillfully as possible — it brought these cardboard characters to life.
Contrived, predictable — a far cry from “Penrod”
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Great writing
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Great read about a fleeting time
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