Maurice Allington has reached middle age and is haunted by death. As he says, “I honestly can’t see why everybody who isn’t a child, everybody who’s theoretically old enough to have understood what death means, doesn’t spend all his time thinking about it. It’s a pretty arresting thought.” He also happens to own and run a country inn that is haunted. The Green Man opens as Maurice’s father drops dead (had he seen something in the room?) and continues as friends and family convene for the funeral.

London, 1944. While the Luftwaffe makes its final assault on the already battered British capital, Londoners rush through the streets, seeking underground shelter in the midst of the city's blackout. When the panic subsides, other things begin to surface along with London's war-worn citizens. A severed arm is discovered by a group of children playing at an East End bomb site, and when Scotland Yard's Detective Sergeant Frederick Troy arrives at the scene, it becomes apparent that the dismembered body is not the work of a V-1 rocket.

Hans Olofson arrives in Zambia not long after independence, hoping to fulfill the missionary dream of his friend Janice. He is also fleeing the traumas of his motherless childhood: his father's alcoholism, his best friend's terrible accident, Janice's death, his fear of an ordinary and stifled fate. Africa is a terrible shock, yet he stays and makes it his home. But he never fully comes to understand his place as a mzungu, a wealthy white man among native blacks, and the fragile truce between them.

Aleksander Granovsky has dedicated his life to exposing the brutality of the Russian penal system. In two days, he will be tried for the crime of smuggling essays to the West. It is a show trial, and there is no doubt he will be convicted and executed, yet before he dies, he intends to tell the truth one more time. But this is Moscow, where death is never heroic. While writing his final speech in his government flat, Granovsky is surprised by an assassin, who pierces his heart with the point of a rusty scythe.

Set in the turbulent years following the death of Lorenzo de' Medici, George Eliot's fourth novel, Romola, moves the stage from the English countryside of the 19th century to an Italy four centuries before her time. It tells the tale of a young Florentine woman, Romola de' Bardi, and her coming of age through her troubled marriage to the suave and self-absorbed Greek Tito. Slowly Tito's true character begins to unfurl, and his lies and treachery push Romola toward a more spiritual path, where she transcends into a majestic, Madonna-like role.

A dealer of ancient Native American pottery, Hubert Schuze has spent years combing the public lands of New Mexico, digging for artwork that would otherwise remain buried. According to the US government, Hubie is a thief - but no act of Congress could stop him from doing what he loves. For decades, Hubie has worn the title of pot thief proudly. Outright burglary, though, is another story. But an offer of $25,000 to lift a rare pot from a local museum proves too tempting for Hubie to refuse.

It is 1868, and Spain teeters on the brink of revolution. Don Jaime de Astarola is Spain's greatest fencing master—a man of honor, an anachronism—priding himself on the precision and dignity of his ancient art, and the perfector of the deadly unstoppable sword thrust technique. His friends spend their days in cafes discussing plots at court, but Jaime lives an ordered and celibate life dedicated to one passion: the art of fencing—until the beautiful and mysterious Adela de Otero destabilizes his tranquil existence.

In this "ingenious" novel ( New York Times) by "one of Europe's most original and remarkable writers" ( Los Angeles Times), a proofreader's deliberate slip opens the door to romance-and confounds the facts of Portugal's past.

It is 1905. Asta and her husband, Rasmus, have come to East London from Denmark with their two little boys. With Rasmus constantly away on business, Asta keeps loneliness and isolation at bay by writing a diary. These diaries, published over 70 years later, reveal themselves to be more than a mere journal. For they seem to hold the key to an unsolved murder and to the mystery of a missing child. It falls to Asta's granddaughter, Ann, to unearth the buried secrets of nearly a century before.

Three critically acclaimed recordings are joined together in this dazzling Agatha Christie Triple Bill, read by award-winning narrators Alison Larkin and James Warwick, star of the Partners in Crime TV series on Masterpiece Theater.

Mr. Palomar, whose name purposely evokes that of the famous telescope, is a seeker after knowledge, a visionary in a world sublime and ridiculous. Whether contemplating a cheese, a woman's breasts, or a gorilla's behavior, he brings us a vision of a world familiar by consensus, fragmented by the burden of individual perception.

Evelyn Waugh's most celebrated work is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the story mourns the passing of the aristocratic world Waugh knew in his youth and vividly recalls the sensuous pleasures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh.

The first volume in Paul Scott's historical tour-de-force opens in 1942 as the British fear both Japanese invasion and Indian demands for self-rule. In the Mayapore gardens, Daphne Manners, daughter of the provincial governor, leaves her Indian lover, who will soon be arrested for her alleged rape.

Internationally best-selling author Edward Rutherfurd has enchanted millions of readers with his sweeping, multigenerational dramas that illuminate the great achievements and travails throughout history. In this breathtaking saga of love, war, art, and intrigue, Rutherfurd has set his sights on the most magnificent city in the world: Paris. Moving back and forth in time across centuries, the story unfolds through intimate and vivid tales of self-discovery, divided loyalties, passion, and long-kept secrets of characters both fictional and real, all set against the backdrop of the glorious city.

Edmund Forth, a handsome young man in his mid-30s (though admittedly, a bit stogy and sober for his years) is engaged to the beautiful but selfish Angela Wilde. His world seems perfect until lovely Fran Nash comes riding into his life on the back of a Portuguese donkey. Fran’s sunny personality melts Edmund’s reserve, and when she changes a few words of a telegram he had entrusted to her, Fran also alters the whole course of his settled existence.

Evelyn Waugh's most celebrated work is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the story mourns the passing of the aristocratic world Waugh knew in his youth and vividly recalls the sensuous pleasures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh.

Tusker and Lily Smalley stayed on in India. Given the chance to return ‘home’ when Tusker, once a Colonel in the British Army, retired, they chose instead to remain in the small hill town of Pankot, with its eccentric inhabitants and archaic rituals left over from the days of the Empire. Only the tyranny of their imposing landlady threatens to upset the quiet rhythm of their days.

The first volume in Paul Scott's historical tour-de-force opens in 1942 as the British fear both Japanese invasion and Indian demands for self-rule. In the Mayapore gardens, Daphne Manners, daughter of the provincial governor, leaves her Indian lover, who will soon be arrested for her alleged rape.

In 1923 the beautiful, spoiled, and bored Olivia, married to Douglas and his career in the Indian Civil Service, outrages the English and Indian communities by eloping with an Indian prince. Fifty years later, Douglas’s granddaughter, armed with Olivia’s letters, goes back to the heat and dust and squalor of the bazaars to find out for herself how Olivia could have been so affected by India that she turned her back on her own country.

Cold Hand in Mine stands as one of Aickman's best collections and contains eight stories that show off his powers as a 'strange story' writer to the full. The listener is introduced to a variety of characters, from a man who spends the night in a Hospice to a German aristocrat and a woman who sees an image of her own soul. There is also a nod to the conventional vampire story ("Pages from a Young Girl's Journal") but all the stories remain unconventional and inconclusive, which perhaps makes them all the more startling and intriguing.

On the brink of a life-changing decision, Alexis Fielding plans a trip to her mother's childhood home in Plaka, Greece hoping to unravel Sofia's hidden past. Given a letter to take to Sofia's old friend, Fotini, Alexis is promised that through Fotini, she will learn more. Arriving in Plaka, Alexis is astonished to see that it lies a stone's throw from the deserted island of Spinalonga—Greece's former leper colony. Fotini reveals the story that Sofia has buried all her life: the tale of her great-grandmother Eleni and her daughters, and a family rent by tragedy, war, and passion.

Robert Aickman, the supreme master of the supernatural, brings together eight stories in which strange things happen that the reader is unable to predict. His characters are often lonely and middle-aged, but all have the same thing in common: they are brought to the brink of an abyss that shows how terrifyingly fragile our piece of mind actually is. 'The Unsettled Dust', 'The House of the Russians', 'No Stronger Than a Flower', 'The Cicerones' and 'Ravissante' first appeared in the Sub Rosa collection in 1968, but the stories were published together as The Unsettled Dust in 1990.

The first audiobook which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.Inevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man.

The Man in the Brown Suit is Agatha Christie at her best, as a young woman makes a dangerous decision to investigate a shocking “accidental” death she witnesses at a London tube station. In Agatha Christie’s classic crime adventure novel, They Came to Baghdad, a bright young adventure seeker in the Middle East finds more excitement than she bargained for when a wounded spy expires in her hotel room.

In this rich new audio production, acclaimed British American actress Rebecca Hall brings one of E. M. Forster's most admired works to life in this classic tale of human struggle. A charming young Englishwoman, Lucy Honeychurch, is wooed by both free-spirited George Emerson and wealthy Cecil Vyse while vacationing in Italy. Though attracted to George, Lucy becomes engaged to Cecil despite twice turning down his proposals. On hearing of the news, George confesses his love, leaving Lucy torn between marrying the more socially acceptable Cecil or George, the man she knows would bring her true happiness. Should Lucy choose social acceptance or true love?

Howards End is a beautifully subtle tale of two very different families brought together by an unusual event. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes are practical and materialistic, leading lives of "telegrams and anger". When the elder Mrs. Wilcox dies and her family discovers she has left their country home - Howards End - to one of the Schlegel sisters, a crisis between the two families is precipitated that takes years to resolve.

This is a journey of both escape and discovery for four exquisitely different women, a month of bliss and privacy for four weary souls. Their refuge on the Italian Riviera provides the perfect backdrop for a story about the search for spiritual harmony within and without.

The Great War changed everything and everyone, and Larry Darrell is no exception. Though his physical wounds from the war heal, his spirit is changed almost beyond recognition. He leaves his betrothed, the beautiful and devoted Isabel; studies philosophy and religion in Paris; lives as a monk, and witnesses the exotic hardships of Spanish life. All of life that he can find - from an Indian Ashrama to labor in a coal mine - becomes Larry's spiritual experiment as he spurns the comfort and privilege of the Roaring 20s.

The First Lord Nanther, expert in blood diseases, particularly the royal disease of Heamophilia, and favoured physician to Queen Victoria, clearly hoped to be the subject of an admiring posthumous biography. But when his great-grandson, Martin Nanther begins to research his life for a biography, the Martin comes to suspect that his great-grandfather’s old records conceal more than they reveal.

Kemal, scion of one of the city's wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie - a world, as he lovingly describes it, with opulent parties and clubs, society gossip, picnics, and mansions on the Bosphorus, infused with the melancholy of decay.

Muriel Spark's blackly comic masterwork begins with a voice on the telephone warning, "Remember, you must die." The recipient of the grim message is elderly Dame Lettie Colston, but soon 10 of Lettie's oldest friends also become targets of Death's anonymous herald. A bizarre investigation lays bare an intricate network of deception and disloyalty that binds together the vulnerable group of aging eccentrics.

"How wonderful to be an artist and a woman in the twentieth century," Fleur Talbot rejoices. Loitering about London in 1949, with intent to gather material for her writing, Fleur finds a job "on the grubby edge of the literary world", as secretary to the odd Autobiographical Association. Are they a group of mad egomaniacs, hilariously writing their memoirs in advance, or poor fools ensnared by a blackmailer? Rich material, in any case.

"Long ago in 1945 all the nice people in England were poor, allowing for exceptions." Thus begins Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club building itself - "three times window shattered since 1940 but never directly hit" - its lady inhabitants do their best to act as if the world were back to normal, practicing elocution and jostling over suitors and a single Schiaparelli gown.

In the classic work that launched a play, a movie, and a song, Muriel Spark tells the darkly intriguing story of an eccentric Edinburgh teacher and the intense relationship she develops with six of her students. The scandalously outspoken Miss Brodie makes big waves in the conservative Scottish school, preaching the value of art, passion, and daring.

Mrs. Hawkins, the majestic narrator of A Far Cry from Kensington, takes us well in hand and leads us back to her threadbare years in postwar London. There, as a fat and much admired young war widow, she spent her days working for a mad, near-bankrupt publisher (“of very good books”) and her nights dispensing advice at her small South Kensington rooming house. At work and at home Mrs. Hawkins soon uncovered evil: shady literary doings and a deadly enemy; anonymous letters, blackmail, and suicide.