Maurice Allington has reached middle age and is haunted by death. As he says, “I honestly can’t see why everybody who isn’t a child, everybody who’s theoretically old enough to have understood what death means, doesn’t spend all his time thinking about it. It’s a pretty arresting thought.” He also happens to own and run a country inn that is haunted. The Green Man opens as Maurice’s father drops dead (had he seen something in the room?) and continues as friends and family convene for the funeral.

London, 1944. While the Luftwaffe makes its final assault on the already battered British capital, Londoners rush through the streets, seeking underground shelter in the midst of the city's blackout. When the panic subsides, other things begin to surface along with London's war-worn citizens. A severed arm is discovered by a group of children playing at an East End bomb site, and when Scotland Yard's Detective Sergeant Frederick Troy arrives at the scene, it becomes apparent that the dismembered body is not the work of a V-1 rocket.

Hans Olofson arrives in Zambia not long after independence, hoping to fulfill the missionary dream of his friend Janice. He is also fleeing the traumas of his motherless childhood: his father's alcoholism, his best friend's terrible accident, Janice's death, his fear of an ordinary and stifled fate. Africa is a terrible shock, yet he stays and makes it his home. But he never fully comes to understand his place as a mzungu, a wealthy white man among native blacks, and the fragile truce between them.

Aleksander Granovsky has dedicated his life to exposing the brutality of the Russian penal system. In two days, he will be tried for the crime of smuggling essays to the West. It is a show trial, and there is no doubt he will be convicted and executed, yet before he dies, he intends to tell the truth one more time. But this is Moscow, where death is never heroic. While writing his final speech in his government flat, Granovsky is surprised by an assassin, who pierces his heart with the point of a rusty scythe.

Set in the turbulent years following the death of Lorenzo de' Medici, George Eliot's fourth novel, Romola, moves the stage from the English countryside of the 19th century to an Italy four centuries before her time. It tells the tale of a young Florentine woman, Romola de' Bardi, and her coming of age through her troubled marriage to the suave and self-absorbed Greek Tito. Slowly Tito's true character begins to unfurl, and his lies and treachery push Romola toward a more spiritual path, where she transcends into a majestic, Madonna-like role.

A dealer of ancient Native American pottery, Hubert Schuze has spent years combing the public lands of New Mexico, digging for artwork that would otherwise remain buried. According to the US government, Hubie is a thief - but no act of Congress could stop him from doing what he loves. For decades, Hubie has worn the title of pot thief proudly. Outright burglary, though, is another story. But an offer of $25,000 to lift a rare pot from a local museum proves too tempting for Hubie to refuse.

It is 1868, and Spain teeters on the brink of revolution. Don Jaime de Astarola is Spain's greatest fencing master—a man of honor, an anachronism—priding himself on the precision and dignity of his ancient art, and the perfector of the deadly unstoppable sword thrust technique. His friends spend their days in cafes discussing plots at court, but Jaime lives an ordered and celibate life dedicated to one passion: the art of fencing—until the beautiful and mysterious Adela de Otero destabilizes his tranquil existence.

In this "ingenious" novel ( New York Times) by "one of Europe's most original and remarkable writers" ( Los Angeles Times), a proofreader's deliberate slip opens the door to romance-and confounds the facts of Portugal's past.

It is 1905. Asta and her husband, Rasmus, have come to East London from Denmark with their two little boys. With Rasmus constantly away on business, Asta keeps loneliness and isolation at bay by writing a diary. These diaries, published over 70 years later, reveal themselves to be more than a mere journal. For they seem to hold the key to an unsolved murder and to the mystery of a missing child. It falls to Asta's granddaughter, Ann, to unearth the buried secrets of nearly a century before.

Three critically acclaimed recordings are joined together in this dazzling Agatha Christie Triple Bill, read by award-winning narrators Alison Larkin and James Warwick, star of the Partners in Crime TV series on Masterpiece Theater.

Mr. Palomar, whose name purposely evokes that of the famous telescope, is a seeker after knowledge, a visionary in a world sublime and ridiculous. Whether contemplating a cheese, a woman's breasts, or a gorilla's behavior, he brings us a vision of a world familiar by consensus, fragmented by the burden of individual perception.

Evelyn Waugh's most celebrated work is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the story mourns the passing of the aristocratic world Waugh knew in his youth and vividly recalls the sensuous pleasures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh.

The first volume in Paul Scott's historical tour-de-force opens in 1942 as the British fear both Japanese invasion and Indian demands for self-rule. In the Mayapore gardens, Daphne Manners, daughter of the provincial governor, leaves her Indian lover, who will soon be arrested for her alleged rape.

Internationally best-selling author Edward Rutherfurd has enchanted millions of readers with his sweeping, multigenerational dramas that illuminate the great achievements and travails throughout history. In this breathtaking saga of love, war, art, and intrigue, Rutherfurd has set his sights on the most magnificent city in the world: Paris. Moving back and forth in time across centuries, the story unfolds through intimate and vivid tales of self-discovery, divided loyalties, passion, and long-kept secrets of characters both fictional and real, all set against the backdrop of the glorious city.

Edmund Forth, a handsome young man in his mid-30s (though admittedly, a bit stogy and sober for his years) is engaged to the beautiful but selfish Angela Wilde. His world seems perfect until lovely Fran Nash comes riding into his life on the back of a Portuguese donkey. Fran’s sunny personality melts Edmund’s reserve, and when she changes a few words of a telegram he had entrusted to her, Fran also alters the whole course of his settled existence.

"Long ago in 1945 all the nice people in England were poor, allowing for exceptions." Thus begins Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club building itself - "three times window shattered since 1940 but never directly hit" - its lady inhabitants do their best to act as if the world were back to normal, practicing elocution and jostling over suitors and a single Schiaparelli gown.

Mrs. Hawkins, the majestic narrator of A Far Cry from Kensington, takes us well in hand and leads us back to her threadbare years in postwar London. There, as a fat and much admired young war widow, she spent her days working for a mad, near-bankrupt publisher (“of very good books”) and her nights dispensing advice at her small South Kensington rooming house. At work and at home Mrs. Hawkins soon uncovered evil: shady literary doings and a deadly enemy; anonymous letters, blackmail, and suicide.

"How wonderful to be an artist and a woman in the twentieth century," Fleur Talbot rejoices. Loitering about London in 1949, with intent to gather material for her writing, Fleur finds a job "on the grubby edge of the literary world", as secretary to the odd Autobiographical Association. Are they a group of mad egomaniacs, hilariously writing their memoirs in advance, or poor fools ensnared by a blackmailer? Rich material, in any case.

Muriel Spark's blackly comic masterwork begins with a voice on the telephone warning, "Remember, you must die." The recipient of the grim message is elderly Dame Lettie Colston, but soon 10 of Lettie's oldest friends also become targets of Death's anonymous herald. A bizarre investigation lays bare an intricate network of deception and disloyalty that binds together the vulnerable group of aging eccentrics.

First found contentedly chatting in their London clubs and shopping at Fortnum's, the cozy bachelors are not set to stay cozy for long. Soon enough, the men are variously tormented - defrauded, stolen from, blackmailed, or pressed to attend horrid séances - and then plunged, all together, into the nastiest of lawsuits. At the center of that suit hovers pale, blank Patrick Seton, the medium.