In his poetry, Walt Whitman set out to encompass all of America, and in so doing, heal its deepening divisions. This magisterial biography demonstrates the epic scale of his achievement, as well as the dreams and anxieties that impelled it, for it places the poet securely within the political and cultural context of his age.

Robert Sapolsky’s Behave, his now classic account of why humans do good and why they do bad, pointed toward an unsettling conclusion: We may not grasp the precise marriage of nature and nurture that creates the physics and chemistry at the base of human behavior, but that doesn’t mean it doesn’t exist. Now, in Determined, Sapolsky takes his argument all the way, mounting a brilliant (and in his inimitable way, delightful) full-frontal assault on the pleasant fantasy that there is some separate self telling our biology what to do.

Humanism is an expansive tradition of thought that places shared humanity, cultural vibrancy, and moral responsibility at the center of our lives. For centuries, this worldview has inspired people to make their choices by principles of freethinking, intellectual inquiry, fellow feeling, and optimism. In this sweeping new history, Sarah Bakewell, herself a lifelong humanist, illuminates the very personal, individual, and, well, human matter of humanism and takes listeners on a grand intellectual adventure.

In Gotham, Edwin G. Burrows and Mike Wallace have produced a monumental work of history, one that ranges from the Indian tribes that settled in and around the island of Manna-hata, to the consolidation of the five boroughs into Greater New York in 1898. It is an epic narrative, a story as vast and as varied as the city it chronicles, and it underscores that the history of New York is the story of our nation. The events and people who crowd this audiobook guarantee that this is no mere local history. It is in fact a portrait of the heart and soul of America....

Since his first performance at the legendary New York nightclub “Catch a Rising Star” as a 21-year-old college student in fall of 1975, Jerry Seinfeld has written his own material and saved everything. “Whenever I came up with a funny bit, whether it happened on a stage, in a conversation, or working it out on my preferred canvas, the big yellow legal pad, I kept it in one of those old school accordion folders,” Seinfeld writes. “So I have everything I thought was worth saving from 45 years of hacking away at this for all I was worth.”

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.

Russian literature of the 19th century is among the richest, most profound, and most human traditions in the world. This course explores this tradition by focusing on four giants: Ivan Turgenev, Fyodor Dostoevsky, Leo Tolstoy, and Anton Chekhov. Their works had an enormous impact on Russian understanding of the human condition.

In this series of lectures, Professor Katherine Elkins details the lives and works of the premier French writers of the last two centuries. With keen insight into her subject material, Professor Elkins discusses the attributes that made classics of such works as Balzac's Human Comedy, Flaubert's Madame Bovary, Proust's In Search of Lost Time, and Camus' The Stranger.

Shakespeare's seven great tragedies contain unmistakable elements that set them apart from any other plays ever written. In Romeo and Juliet, Shakespeare embodied in the character of Juliet the world's most impressive representation ever of a woman in love. With Julius Caesar, the great playwright produced a drama of astonishing and perpetual relevance.

Kenyon College professor Dr. Timothy B. Shutt examines Dante's greatest work, The Divine Comedy, both in terms of its autobiographical elements and its allegorical meaning for the human race.

This course will examine the growth and development of the largest empire in world history - the British Empire - beginning with the late 15th century Tudor dynasty in England and ending with the death of the Queen-Empress Victoria in 1901.

Few writers are more often read, and better loved, than Charles Dickens and Samuel Langhorne Clemens - Mark Twain. Many of the characters populating their novels have become household words, cultural landmarks in their own right - Tom Sawyer and Huckleberry Finn, David Copperfield and Oliver Twist. It is as if we have known them life-long. In this course we take a look at the lives and works of both authors.

From the time of Homer himself in about 750 BCE - the epic has been the most highly regarded of literary genres. It is rivaled only by tragedy, which arose a bit more than two centuries later, as the most respected, the most influential, and, from a slightly different vantage point, the most prestigious mode of addressing the human condition in literary terms. The major epics are the big boys, the works that, from the very outset, everyone had heard of and everyone knew, at least by reputation.

A recipient of the Whiting Foundation Teaching Fellowship, Katherine Elkins is also the co-director of the Integrated Program in the Humane Studies at Kenyon College. In this lecture series, Elkins examines the development of the modern novel by investigating four great modernist authors: James Joyce, Franz Kafka, Marcel Proust, and Virginia Woolf. The lectures explore the authors’ most respected works and illustrate how each author’s unique style and vision made a major contribution to the look and shape of the novel today.

Esteemed professor Michael D. C. Drout brings his expertise in literary studies to the subject of rhetoric. From history-altering political speeches to friendly debates at cocktail parties, rhetoric holds the power to change opinions, spark new thoughts, and ultimately change the world.

One of the Modern Scholar’s most popular professors, Timothy B. Shutt, brings his literary acumen and trademark enthusiasm to the study of the epic poems that sit at the very wellspring of Western culture. The earliest surviving works of Greek literature, Homer’s Iliad and Odyssey exert a continuing influence on modern culture, even today shaping people’s values and conduct. In the tales of Achilles and Hector, of Odysseus and Penelope, Homer explored the notion of arête, which translates as "excellence" or "virtue".

The nature of the mind lies at the heart of the eternal human quest for understanding. What does it mean to think? What is the relation between mind and body, and where do we draw the line between “physical” and “mental”? With an enthusiastic and scholarly approach, Professor Andrew Pessin of Connecticut College addresses these and other questions, including a studied look at beliefs, consciousness, groundbreaking thought experiments, and whether or not computers can ever truly think.

Italo Calvino was not only a prolific master of fiction, he was also an uncanny reader of literature, a keen critic of astonishing range. Why Read the Classics? is the most comprehensive collection of Calvino's literary criticism available in English, accounting for the enduring importance to our lives of crucial writers of the Western canon. Here - spanning more than two millennia, from antiquity to postmodernism - are 36 immediately relevant, accessible ruminations on the writers, poets, and scientists who meant most to Calvino at different stages of his life.

This exciting course introduces vital works of political theory from some of history's greatest minds, luminaries like Plato, Thucydides, and Hobbes. Professor Kaplan's goal is to make these works accessible without distorting or oversimplifying them. By the conclusion of this course, you will see a dramatic difference in your ability to understand what you read or watch in the news.

In this course, Professor Michael D. C. Drout traces literature back to its ultimate sources in oral tradition. Drout shows us how works as varied as the Odyssey, Beowulf, the Finnish Kalevala, and epic songs from the former Yugoslavia were shaped by their origins as songs sung - and composed - before a live audience. Understanding the oral roots of these great works lets us see them in a whole new light.

In the first century of its existence, Christianity was both welcomed and vilified throughout the Roman Empire. Many of Christianity's original adherents were martyred. Christians themselves practiced their religion with great diversity, linked as much to local influences as theology. Political intrigue, theological beliefs, and simple misunderstandings created a need for dialogue between the many practitioners of the growing faith.