The Modern Scholar: Greek Drama: Tragedy and Comedy
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Narrated by:
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Peter Meineck
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By:
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Peter Meineck
About this listen
The plays of one ancient city 2,500 years ago by just four playwrights have had a profound effect on the development of all subsequent Western drama, not only on the theatrical stage, but on opera, film, television, stand-up comedy, and dance - in fact, most, if not all, of the live arts owe a debt to the theatre of ancient Greece and the city of Athens. This course will examine the social, historical, and political context of ancient Greek drama and equip listeners with a set of critical analytical tools for developing their own appreciation of this vitally important genre. The course will focus on the four extant playwrights, Aeschylus, Sophocles, Euripides, and Aristophanes, and examine each of their plays closely.
Download the accompanying reference guide.©2005 Peter Meineck (P)2005 Recorded BooksListeners also enjoyed...
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He's Gone
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My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.
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Disappointing plot
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The Answer Is No
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- Narrated by: Stacy Gonzalez
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Overall
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Performance
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Story
Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.
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Narrator doesn’t get Backman’s satire or rhythm
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By: Fredrik Backman, and others
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Starship Troopers
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Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.
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The definitive version!
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Dead Med
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When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.
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Hmm
- By Morgan Meaux on 08-22-24
By: Freida McFadden
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What listeners say about The Modern Scholar: Greek Drama: Tragedy and Comedy
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- Danielle Gregrow
- 04-13-19
Wonderful
The rest of his lectures are just as amazing. He presents my favorite interpertation of Clytemnestra's plight.
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- Amazon Customer
- 06-26-20
Brilliant Course
Professor Meineck provides outstanding insight into a subject that can get complicated when exploring on your own. I really enjoyed the structure of the lectures. The reading was easy and fun to listen to from start to finish. The PDF adds a simple outline to course discussion items.
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- jinx
- 01-30-14
Great Survey of Greek Plays
What did you love best about The Modern Scholar?
Prof Meineck's knowledge and obvious enthusiasm about the subject.
(Though it is strange how the feedback question here seems to be on The Modern Scholar series and not this title in particular).
What was one of the most memorable moments of The Modern Scholar?
There were two: when he was describing the Oresteia (which isn't really a moment...); and when he gave (periodically) different translations of the same Greek text and examined the etymology of words.
Which scene was your favorite?
Guess it would be the Clytemnestra-Orestes scene, with all its complexities and nuances.
If you were to make a film of this book, what would the tag line be?
I wouldn't make a film of this lecture.
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- Wiregrass18
- 02-27-17
Magnificent
One of the best courses I have ever listened to. Meineck help us see and appreciate the enormous power and beauty of the remarkable body of literature, as well as the art form of Greek drama and the history of which it was a part.
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Overall
- entropent
- 03-03-09
Outstanding.
I could not put this audiobook aside, and have listened to much of it several times. Professor Meineck discusses the significance of Greek drama and provides a great deal of information on the historical and cultural context in which the genre developed. He helps us to imagine the staging and see the plays from the viewpoint of the original audience. After this, five lectures provide an in-depth examination of the incomparable Aeschylus, two cover Sophocles, and the final three cover Euripides and Aristophanes.
For an example, lecture seven discusses Agamemnon. Here we are helped to imagine the sacrifice of Iphigenia, and a parallel is drawn to a perversion of the Greek wedding ceremony. Very interesting information is provided on the translation of Clytemnestra's assertion of fidelity, which is on the surface a bald-faced lie. Meineck returns to the original Greek to help us see that she has very carefully chosen her words. He discusses female power images in the beacon fires, and points out that Aeschylus has altered the myth to have Clytemnestra herself murder Agamemnon, rather than her lover. We are treated to a superb examination of Agamemnon's return, in which he is met by Clytemnestra's carefully staged welcome-trap. As she lays out a tapestry for the conquering hero to walk on, we see the murder of Iphigenia replayed. While preventing him from stepping on the soil of his homeland, she compels Agamemnon to wade through metaphorical blood, trampling the wealth of his own household, on his willing way to his own ritual sacrifice. Good stuff, as is the rest of this course. Highly recommended.
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39 people found this helpful