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The Molière Collection
- Narrated by: Richard Easton, Brian Bedford, Joanne Whalley, Martin Jarvis, Alex Kingston, John de Lancie, Harry Althaus
- Length: 9 hrs and 11 mins
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Publisher's summary
Six hilarious satires from the ingenious Molière, France’s original master of comedies:
The Bungler: In 17th-century Sicily, a clever valet named Mascarille tries to help his boss Lélie win the girl of his dreams… only to find that Lélie is a monumental dunce who ruins every one of his intricate schemes. Performed by Richard Easton, et al.
The Imaginary Cuckold: Brian Bedford stars as the enraged husband who imagines his wife is unfaithful, but becomes reluctant to defend his honor in this grand farce of hysterical coincidences, frenzied confusion and mistaken identities – the most widely performed Molière play in his lifetime. Performed by: Brian Bedford, Joanne Whalley, et al.
The School for Husbands: Sganarelle, a tyrannical old buffoon of a husband-to-be, seeks to isolate his young ward, while unwittingly carrying her messages of devotion to her lover. Performed by: Brian Bedford, Emily Bergl, et al.
The School for Wives: In this biting comedy of errors, the hapless Arnolphe is undone by his own double dealing and double standards. This play is considered by many to be Molière’s masterpiece, and Wilbur’s subtle verse translation illuminates the great master of comedy at his wittiest. Performed by: William Brown, et al.
Tartuffe: Initially banned in by King Louis XIV, Molière’s most famous satire exposes hypocrisy in the Catholic Church. A pious fraud manipulates the patriarch of a wealthy family into giving up his fortune, and it’s up to his family to expose the truth before they end up in the poor house. Performed by: Brian Bedford, Martin Jarvis, et al.
The Misanthrope: Razor-sharp wit inflames a competitive game of survival in the salons of 17th century France. In this world of "finest appearances", one man’s blunt honesty shatters his society’s delicate web of manners in what is often considered to be Molière’s Hamlet. Performed by: Harry Althaus, et al.
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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The Strange Case
- By: Derek Kolstad, Mitali Jahagirdar, Laurie Kirwan-Ashman, and others
- Narrated by: Vanessa Kirby, David Oyelowo, Sofie Gråbøl, and others
- Length: 4 hrs and 9 mins
- Original Recording
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Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.
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Love the Originals !!
- By r2coder on 08-04-24
By: Derek Kolstad, and others
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
- Original Recording
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
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What listeners say about The Molière Collection
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Kyle Higgins
- 04-19-17
Excellent
A great collection of Moliere plays with an excellent translation, wonderful performances and some very interesting interviews in between the repertoire.
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3 people found this helpful
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- 4thace
- 05-22-22
The best way to understand this comic genius
This is my first time being exposed to the work of Molière, who has been in my To Be Read list since high school. This was an audiobook version performed by LA Theater works using the Richard Wilbur translations of the 1960s. Wilbur somehow manages to preserve the rhyming couplets of the original in a manner that to me does not come off as forced. Maybe I had to get used to the format or may be there was some difference in the quality of the first few works as compared to the last few, which I enjoyed quite a bit more for their ingenuity. I liked how I could understand the ridicule of the social customs of the time without having to be heavily acquainted with the influential members of the French royal court then, it would be hard for someone to do the equivalent for our time without ridiculing the personalities of the famous in a way that would be unintelligible to most three centuries later. So much of the human is at the expense of the patriarchy, still recognizable now. There are some historical notes included about the author's life and times. The players have lots of fun and communicate this well.
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2 people found this helpful
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- Joseph M.
- 02-16-13
Classic. Easton is a god
The man is so underrated. Godlike delivery enhances Moliere. Brings back to life. Opening lines of Brian Bedford are funny too.
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4 people found this helpful
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- Michael
- 10-11-12
Mildly Amusing
These plays were mildly amusing, but far from great. All these plays were preformed from translations to English rhymes (translating verse is very difficult), and the rhymes often seemed both predicable and forced and took me out of the flow. Some of the plays were so blandly performed that much of the humor was lost. The School for Wives and Tartuffe were the best of these six, primarily because they were the most broadly played. I found the repeating loops of barnyard or crowd background sounds completely unnecessary and distracting. In this kind of broad comedy facial expressions and stage work play an important part which is lost in audible format. This kind of bawdy humor can be quite fun if you have a women in one hand and a drink in another, but while driving they were not the thing.
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10 people found this helpful