The New Blue Music: Changes in Rhythm & Blues, 1950-1999
American Made Music Series
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Narrated by:
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Kenneth Lee
About this listen
Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called "doo-wop", "soul", "funk", "urban contemporary", or "hip-hop", R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to 19th-century America, and even further to African beginnings.
The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top 25 songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a "re-Africanization" over time.
By investigating musical elements of form, style, and content in R&B - and offering numerous musical examples - the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock 'n' roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical "super-genre" which he labels "The New Blue Music".
Richard J. Ripani is a faculty member at Hume-Fogg Academic High School in Nashville, Tennessee. He is also a professional musician and songwriter in Nashville, performing with artists such as Ronnie Milsap, Ronnie McDowell, the Kentucky Headhunters, and Lee Greenwood. He has worked on numerous national television programs and earned gold and platinum records.
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The iconic image of Beethoven is of him as a lone genius: hair wild, fists clenched, and brow furrowed. Beethoven may well have shaped the music of the future, but he was also a product of his time, influenced by the people, politics, and culture around him. Oxford scholar Laura Tunbridge offers an alternative history of Beethoven's career, placing his music in contexts that shed light on why particular pieces are valued more than others, and what this tells us about his larger-than-life reputation.
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Engaging, interesting, nice format
- By George on 07-04-22
By: Laura Tunbridge
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The History of Rock & Roll
- Volume 1: 1920-1963
- By: Ed Ward
- Narrated by: David Colacci
- Length: 15 hrs and 32 mins
- Unabridged
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Ed Ward covers the first half of the history of rock & roll in this sweeping and definitive narrative - from the 1920s, when the music of rambling medicine shows mingled with the songs of vaudeville and minstrel acts to create the very early sounds of country and rhythm and blues, to the rise of the first independent record labels post-World War II, and concluding in December 1963, just as an immense change in the airwaves took hold and the Beatles prepared for their first American tour.
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Author's blindspots mar this book
- By Mark Clark on 03-28-17
By: Ed Ward
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Chairman at the Board
- Recording the Soundtrack of a Generation
- By: Bill Schnee
- Narrated by: Bill Schnee
- Length: 8 hrs and 54 mins
- Unabridged
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With over 125 gold and platinum records, and two Grammys for Steely Dan's Aja and Gaucho, Schnee has been called a living legend - recognized and respected in the industry as the consummate music man with an incomparable career that he lovingly shares with listeners in humorous detail.
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Worst narration ever!
- By Anonymous User on 01-26-23
By: Bill Schnee
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Skydog
- The Duane Allman Story
- By: Randy Poe, Billy F. Gibbons - foreword
- Narrated by: Arthur Flavell
- Length: 12 hrs and 35 mins
- Unabridged
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Revised and expanded, with a new afterword by the author, this is the definitive biography of Duane Allman, one of the most revered guitarists of his generation. Skydog reveals the complete story of the legendary guitarist: his childhood and musical awakening; his struggling first bands; his hard-won mastery of the slide guitar; his emergence as a successful session musician; his creation of the Allman Brothers Band; his tragic death at age 24; and his thriving musical legacy.
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duane was the best great story
- By OBIE on 08-08-23
By: Randy Poe, and others
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The Rest Is Noise
- Listening to the 20th Century
- By: Alex Ross
- Narrated by: Grover Gardner
- Length: 23 hrs and 7 mins
- Unabridged
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The Rest Is Noise takes the listener inside the labyrinth of modern music, from turn-of-the-century Vienna to downtown New York in the '60s and '70s. We meet the maverick personalities and follow the rise of mass culture on this sweeping tour of 20th-century history through its music.
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Learned so much!
- By Paula on 02-18-08
By: Alex Ross
What listeners say about The New Blue Music: Changes in Rhythm & Blues, 1950-1999
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Aaron
- 01-27-13
Very technical, dry and repetitive
What would have made The New Blue Music: Changes in Rhythm & Blues, 1950-1999 better?
This work is very much like an academic paper and the average listener will probably not enjoy listening, especially if you are not familiar with notes, chords, tempo and other music theory concepts. If you're looking for a technical and statistical analysis of the topic, then this might be useful to you. If you're looking for a narrative that examines the historical, social and cultural influences on development of R&B, you will be disappointed and bored.
What didn’t you like about Kenneth Lee’s performance?
The dry and repetitive narration is likely due in large part to the material, but it is dry and repetitive nonetheless. The narrator mispronounces the names of several of the more contemporary music groups.
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- Sarah b
- 08-30-18
a bit of a slog
Narrator often makes mistakes and repeats the same words in multiple attempts to get it right. this might be because of the heavy terminology base of the text.
please note: music is described but not actually played.
Definitely geared towards an audience with preexisting music theory knowlege
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- nadav izhaky
- 10-20-19
Very thorough and fascinating work
This is not really for people with no theoretical background in music. But it is well researched and deep, moe than the vast majority of audiobooks. I've listened again and again. Great work.
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