Among the greats of 20th-century horror and fantasy, few names stand above Richard Matheson. Though known by many for novels like I Am Legend and his 16 Twilight Zone episodes, Matheson truly shines in his chilling, masterful short stories. Since his first story appeared in 1950, virtually every major writer of science fiction and fantasy has fallen under his influence, including Stephen King, Neil Gaiman, Peter Straub, and Joe Hill, as well as filmmakers like Stephen Spielberg and J. J. Abrams.

The House on the Borderland is a supernatural horror novel written by British writer William Hope Hodgson in 1908. The story opens with the discovery of a journal in the ruins of an unusual house in rural Ireland. Penned by a recluse, the journal details the man's stay at the house and his supernatural experiences with menacing monsters and dreaded dimensions.

The sailing ship Mortzestus is far from shore when the wind drops away and a mysterious mist surrounds the ship. As the days drift by, the observant sailor Jessop spots something half seen creeping over the taff rail. Then men in the rigging are attacked, a man disappears, and everyone starts to get scared. Then Jessop sees something below the water following the ship....

The story opens in the 19th century but quickly moves to the far future, where the sun has gone out, leaving the world in a darkness broken only by strange lights and mysterious fires. Over the ages, monsters and evil forces have descended to the Earth, compelling the surviving humans to take refuge in a great pyramid of imperishable metal built in a miles-deep chasm. The monsters surround the pyramid in a perpetual siege lasting for eons, waiting for the moment when its defenses will fail.

It’s the mid-'90s. Grunge and flannel are fading as the Spice Girls and Hot Topic conquer the malls. Cherry gloss glistens on the lips of the youth. Modems hiss as America comes online. And in a fog-drenched cove at the edge of New England, something terrible awakens when a fisherman reels in a gruesome catch: the remains of a young woman. Remains still pulsing with furious life.

There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days. The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.

A carnival rolls in sometime after the midnight hour on a chill Midwestern October eve, ushering in Halloween a week before its time. A calliope's shrill siren song beckons to all with a seductive promise of dreams and youth regained. In this season of dying, Cooger & Dark's Pandemonium Shadow Show has come to Green Town, Illinois, to destroy every life touched by its strange and sinister mystery.

Before Area X, there was Ambergris. Jeff VanderMeer conceived what would become his first cult classic series of speculative works: the Ambergris trilogy. Now, for the first time ever, the story of the sprawling metropolis of Ambergris is collected into a single volume, including City of Saints and Madmen, Shriek: An Afterword, and Finch.

John Langan has, in the last few years, established himself as one of the leading voices in contemporary horror literature. Gifted with a supple and mellifluous prose style, an imagination that can conjure up clutching terrors with seeming effortlessness, and a thorough knowledge of the rich heritage of weird fiction, Langan has already garnered his share of accolades. This new collection includes nine of his substantial stories.

The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included on the recording are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

Though perhaps most famous as a novelist, Philip K. Dick wrote more than 100 short stories over the course of his career, each as mind-bending and genre-defining as his longer works. Philip K. Dick's Electric Dreams collects 10 of the best. In "Autofac," Dick shows us one of the earliest examples (and warnings) in science fiction of self-replicating machines. "Exhibit Piece" and "The Commuter" feature Dick exploring one of his favorite themes: the shifting nature of reality and whether it is even possible to perceive the world as it truly exists.

In this prequel episode from Philip Pullman's His Dark Materials universe, Lee Scoresby—Texan aeronaut and future friend to Lyra Belacqua—is just 24 years old, and he's recently won his hot-air balloon in a poker game. He finds himself floating North to the windswept Arctic island of Novy Odense, where he and his hare daemon Hester are quickly tangled in a deadly plot involving an oil magnate, a corrupt mayoral candidate, and Lee's longtime nemesis from the Dakota Country, a hired killer with at least twenty murders to his name.

There are tales of Middle-earth from times long before The Lord of the Rings. The story told in this book is set in the great country that lay beyond the Grey Havens in the West: lands where Treebeard once walked, but which were drowned in the great cataclysm that ended the First Age of the World.

Thus Spoke Zarathustra is one of the most extraordinary - and important - texts in Western philosophy. It was written by Friedrich Nietzsche between 1883 and 1885. He cast it in the form of a novel in the hope that his urgent message of the 'death of God' and the rise of the superman (Ubermensch) would have greater emotional as well as intellectual impact.

The story opens in the 19th century but quickly moves to the far future, where the sun has gone out, leaving the world in a darkness broken only by strange lights and mysterious fires. Over the ages, monsters and evil forces have descended to the Earth, compelling the surviving humans to take refuge in a great pyramid of imperishable metal built in a miles-deep chasm. The monsters surround the pyramid in a perpetual siege lasting for eons, waiting for the moment when its defenses will fail.

The survivors of the shipwrecked 18th century vessel Glen Carrig fight for their lives amidst a vast continent of weeds. Mysterious wrecks, horrific monsters, and swashbuckling adventure!

The powerful Lord Sargatanas, Brigadier-general in Beelzebub's host, is restless. For millennia Sargatanas has ruled dutifully over an Infernal metropolis, but he has never forgotten what he lost in the Fall. He is sickened by what he has done and what he has become. Now, with a small event - a confrontation with a damned soul - he makes a decision that will reverberate through every being in Hell.

In the distant future, the sun has burned out, plunging the world into perpetual twilight. All of the remaining humanity has dwindled to a single, eight-mile-high pyramid called The Last Redoubt. Horrific creatures have evolved that lurk in the darkness. After a second dying Lesser Redoubt is discovered, one man is determined to rescue its last surviving inhabitant, but that means traversing the unknown and terrifying Night Land.

An amazing breakthrough in genetic engineering made by Vergil Ulam is considered too dangerous for further research, but rather than destroy his work, he injects himself with his creation and walks out of his lab, unaware of just how his actions will change the world.