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The Operas of Mozart
- Narrated by: Robert Greenberg
- Length: 18 hrs and 21 mins
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Publisher's summary
When Wolfgang Amadeus Mozart died in 1791 at the age of just 35, he nonetheless left behind the defining composition in every available musical genre of his time: symphony, chamber music, masses, and above all - opera. Opera was the prestige genre of the era, and the thought of it, Mozart wrote, made him "beside myself at once." It was a form he loved dearly, depending on it heavily for personal, professional, artistic, and financial reasons of the greatest weight.
Artistically, the world of the operatic stage spoke deeply to his primal instinct for play, his taste for fantasy, and his restless creative imagination. And in this rich series of eight entertaining lectures, you'll learn how his operas vied with one another for the acclaim reserved for the greatest achievements of human artistic striving: Idomeneo, The Abduction from the Harem, The Marriage of Figaro, Così fan tutte, Don Giovanni, and The Magic Flute, which premiered only ten weeks before his untimely death.
In addition to summarizing Mozart's life and artistic development, the lectures focus on two of his greatest masterpieces, Così fan tutte and The Magic Flute, to help you understand more fully the height of Mozart's operatic achievement.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
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Story
For decades, Sandra Brown’s life has been intertwined with someone she has never met: an eleven year-old girl named Moira Anderson – who disappeared from their hometown of Coatbridge, Scotland, in 1957. It became one of the oldest cold cases in Scottish history. Sandra lived just around the corner from Moira. She grew up hearing about the missing girl, whose memory haunted the town. But she never imagined that, one day, she would be the one trying to uncover what happened. Or that her search for answers would reveal secrets and lies so close to home.
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In the summer of 1985, a brilliant young British DNA scientist Helena Greenwood is found murdered in her front garden in a quiet suburb in California. The police believe they know the killer’s identity but there’s no evidence against him, and the only thing linking him to the crime is the fact he’d been charged with sexually assaulting Helena just a few months previously.
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For wrestling fans, Jim Ross’ voice is the soundtrack of an era. This book is your ringside ticket to wrestling’s most unforgettable moments—from the announcer who made them iconic. In the last 50 years, professional wrestling has risen up from a collection of regional territories to become a global phenomenon—and Jim Ross has been there for it all. From the grit and glory days of the 1970s with NWA, to the rise of WCW and the heyday of WWF and WWE, to signing on as on-air talent and senior advisor for wrestling’s newest chapter at AEW, Jim Ross has long had the best seat in the house.
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Great As Always
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What listeners say about The Operas of Mozart
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Nathan
- 06-24-16
Loved it
I loved every minute of it. This course is as enjoyable as it is educational.
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1 person found this helpful
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- DeirDre
- 06-12-14
Kinda crushing on Robert Greenberg!
Where does The Operas of Mozart rank among all the audiobooks you’ve listened to so far?
One of my favorites.
Any additional comments?
Mozart is always interesting and Robert Greenberg's enthusiasm and sidebars make him even more so!
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3 people found this helpful
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- MissEinbigD
- 07-03-20
A delightful review of Mozart’s operas
Professor Greenberg takes us on a tour of Mozart’s major operas and makes the case for Mozart being one of the very greatest opera composers of all time. His works have endured since his death in 1791 and are continuously part of the repertoire. I was able to match these lectures with recorded performances by the Metropolitan Opera available on their on-demand subscription service for a wonderful respite.
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- opera4steph
- 02-04-19
I adore this series!
its an absolute must have for any opera or music buff. I learned so much!
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- MH
- 11-14-20
Really great stuff
I love Professor Greenberg’s down to earth style and the life he breathes into Mozart’s works and life. I love his Brooklyn accent and humor. As a singer in my youth I take issue with his take on sopranos being nothing but competitive and sharp elbows, but I forgive him for that. Professor Greenberg has really really really studied Mozart’s music and shared that with us. Like sleeping on a book for the listener.
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- Dr. Frank Norgate
- 05-15-24
A superb course on Mozart's operas
A most enjoyable course on Mozart's most important operas. Well presented and preformed with great gusto. Bravo!
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- profile
- 01-17-17
great
Enjoyed it. All of Greenberg 's lecture are worth listening to. I highly recommend them.
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- wbiro
- 02-06-21
Good Stuff - for America's Middle Class
The professor is irreverent and reverent where he needs to be, with American humor and sentiment. The book is long, so you will need breaks away from it (perhaps listening to other books).
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- Doggy Bird
- 04-06-14
One of the best values on Audible!
First of all, I have several Great Courses for which I paid full price from the Teaching Company - I love the courses and get a lot of pleasure out of listening to them. The value of being able to get Great Courses for one Audible Credit per course is ALONE worth an annual Audible subscription.
Second, I think Robert Greenberg's Music Courses are terrific and really one of the best uses of the audio book format for university level lectures. You not only hear the discussion of the music but hear music samples as well which makes it far superior to books about music history which can't provide samples of the music discussed. Greenberg's choices of music to illustrate the points he make are always excellent and really make listening to these lectures an enormous pleasure. Like others have said elsewhere, he can be quite corny -if that bothers you this is not the professor you will want to hear. I find his energy and enthusiasm makes the course more interesting and his attempts at humor are rather endearing (it may be that people from New Jersey find corniness less offensive). I appreciate his attempts to liven things up even if some of the jokes are rather silly.
Third, although I am not particularly knowledgeable about music the more I get to know opera the more I realize how very much I love Mozart's operas. It is true that Greenberg spends a lot of time on Cosi Fan Tutte as another listener noted. I didn't expect this to be exhaustive but rather Greenberg's own view of the most interesting aspects of Mozart's operas since it is still an introductory level course. For someone as prolific as Mozart it didn't surprise me that the professor made a selection based on his views. However, if you are expecting it to be exhaustive you will not be satisfied. Greenberg is very informative but selective, and with me that's OK.
Lastly, some negative comments have been made on the lack of librettos included with the course - those librettos are not part of the more expensive versions of the course either. You have to get librettos on your own - there are no entire operas included in the course, only excerpts so I don't know why anyone would think a libretto would be needed to follow the lectures. Some of the complaints made by listeners are very picky considering the comparative value of getting these courses so cheaply on Audible.
Very highly recommended.
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37 people found this helpful
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Overall
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Performance
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Story
- Joseph Hicks
- 09-21-13
Wonderful Education Experience
Would you consider the audio edition of The Operas of Mozart to be better than the print version?
Not applicable
Who was your favorite character and why?
Not applicable
What about Professor Robert Greenberg’s performance did you like?
In addition to being a first class musician and composer, Professor Greenberg is an incredibly talented lecturer. More academics need to listen carefully to his style. He truly loves his subject, he is exceptionally good at presenting his material and
best of all his down to earth humor makes listening to his lectures a delight.
If only more academics could teach like this our profession would be in much better shape. Kudos to this wonderful Maestro.
If you were to make a film of this book, what would the tag line be?
Not applicable
Any additional comments?
Just buy it!
Also Audible people please change the items in these reviews for The Great Courses
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