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The Operas of Mozart
- Narrated by: Robert Greenberg
- Length: 18 hrs and 21 mins
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Publisher's summary
When Wolfgang Amadeus Mozart died in 1791 at the age of just 35, he nonetheless left behind the defining composition in every available musical genre of his time: symphony, chamber music, masses, and above all - opera. Opera was the prestige genre of the era, and the thought of it, Mozart wrote, made him "beside myself at once." It was a form he loved dearly, depending on it heavily for personal, professional, artistic, and financial reasons of the greatest weight.
Artistically, the world of the operatic stage spoke deeply to his primal instinct for play, his taste for fantasy, and his restless creative imagination. And in this rich series of eight entertaining lectures, you'll learn how his operas vied with one another for the acclaim reserved for the greatest achievements of human artistic striving: Idomeneo, The Abduction from the Harem, The Marriage of Figaro, Così fan tutte, Don Giovanni, and The Magic Flute, which premiered only ten weeks before his untimely death.
In addition to summarizing Mozart's life and artistic development, the lectures focus on two of his greatest masterpieces, Così fan tutte and The Magic Flute, to help you understand more fully the height of Mozart's operatic achievement.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
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The Mongol army led by Genghis Khan subjugated more lands and people in 25 years than the Romans did in 400. In nearly every country the Mongols conquered, they brought an unprecedented rise in cultural communication, expanded trade, and a blossoming of civilization.
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Best-selling author Bryan Burrough recently made a shocking discovery: The small town of Temple, Texas, where he had grown up, had harbored a dark secret. One of his high school classmates, Danny Corwin, was a vicious serial killer. In this chilling tale, Burrough raises important questions of whether serial killers can be recognized before they kill or rehabilitated after they do. It is also a story of Texas politics and power that led the good citizens of the town of Temple to enable a demon who was their worst nightmare.
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Odd narration choice
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For his victims, for their families and for the investigators tasked with finding him, the senselessness and brutality of the Golden State Killer's acts were matched only by the powerlessness they felt at failing to uncover his identity. Then, on April 24, 2018, authorities arrested 72-year-old Joseph James DeAngelo at his home in Citrus Heights, Calif., based on DNA evidence linked to the crimes. Amazingly, it seemed, evil finally had a name. Please note: This work contains descriptions of violent crime and sexual assault and may not be suitable for all listeners.
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Experience a bold take on this classic autobiography as it’s performed by Oscar-nominated Laurence Fishburne. In this searing classic autobiography, originally published in 1965, Malcolm X, the Muslim leader, firebrand, and Black empowerment activist, tells the extraordinary story of his life and the growth of the Human Rights movement. His fascinating perspective on the lies and limitations of the American dream and the inherent racism in a society that denies its non-White citizens the opportunity to dream, gives extraordinary insight into the most urgent issues of our own time.
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Elwood Blues (aka Dan Aykroyd) is on another mission—to tell the full story of how two young actors went from blues lovers to Blues Brothers. In this fascinating audio documentary Aykroyd “gets the band back together”, taking listeners on a road trip through time—from late nights in the early days with John Belushi at Dan’s speakeasy in Toronto, to working with blues legends Aretha Franklin, James Brown, and Ray Charles on The Blues Brothers movie, through the founding of House of Blues, the Blues Brothers 2000 sequel, and beyond.
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Heart wrenching
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The inspiration for the major motion picture Priscilla directed by Sofia Coppola, this New York Times best seller reveals the intimate story of Elvis Presley and Priscilla Presley, told by the woman who lived it.
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Prosecuting attorney in the Manson trial Vincent Bugliosi held a unique insider's position in one of the most baffling and horrifying cases of the 20th century: the cold-blooded Tate-LaBianca murders carried out by Charles Manson and four of his followers. What motivated Manson in his seemingly mindless selection of victims, and what was his hold over the young women who obeyed his orders? Now available for the first time in unabridged audio, the gripping story of this famous and haunting crime is brought to life by acclaimed narrator Scott Brick.
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Examining murder from an insider’s perspective, Matt Murphy—a former senior deputy district attorney and current ABC News legal analyst—discusses cases from his career, how they strained his personal life, and how he found peace seeking justice for victims and their families. Part taxonomy of murder, part prosecutor’s handbook, and part personal memoir, The Book of Murder goes through a dozen cases and his recollections of his 26 years in the Orange County DA’s office (17 in the Homicide Unit).
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A meaningful life
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What listeners say about The Operas of Mozart
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- DeirDre
- 06-12-14
Kinda crushing on Robert Greenberg!
Where does The Operas of Mozart rank among all the audiobooks you’ve listened to so far?
One of my favorites.
Any additional comments?
Mozart is always interesting and Robert Greenberg's enthusiasm and sidebars make him even more so!
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3 people found this helpful
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- MissEinbigD
- 07-03-20
A delightful review of Mozart’s operas
Professor Greenberg takes us on a tour of Mozart’s major operas and makes the case for Mozart being one of the very greatest opera composers of all time. His works have endured since his death in 1791 and are continuously part of the repertoire. I was able to match these lectures with recorded performances by the Metropolitan Opera available on their on-demand subscription service for a wonderful respite.
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- Nathan
- 06-24-16
Loved it
I loved every minute of it. This course is as enjoyable as it is educational.
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1 person found this helpful
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- V. M. Sebestyen
- 07-16-24
Will listen again and probably again
I’ve never been a big fan of Mozart’s instrumental music,but have loved his operas for decades Now I understand why. This course is entertaining as well as informative and I highly recommend it to anyone who is a fan of opera. Bravo!
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- opera4steph
- 02-04-19
I adore this series!
its an absolute must have for any opera or music buff. I learned so much!
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1 person found this helpful
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- MH
- 11-14-20
Really great stuff
I love Professor Greenberg’s down to earth style and the life he breathes into Mozart’s works and life. I love his Brooklyn accent and humor. As a singer in my youth I take issue with his take on sopranos being nothing but competitive and sharp elbows, but I forgive him for that. Professor Greenberg has really really really studied Mozart’s music and shared that with us. Like sleeping on a book for the listener.
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- Dr. Frank Norgate
- 05-15-24
A superb course on Mozart's operas
A most enjoyable course on Mozart's most important operas. Well presented and preformed with great gusto. Bravo!
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- profile
- 01-17-17
great
Enjoyed it. All of Greenberg 's lecture are worth listening to. I highly recommend them.
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- wbiro
- 02-06-21
Good Stuff - for America's Middle Class
The professor is irreverent and reverent where he needs to be, with American humor and sentiment. The book is long, so you will need breaks away from it (perhaps listening to other books).
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- T. A. Widman
- 11-02-16
Only for those with no experience with Opera
Professor Greenberg's presentation is extremely annoying and off-putting. He is obviously well versed in the material, but he insists on dumbing it down and making everything a juvenile joke. It's alright for a short span, but severely grating a couple lectures in.
Also, while the course does cover aspects of Mozart's life, yielding interesting facts and anecdotes, its coverage of the operas is subpar, being little more than a reproduced libretto, often in a college level humor vernacular. I was hoping to learn more about the music and the methodology of Mozart in producing his operas and evoking response. There's little of a deeper measure. Granted I only made it through the first portion of the series on Cosi, so maybe it improves...but Greenberg's presentation style was insurmountable.
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4 people found this helpful