When editor Susan Ryeland is given the manuscript of Alan Conway's latest novel, she has no reason to think it will be much different from any of his others. After working with the best-selling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan's traditional formula has proved hugely successful.

Thad Beaumont would like to say he is innocent. He'd like to say he has nothing to do with the twisted imagination that produced his best-selling novels. He'd like to say he has nothing to do with the series of monstrous murders that keep coming closer to his home. But how can Thad deny the ultimate embodiment of evil that goes by the name he gave it - and signs its crimes with Thad's bloody fingerprints?

Mia Hamilton lived the perfect life with her husband, university teacher Zach, and their two-year-old daughter. But everything changed when Zach committed suicide on the same night one of his students vanished. Five years later, just when Mia is beginning to heal, stranger Alison walks into her life, saying her husband didn't kill himself. Fragile, slight Alison leads Mia on a path into Zach's past, and Mia begins to think she never really knew her own husband.

Across the bottom of the screen the ticker tape announced in large black letters 'Governor Reynolds Murdered'. Apparently his body had been discovered earlier that morning, lying in his garage. He had been shot twice. One shot to the upper chest, the other hitting his shoulder. 'Police believe that the weapon used was a 38 revolver,' the reporter said. Kendall froze. Anthony Shaw had also been killed by a 38 calibre bullet. Kendall was not quite sure of what it all meant. What connection was there between Anthony Shaw, and the State Governor, and the business mogul, Ian Duncan. And what about Senator Mackenzie? Where did he fit in? And who or what was Latimer?

Daniel Carter used to be a homicide detective, but his last case - the hunt for a serial killer - went wrong in strange ways and soured the job for him. Now he's a private investigator trying to live a quiet life. Strangeness, however, has not finished with him. First, he inherits a bookstore in Providence from someone he's never heard of, along with an indignant bookseller who doesn't want a new boss.

Married Eva Griffin has been caught with a prominent congressman, and is ready to pay the editor of a sleazy tabloid hush money to protect the politician. But first Perry Mason tracks down the publisher of the blackmailing tabloid and discovers a shocking secret, which eventually leads to Mason being accused of murder. This is the first Perry Mason mystery and our introduction to secretary Della Street, detective Paul Drake, and the great lawyer himself.

A forensic sculptor with the rare gift for reconstructing the identity of the dead from their skulls, Eve Duncan is made an offer she can't financially refuse: to reconstruct the face of an adult murder victim. It's a simple bargain, yet its' the most dangerous one she'll ever make.

Stefan Lindman, a young police officer recently diagnosed with mouth cancer, decides to investigate the murder of his former colleague, but is soon enmeshed in a mystifying case with no witnesses and no apparent motives. Terrified of the disease that could take his life, Lindman becomes more and more reckless as he unearths the chilling links between Molin's death and an underground neo-Nazi network that runs further and deeper than he could ever have imagined.

Published together for the first time are three of Ayn Rand's compelling stage plays. The courtroom drama Night of January 16th, a 1935 Broadway success famous for leaving the verdict to the audience, is presented here in its definitive, final revised text - a superb dramatization of Rand's vision of human strengths and weaknesses.

While playing an erratic round of golf, Bobby Jones slices his ball over the edge of a cliff. His ball is lost, but on the rocks below he finds the crumpled body of a dying man. The man opens his eyes and with his last breath says, "Why didn't they ask Evans?" Haunted by those words, Bobby and his vivacious companion, Frankie, set out to solve a mystery that will bring them into mortal danger.... This title was previously published as The Boomerang Clue.

It all begins with a call to the police. A 16-year-old boy, Roger Eriksson, has gone missing in the town of Västerås. A search is organized and a group of young scouts makes an awful discovery in a marsh: Roger is dead. Meanwhile, Sebastian Bergman, psychologist, criminal profiler, and one of Sweden's top experts on serial killers, is in Västerås to settle his mother's estate following her death. Sebastian has withdrawn from police work after the death of his wife and daughter in the 2004 tsunami.

Acclaimed best-selling novelist Kunihiko Hidaka is found brutally murdered in his home on the night before he’s planning to leave Japan and relocate to Vancouver. His body is found in his office, a locked room, within his locked house, by his wife and his best friend, both of whom have rock solid alibis. Or so it seems.

According to the courts, Jacko Argyle bludgeoned his mother to death with a poker. The sentence was life imprisonment. But when Dr. Arthur Calgary arrives with the proof that confirms Jacko's innocence, it is too late - Jacko died behind bars followinga bout of pneumonia. Worse still, the doctor's revelations reopen old wounds in the family, increasing the likelihood that the real murderer will strike again.

Richard Kilmer is head over heels in love with Jennifer Ryan, who takes him home to meet her parents, where she accepts his marriage proposal. While visiting, they set out on a nostalgic drive up to Kendrick Falls. On their way, a freak storm rolls in, Richard loses control of his car, and it rolls. When the storm clears in a matter of seconds, Jen is gone. Richard can't find her, and neither can the police who respond to the scene.

For two years, Walter Stackhouse has been a faithful and supportive husband to his wife, Clara. But she is distant and neurotic, and Walter finds himself harboring gruesome fantasies about her demise. When Clara's dead body turns up at the bottom of a cliff in a manner uncannily resembling the recent death of a woman who was murdered by her husband, Walter finds himself under intense scrutiny.