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The Pickwick Papers

By: Charles Dickens
Narrated by: David Timson
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Publisher's summary

The Pickwick Papers, Dickens's first novel, is a delightful romp through the pre-Reform Bill England of 1827. Samuel Pickwick and the rest of the Pickwickians are some of the most memorable of all Dickens's creations, and it is a joy to hear of their adventures in search of "interesting scenes and characters", and the repeated efforts of the quick-witted Sam Weller to rescue them all from disaster.

Public Domain (P)2012 Naxos AudioBooks
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What listeners say about The Pickwick Papers

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  • Overall
    4 out of 5 stars
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Bueno con un inicio confuso

Muy buen libro, aunque se sale mucho del relato contando historias breves que no tienen que ver con el tema del libro y en particular al principio que parece no ir a ninguna parte, aunque el ingenio y la forma en que retrata la Inglaterra victoriana es muy interesante y divertida

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Dickens... Of course it's good!

Wonderfully performed, and a heartwarming story. Dickens is my favorite of the classic authors, and this, his first novel, is a great beginning.

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No Better Way to Spend Your Time!

If you could sum up The Pickwick Papers in three words, what would they be?

Lovable, endearing, joyous.

What did you like best about this story?

Dickens' marvelous stream of inventive genius.

What about David Timson’s performance did you like?

I have listened to another audible version of Pickwick Papers--in addition to reading it when I was young. But David Timson's performance is simply incomparable. I am thankful to have it, and look forward to listening to it again.

Was this a book you wanted to listen to all in one sitting?

Yes--but it would require me to go without sleep for several days.

Any additional comments?

I don't normally write reviews, but I was so shocked by the first review to be posted that I felt I had to respond. To condemn Charles Dickens on the charges of racism and sexism displays a sad failure to understand the purpose of great literature, which is to open our minds to the full richness of life, and certainly not to re-enforce our current notions of political correctness. Few books display the richness of life more radiantly than The Pickwick Papers and I urge anyone who wants to enjoy a romp through early nineteenth England to download David Timson's enthralling version of Dickens first masterpiece. It is cheaper than a trip to England, and a lot more fun.

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25 people found this helpful

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Favourite Dickens

If you could sum up The Pickwick Papers in three words, what would they be?

Funny, thoughtful, timeless.

What did you like best about this story?

The wonderfully realized Dickensian characters.

What does David Timson bring to the story that you wouldn’t experience if you just read the book?

He depicted each character distinctly.

Did you have an extreme reaction to this book? Did it make you laugh or cry?

I loved it for its sympathetic view of human foibles. I have listened twice and will listen again in the future.

Any additional comments?

This is a feel good book for when you want something that is intelligent and well written, but not dark and sad.

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Narrator David Timson is exquisite.

If you could sum up The Pickwick Papers in three words, what would they be?

Wonderful novel narration.

What was one of the most memorable moments of The Pickwick Papers?

The election of Etonswarn in Chapter 12.

What does David Timson bring to the story that you wouldn’t experience if you just read the book?

He uses a different voice for all characters, and never slips up.

Did you have an extreme reaction to this book? Did it make you laugh or cry?

It's realism, but mostly a comedy.

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Well worth the listen

A wonderful narration of a comedic masterpeice. Dickens's ability to recognize, satirize, and lionize human types is unsurpassed. Rollicking adventures and good, clean fun.

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Family and Friends

Character development in this work of Dickins incites curiosity and surprise. Fidelity in human attachments is upheld and honored. Dickens explores family dynamics in a manner that introduces a variety of implications. Authenticity and noble character won’t always be rewarded with bliss, but earn the respect of fellow humans in this early journey.

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  • Overall
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Fledgling Dickens Flaps His Wings of Future Genius

The entertaining central conceit of Charles Dickens first novel, The Pickwick Papers (1836), is that that "immortal gentleman," Mr. Pickwick, an "extraordinary," "colossally minded," "truly great" "man of genius," is in fact a chubby, balding, bespectacled, pleasure-loving, middle-aged man whose good nature and naivete land him in a series of comical scrapes from which not even his streetwise and philosophic servant Sam Weller is always able to extract him unharmed. As a wealthy retired businessman, Mr. Pickwick's only occupation is traveling around England eating and drinking and investigating human nature with his three absurd friends and followers (the ersatz sportsman Mr. Winkle, the so-called poet Mr. Snodgrass, and the aged, rotund wannabe ladies man Mr. Tupman), ostensibly reporting their doings to the Pickwick Club in London, of which Mr. Pickwick is founder and president.

As Mr. Pickwick indulges in his hobby of studying the drama of life in different (at first ideally comfortable) settings and guises, as he falls into embarrassing fixes, and as he hears stories from the people with whom he converses, Dickens satirizes sports, reform religion, the legal system, political parties, stock brokers, dismal debtor's prisons, contentious husbands and wives, pretentious literary circles, foolish scholarly associations, and grotesque social pretensions. He also celebrates liberal, big-hearted, good-natured people like Pickwick and his countryside gentleman friend Mr. Wardle, romantic marriages, rustic and hospitable coach inns and simple and solid coachmen, and pleasurable festivals like Christmas. He even at one point includes a Christmas story featuring a Scrooge-like sexton in need of a good supernatural scare.

The novel is a picaresque series of set pieces tied together by a few recurring strands, like the ways in which the paths of the adventurer-"stroller"-actor-con-man Mr. Jingle and his servant/friend Job Trotter and of Pickwick and co. repeatedly cross each other, in which the legal suit of Bardell vs. Pickwick increasingly plagues the affable man, and in which Pickwick's disciples inconveniently fall in love. The novel is not a bildungsroman, for the fully mature Mr. Pickwick passes through his experiences largely unchanged. Instead, he acts as a catalyst for other people's changes, and as the novel progresses, especially in the last third, Mr. Pickwick's aspect as (as his servant Sam Weller puts it) an angel in tights and gaiters and spectacles comes to the fore.

Sam Weller is a great character: cockney, loyal, brave, strong, wise, and possessed of funny mannerisms: pronunciation of w as v and v as w, comical nicknames for people ("Vere does the mince-pies go, young opium eater?") and hilarious comparisons of present situations to exaggeratedly apt and usually violent prior cases (Wellerisms), as when he says, "Business first, pleasure afterwards, as King Richard the Third said wen he stabbed t'other king in the Tower, afore he smothered the babbies." Or 'Vich I call addin' insult to injury, as the parrot said ven they not only took him from his native land, but made him talk the English langwidge arterwards.' Or "Wery sorry to 'casion any personal inconwenience, ma'am, as the house-breaker said to the old lady when he put her on the fire."

David Timson gives an inspired reading of the novel, particularly with supporting characters like Sam Weller, his father, and the sleepy "fat boy" servant Joe. Every word he reads sounds just as Dickens must have intended it to be read. Although he greatly increases the pleasure of the novel, I did think (especially in the early going) that he lays on Dickens' comical cheek a bit thickly as the third person narrator.

In The Pickwick Papers appear many flashes of Dickens' particular genius that he fully develops in his later books: inventive, vivid, and rich descriptions; great lines worthy of re-reading and savoring; singular characters marked by human foibles, funny mannerisms, and strange names; imaginative set-pieces that linger in the mind; self-reflexive statements about novel writing; tear-jerking sentimentality; angry social conscience; open-minded view of class and culture; keen vision of human folly, villainy, and kindness; and so on. But often I found myself wandering during Dickens' extended riffs or interpolated tales (some of which don't absolutely need to be in the novel), and the overall story is not as compelling as those in his future books. Thus, fans of Charles Dickens should surely read/listen to The Pickwick Papers, but people new to his work should probably start with more classic books like David Copperfield and Great Expectations.

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A comedy of circumstances

A very enjoyable book. There are lots of characters and the narrator does very well to make them clear. I typically listen when driving and keeping up with minor characters was difficult, If you like comedy and institutional comedy (1800's style) then you should like this book. It was much different then Dickens later books, as the evil characters were mocked to some degree in this book.
It is not my favorite Dickens, but as it is his first Dickensian's need to read it.

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I especially like your early, funny ones.

That’s the oft-repeated heart cry of filmmaker Sandy Bates’ fans in Woody Allen’s film, Stardust Memories (before he went all artsy and serious, Sandy made popular comedies). While that’s not an exact parallel to the career of Charles Dickens, I have to admit that, about halfway through, say, Hard Times, I start missing his earlier, funnier ones.

And, even with its few brief, poignant episodes of tragedy, this earliest of Dickens’ novels remains his funniest; in the 183 years since the first installment appeared, I'm betting no one has ever wished it was any shorter. Perhaps inevitably, in this maiden effort—and a baggy, voluminous, picaresque one at that—some loose ends dangle. Mr. Pickwick’s outburst at Mr. Winkle on the skating pond (“You are a humbug, sir…I will speak plainer, if you wish it. An imposter, sir.”) looks like a serious breach, yet never develops beyond that chapter. Sam Weller’s love note to his Mary, signed in Mr. Pickwick’s name (in doggerel rhyme, no less), fails to complicate that gentleman’s already complicated breach-of-promise difficulties with his former landlady. Nevertheless, as the last chapter heading declares, everything concludes “to the satisfaction of everybody” including the reader. Ironically, this most sentimental of all the major Victorian writers never raises more laughs than when spoofing sentimentality.

David Timson’s performance stands comparison to Colin Firth's reading of Graham Greene's End of the Affair, or Alan Rickman's of Thomas Hardy's The Return of the Native: one of those rare instances of an absolutely perfect match of novel and narrator. I had no idea the man had so many voices inside him.

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