The Politics of Fear
The Peculiar Persistence of American Paranoia
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Narrated by:
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Ray Montecalvo
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By:
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Arthur Goldwag
About this listen
From the author of Cults, Conspiracies, and Secret Societies, a probing exploration of the bizarre and dangerous conspiracies that have roiled America over the past decade and captured the minds of so many Americans
Some of the conspiracy theories now gripping American politics contend that Joe Biden was executed and replaced by a clone and that John F. Kennedy Jr., faked his death and will one day return to slay Trump’s enemies. But who is susceptible to them, and what makes them so politically potent?
Investigating the historical roots of our peculiar brand of political paranoia, Arthur Goldwag helps us make sense of the senseless and, in so doing, uncovers three uncomfortable truths: that it is older than Trumpism and will outlast it; that theocratic authoritarianism is as hardwired in our American heritage as the principles of the Enlightenment; and that the fear that our system is “rigged” is not altogether unfounded. A probing, surprising, and critical examination of America’s paranoid style, The Politics of Fear sheds new light on the age-old question: What exactly are we so afraid of?
©2024 Arthur Goldwag (P)2024 Random House AudioListeners also enjoyed...
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Critic reviews
“In this ambitious new book, Arthur Goldwag seeks to break down and isolate the uniquely American, molecular preconditions that allow Trump’s followers to believe in him with a messianic fervor that is immune to truth, science, and self-interest. Tracing a historical, cultural, and spiritual American arc that fosters and rewards paranoia, conspiracy theories, and fear, Goldwag makes the case that the seeds for today’s rabbit hole obsessions with—variously, QAnon, the Big Steal, Pedophile groomers, Satanism, and anti-Semitism—were all there at the founding, tended lovingly throughout history, and have flowered in the age of the internet, racism, demagoguery, and economic scarcity. Our paranoid, fearful, broken-brain moment is, as he suggests ‘a pure product of America.’”—Dahlia Lithwick, bestselling author of Lady Justice
“Arthur Goldwag, our indispensable encyclopedist of mass irrationality, brings his deep knowledge of cults, conspiracism, and organized hate to bear on the politics of the Trump era. As always he is bracingly lucid and alert to the historical roots of present-day antipathies and delusions.”—Geoffrey O'Brien, author of Arabian Nights of 1934
“Since the founding, the United States has provided a haven for conspiracy theorists, bigots, cultists, and violent extremists. In The Politics of Fear, Arthur Goldwag offers a lively tour of America’s heart of darkness. Chronicling decades of fear-soaked ideas and the individuals who espoused them, The Politics of Fear is provocative and unforgettable.”—Matthew Dallek, author of Birchers: How the John Birch Society Radicalized the American Right
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Over the next five years, millions of more Americans are expected to take Ozempic and other GLP-1 weight-loss drugs, which are rapidly being recognized as the miracle drugs of this century. If you’re not on them, you’ll probably know someone who is. What are the implications of the widespread use of these drugs, both on our bodies and our society? In this show, you’ll meet people across America who are either taking the jab or thinking about it, and the shocking intentional and unintentional results they are seeing.
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More balanced than expected and very comprehensive
- By Summer Rodriguez on 01-03-25
By: Scaachi Koul
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The Parole Room
- By: Ben Austen
- Narrated by: Ben Austen
- Length: 4 hrs and 25 mins
- Original Recording
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Overall
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Performance
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Story
Will Johnnie Veal—convicted of the murder of two police officers in 1970—be granted parole after 50 years in prison? How can he convince the parole board he’s reformed when he insists he’s innocent? What is prison time even supposed to accomplish? These are the questions that propel The Parole Room forward as it builds toward Johnnie’s 20th parole hearing—after 19 rejections.
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Well done
- By Cynthia Duncan on 10-13-24
By: Ben Austen