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For two thousand years, the disparate groups that now reside in Zomia—a mountainous region the size of Europe that consists of portions of seven Asian countries—have fled the projects of the organized state societies that surround them: slavery, conscription, taxes, corvée labor, epidemics, and warfare. This book, essentially an “anarchist history,” is the first-ever examination of the huge literature on state-making whose author evaluates why people would deliberately and reactively remain stateless.

Rivers, on a long view, are alive. They are born; they change; they shift their channels; they forge new routes to the sea; they move both gradually and violently; they can teem (usually) with life; they may die a quasi-natural death; they are frequently maimed and even murdered. It is the annual flood pulse—the brief time when the river occupies the floodplain—that gives a river its vitality, but it is human engineering that kills it, suppressing the flood pulse with dams, irrigation, siltation, dikes, and levees.

Why do well-intentioned plans for improving the human condition go tragically awry? Author James C. Scott analyzes failed cases of large-scale authoritarian plans in a variety of fields. Centrally managed social plans misfire, Scott argues, when they impose schematic visions that do violence to complex interdependencies that are not - and cannot - be fully understood. Further, the success of designs for social organization depends upon the recognition that local, practical knowledge is as important as formal, epistemic knowledge.

Why did humans abandon hunting and gathering for sedentary communities dependent on livestock and cereal grains and governed by precursors of today's states? Most people believe that plant and animal domestication allowed humans, finally, to settle down and form agricultural villages, towns, and states, which made possible civilization, law, public order, and a presumably secure way of living. But archaeological and historical evidence challenges this narrative.

Fire is rarely out of the headlines, from large natural wildfires raging across the Australian or Californian countrysides to the burning of buildings such as the disasters of Grenfell tower and Notre Dame. Fire on these scales can represent a serious risk to human life and property. But the advent of fire made and controlled by humans also represented a crucial point in our evolution, allowing us to cook our food, forge our weapons, and warm our homes.

This sensitive picture of the constant and circumspect struggle waged by peasants materially and ideologically against their oppressors shows that techniques of evasion and resistance may represent the most significant and effective means of class struggle in the long run.

Confrontations between the powerless and powerful are laden with deception—the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, laborers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule that cannot be openly avowed.

James Scott taught us what's wrong with seeing like a state. Now, in his most accessible and personal book to date, the acclaimed social scientist makes the case for seeing like an anarchist. Inspired by the core anarchist faith in the possibilities of voluntary cooperation without hierarchy, Two Cheers for Anarchism is an engaging, high-spirited, and often very funny defense of an anarchist way of seeing - one that provides a unique and powerful perspective on everything from everyday social and political interactions to mass protests and revolutions.

Exploring American higher education from its founding in the 17th century to its struggle to innovate and adapt in the first decades of the 21st century, Thelin demonstrates that the experience of going to college has been central to American life for generations of students and their families. Drawing from archival research, along with the pioneering scholarship of leading historians, Thelin raises profound questions about what colleges are - and what they should be.

The Change occurred when an electrical storm centered over the island of Nantucket produced a blinding white flash that rendered all electronic devices and fuels inoperable - and plunged the world into a dark age humanity was unprepared to face....

The Change occurred when an electrical storm centered over the island of Nantucket produced a blinding white flash that rendered all electronic devices and fuels inoperable - and plunged the world into a dark age humanity was unprepared to face....Michael Havel was flying over Idaho en route to the holiday home of his passengers when the plane’s engines inexplicably died, forcing a less than perfect landing in the wilderness. And as Michael leads his charges to safety, he begins to realize that the engine failure was not an isolated incident.

The Change occurred when an electrical storm centered over the island of Nantucket produced a blinding white flash that rendered all electronic devices and fuels inoperable - and plunged the world into a dark age humanity was unprepared to face....Michael Havel was flying over Idaho en route to the holiday home of his passengers when the plane’s engines inexplicably died, forcing a less than perfect landing in the wilderness. And as Michael leads his charges to safety, he begins to realize that the engine failure was not an isolated incident.

On the blood-stained battlefields of a divided nation, Dr. Samuel Knight used his surgical skills to treat wounded Confederate soldiers. In the brutal prison camps of the Union Army, he offered his healing services to fellow captives who’d given up hope. But now, with the war over and the South in ruins, the good doctor faces his hardest challenge yet: to save himself.

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In the winter of 1897, Elspeth Howell treks across miles of snow and ice to the isolated farmstead in upstate New York where she and her husband have raised their five children. Her midwife's salary is tucked into the toes of her boots, and her pack is full of gifts for her family. But as she crests the final hill, and sees her darkened house and a smokeless chimney, immediately she knows that an unthinkable crime has destroyed the life she so carefully built.

It's the 22nd century. Humanity has taken its first steps into the galaxy, and we've found ourselves in a vast playground of alien races and cultures. As the newest players on the universal stage, though, we're at the bottom of the food chain. Welcome back to the Four Horsemen universe, where only a willingness to fight and die for money separates humans from the majority of the other races. While some of the stories deal with mercenaries, others introduce listeners to the other guilds, organizations, and races that make up the landscape of the Four Horsemen universe.

Tales of the Jazz Age is a delightful, sobering, thought-provoking, and downright curious collection of 11 of F. Scott Fitzgerald’s short stories, published after his first two novels - This Side of Paradise (1920) and The Beautiful and Damned (1922) - but before The Great Gatsby (1925).

Canary in a (Post) Covid World: Money, Fear and Power is the powerful second volume in the bestselling Canary in a Covid World series. It is a rich, varied and disturbing story, told by many of the world’s bravest and most qualified voices, of how health care, information and financial systems have been compromised in the name of profit and control. While the first volume, Canary in a Covid World: How Propaganda and Censorship Changed Our (My) World, looked closely at the pandemic and how we were all fed a diet of propaganda, while the media prevented the dissemination of truth and ...

It’s March 1918, and World War I is raging in Europe. In the trenches in northern France, a group of British officers, led by the war-weary Captain Stanhope, ready themselves for a major German attack while facing their worst fears. R.C. Sherriff drew on his own experiences in World War One to create the play, which premiered in 1928 and is now considered one of the preeminent works about the horrors of war.

When the Eurasian Blue Tit and former Belgian inspector Odysseus Vizard is called on by a deer and old friend, Captain Russell, to solve a murder at a manor house, it takes all his genius to sort out the litter of suspects. A French villa during the season form a fatal encounter where deer keep being found dead on a golf course and a decades long secret holds the key to keep a lovestruck buck from the guillotine. Back in the English countryside, Vizard’s attempt at retirement fails when a blackmailer decides the local beavers need eliminating.