With the lover everyday life recedes,” Roth writes—and exhibiting all his skill as a brilliant observer of human passion, he presents in Deception the tightly enclosed world of adulterous intimacy with a directness that has no equal in American fiction. At the center of Deception are two adulterers in their hiding place. He is a middle-aged American writer named Philip, living in London, and she is an articulate, intelligent, well-educated Englishwoman compromised by a humiliating marriage to which, in her thirties, she is already nervously half-resigned.

When she was still a child, Lucy Nelson had her alcoholic failure of a father thrown in jail. Ever since then she has been trying to reform the men around her, even if that ultimately means destroying herself in the process. With his unerring portraits of Lucy and her hapless, childlike husband, Roy, Roth has created an uncompromising work of fictional realism, a vision of provincial American piety, yearning, and discontent that is at once pitiless and compassionate.

The Ghost Writer introduces Nathan Zuckerman in the 1950s, a budding writer infatuated with the great books, discovering the contradictory claims of literature and experience while an overnight guest in the secluded New England farmhouse of his idol, E. I. Lonoff. At Lonoff's, Zuckerman meets Amy Bellette, a haunting young woman of indeterminate foreign background who turns out to be a former student of Lonoff's and who may also have been his mistress.

Bucky Cantor is a vigorous, dutiful twenty-three-year-old playground director during the summer of 1944. A javelin thrower and weightlifter, he is disappointed with himself because his weak eyes have excluded him from serving in the war alongside his contemporaries. As the devastating disease begins to ravage Bucky’s playground, Roth leads us through every inch of emotion such a pestilence can breed: fear, panic, anger, bewilderment, suffering, and pain.

From the Pulitzer Prize–winning author of American Pastoral: Like a latter-day Gregor Samsa, Professor David Kepesh wakes up one morning to find that he has been transformed—into a 155-pound breast. What follows is “terrific…inventive and sane and very funny (The New York Times Book Review).

Goodbye, Columbus is the story of Neil Klugman and pretty, spirited Brenda Patimkin. Neil comes from poor Newark, while Brenda is of suburban Short Hills. On one summer break, they meet and dive into an affair that is as much about social class and suspicion as it is about love. The novella is accompanied by five short stories that range in tone from the iconoclastic to the astonishingly tender.

A fiction-within-a-fiction, a labyrinthine edifice of funny, mournful, and harrowing meditations on the fatal impasse between a man and a woman, My Life as a Man is Philip Roth’s most blistering novel. At its heart lies the marriage of Peter and Maureen Tarnopol, a gifted young writer and the woman who wants to be his muse but who instead is his nemesis. Their union is based on fraud and shored up by moral blackmail, but it is so perversely durable that, long after Maureen’s death, Peter is still trying—and failing—to write his way free of it.

Expecting to be inducted into the army during World War II, Joseph has given up his job and carefully prepared for his departure to the battlefront. When a series of mix-ups delays his induction, he finds himself facing a year of idleness. Written in diary format, Bellow’s first novel documents Joseph’s psychological reaction to his inactivity while war rages around him and his uneasy insights into the nature of freedom and choice.

Philip Roth concentrates on five episodes from his life: his secure city childhood in the thirties and forties; his education in American life at a conventional college; his passionate entanglement, as an ambitious young man, with the angriest person he ever met (the “girl of my dreams” Roth calls her); his clash, as a fledgling writer, with a Jewish establishment outraged by Goodbye, Columbus; and his discovery, in the excesses of the sixties, of an unmined side to his talent that led him to write Portnoy’s Complaint.

In this book (which may or may not be fiction), Philip Roth meets a man who may or may not be Philip Roth. Because someone with that name has been touring Israel, promoting a bizarre reverse exodus of the Jews. Roth is intent on stopping him, even if that means impersonating his own impersonator. With excruciating suspense, unfettered philosophical speculation, and a wild cast of characters, Operation Shylock barrels across the frontier between fact and fiction, seriousness and high comedy, history and nightmare.

Charles Bukowski turns to the bottle in this revelatory collection of poetry and prose that includes some of the writer’s best and most lasting work. A self-proclaimed “dirty old man”, Bukowski used alcohol as muse and as fuel, a conflicted relationship responsible for some of his darkest moments, as well as some of his most joyful and inspired. In On Drinking, Bukowski expert Abel Debritto has collected the writer’s most profound, funny, and memorable work on his ups and downs with the hard stuff.

Gil Gamesh, the only pitcher who ever literally tried to kill the umpire. The ex-con first baseman, John Baal, “The Babe Ruth of the Big House,” who never hit a home run sober. If you’ve never heard of them—or of the homeless baseball team the Ruppert Mundys—it’s because of the Communist plot, and the capitalist scandal, that expunged the entire Patriot League from baseball memory.

In 1951, the second year of the Korean War, a studious, law-abiding, and intense youngster from Newark, New Jersey, Marcus Messner, begins his sophomore year on the pastoral, conservative campus of Ohio's Winesburg College. And why is he there and not at a local college in Newark where he originally enrolled? Because his father, the sturdy, hardworking neighborhood butcher, seems to have gone mad - mad with fear and apprehension of the dangers of adult life, the dangers of the world, the dangers he sees on every corner for his beloved boy.

Everyone wants a comfortable place to die, and Kingsley Amis’s characters have found it in Tuppeny-happeny Cottage, where assorted septuagenarians have come together to see one another out the door of life. Ending Up is a grimly hilarious dance of death, full of bickering, bitching, backstabbing, drinking (of course), and idiocy of all sorts. It is a book about dying people and about a dying England, clinging to its memories of greatness as it succumbs to terminal decay.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

When she was still a child, Lucy Nelson had her alcoholic failure of a father thrown in jail. Ever since then she has been trying to reform the men around her, even if that ultimately means destroying herself in the process. With his unerring portraits of Lucy and her hapless, childlike husband, Roy, Roth has created an uncompromising work of fictional realism, a vision of provincial American piety, yearning, and discontent that is at once pitiless and compassionate.

Newly discharged from the Korean War army, reeling from his mother’s recent death, freed from old attachments and hungrily seeking others, Gabe Wallach is drawn to Paul Herz, a fellow graduate student in literature, and to Libby, Paul’s moody, intense wife. Gabe’s desire to be connected to the ordered “world of feeling” that he finds in books is first tested vicariously by the anarchy of the Herzes’ struggles with responsible adulthood and then by his own eager love affairs.

The Ghost Writer introduces Nathan Zuckerman in the 1950s, a budding writer infatuated with the great books, discovering the contradictory claims of literature and experience while an overnight guest in the secluded New England farmhouse of his idol, E. I. Lonoff. At Lonoff's, Zuckerman meets Amy Bellette, a haunting young woman of indeterminate foreign background who turns out to be a former student of Lonoff's and who may also have been his mistress.

In this book (which may or may not be fiction), Philip Roth meets a man who may or may not be Philip Roth. Because someone with that name has been touring Israel, promoting a bizarre reverse exodus of the Jews. Roth is intent on stopping him, even if that means impersonating his own impersonator. With excruciating suspense, unfettered philosophical speculation, and a wild cast of characters, Operation Shylock barrels across the frontier between fact and fiction, seriousness and high comedy, history and nightmare.

Goodbye, Columbus is the story of Neil Klugman and pretty, spirited Brenda Patimkin. Neil comes from poor Newark, while Brenda is of suburban Short Hills. On one summer break, they meet and dive into an affair that is as much about social class and suspicion as it is about love. The novella is accompanied by five short stories that range in tone from the iconoclastic to the astonishingly tender.