
Doctor Faustus
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Narrated by:
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David Rintoul
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By:
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Thomas Mann
About this listen
Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.
Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and nihilism. It is also Mann's most profound meditation on the German genius—both national and individual—and the terrible responsibilities of the truly great artist.
"John E. Woods is revising our impression of Thomas Mann, masterpiece by masterpiece."—The New Yorker
"Doctor Faustus is Mann's deepest artistic gesture. . . . Finely translated by John E. Woods."—The New Republic
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'Arguably the great German novel'—New York Times
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Story
Goethe’s two-part dramatic work, Faust, based on a traditional theme, and finally completed in 1831, is an exploration of that restless intellectual and emotional urge which found its fullest expression in the European Romantic movement, to which Goethe was an early and major contributor. Part I of the work outlines a pact Faust makes with the devil, Mephistopheles, and encompasses the tragedy of Gretchen, whom Faust seduces.
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Grating Performance
- By Jo on 01-12-25
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This Is Berlin
- Radio Broadcasts from Nazi Germany
- By: William Shirer
- Narrated by: Grover Gardner
- Length: 21 hrs and 41 mins
- Unabridged
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This collection of William L. Shirer’s radio broadcasts tells the vivid story of WWII and brings the suspense of the times to life for today’s audience. As the first journalist hired by CBS to cover the war in Europe, Shirer compiled two and a half years’ worth of wartime broadcasts including Hitler’s invasion of Austria, the armistice between France and Nazi forces in June of 1940, daily roundups of news from Paris, Vienna, Berlin, London and Rome, documenting the conditions of these countries under invasion.
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Another banger from Willy and Grover
- By Garrett Webster on 04-08-24
By: William Shirer
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Great Expectations
- By: Charles Dickens
- Narrated by: Stephen Fry
- Length: 22 hrs and 2 mins
- Unabridged
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Great Expectations follows Pip's life from a plucky but poor and put-upon child in the Kent marshes, to a young man with "great expectations" in London and the choices he must make as a result of his winding journey. On the way, we meet some of Dickens' most memorable and unique characters - the mysterious and brutal Magwtich; eternally heartbroken Miss Havisham; and her cold-hearted child Estella.
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Narration
- By Arlene Olsen on 08-15-24
By: Charles Dickens
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Crime and Punishment
- The New Translation by Richard Pevear and Larissa Volokhonsky
- By: Fyodor Dostoevsky, Richard Pevear - translator, Larissa Volokhonsky - translator
- Narrated by: Bill Homewood
- Length: 28 hrs and 4 mins
- Unabridged
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With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Crime and Punishment, Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
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Narration
- By Zane on 04-29-25
By: Fyodor Dostoevsky, and others
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The Eurasian Century
- Hot Wars, Cold Wars, and the Making of the Modern Century
- By: Hal Brands
- Narrated by: Tim Fannon
- Length: 11 hrs and 33 mins
- Unabridged
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Hal Brands argues that a better understanding of Eurasia's strategic geography can illuminate the contours of rivalry and conflict in today's world. The Eurasian Century explains how revolutions in technology and warfare, and the rise of toxic ideologies of conquest, made Eurasia the center of twentieth-century geopolitics—with pressing implications for the struggles that will define the twenty-first.
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Worth the read.
- By Chip Eckert on 02-24-25
By: Hal Brands
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The Poems of T. S. Eliot
- Read by Jeremy Irons
- By: T. S. Eliot
- Narrated by: Jeremy Irons, Dame Eileen Atkins
- Length: 3 hrs and 41 mins
- Unabridged
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Originally broadcast on BBC Radio 4, Jeremy Irons' perceptive reading illuminates the poetry of T. S. Eliot in all its complexity. Major poems range from 'The Love Song of J. Alfred Prufrock' through the post-war desolation of 'The Waste Land' and the spiritual struggle of 'Ash-Wednesday', to the enduring charm of 'Old Possum's Book of Practical Cats'.
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Horribly Frustrating to Follow
- By AVS on 06-18-18
By: T. S. Eliot
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Being and Time
- By: Martin Heidegger
- Narrated by: Martyn Swain, Taylor Carman
- Length: 23 hrs and 18 mins
- Unabridged
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Being and Time was published in 1927 during the Weimar period in Germany, a time of political, social and economic turmoil. Heidegger himself did not escape the pressures and his nationalism, and undeniable anti-Semitism in the following decades cast a shadow over the man, but not the work. Being and Time is not coloured by expressions of his later views (unlike other writings) and remains an outstanding document.
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Surprised it works as audio
- By Anonymous on 02-02-20
By: Martin Heidegger
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The Kill
- La Curée
- By: Émile Zola
- Narrated by: Leighton Pugh
- Length: 12 hrs and 37 mins
- Unabridged
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Against a backdrop of modernisation, extravagant luxury, political intrigue and sexual immorality, Saccard treats close relationships as money-making opportunities and loved ones as mere commodities. As one character puts it: ‘You see, everything is fine, as long as you make money from it.’
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one of Zola's best
- By Nom de Guerre on 05-05-25
By: Émile Zola
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Confessions of Felix Krull, Confidence Man
- By: Thomas Mann
- Narrated by: Mark Elstob
- Length: 13 hrs and 26 mins
- Unabridged
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Waiter by day, man about Paris by night; the young and good looking Felix Krull has created for himself a personality to charm and deceive the world of wealth. When the Marquis de Venosta makes him a proposal that he can't refuse, the young Felix finds himself on the pathway that will elevate him into the world of riches.
By: Thomas Mann
Wonderful Narration of a Great Translation
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A performance well mach for such a master piece.
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At long last! Absolutely essential
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The translation is superb. Parts of the original german text are written in early modern German. The translator provides a very satisfying rendition in English, imparting the same "feel" for the text.
The narration is outstanding, clearly differentiating between the various interlocutors, and spot on when conveying irony, mania, etc.
I had read Doctor Faustus twice in the past and doubted that an audio version would appear (due to difficulty in narration). I was very pleasantly surprised. The narrator did not disappoint.
Thought provoking novel, skillful narration
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Worth it
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Extraordinarily written and voiced.
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Beautiful book
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The Good: The narrator’s performance. He’s gifted with an incredible voice and gives an outstanding oration.
The Bad:
1. The faux-classic writing style. Doctor Faustus reads like a book written hundreds of years before its time. Hell, Von Goethe’s Faust is less antiquated at times!
2. NOTHING HAPPENS FOR FAR TOO LONG. The promise of the book is a lie - the single chapter that I enjoyed, in retrospect, seems like it was inserted into the novel at the 55% mark when the editor reminded Mann that his intention was to write a Faustian tale.
3. The digressions into obscure musical theory are tedious, self indulgent and… perhaps insecure? It almost seems like he writes those sections with an agenda. They don’t serve the story! It’s as though the author feels he has something to prove regarding his musical knowledge and is writing for an audience of one. They’re so woefully unnecessary, I label their inclusion as obscene. Where was the editor?!?
4. Horrendous dialogue. Awful chunks of long winded, irritating dialogue. There’s one monologue (not a lecture) that must’ve gone on for ten or more pages. Furthermore - every character sounds the same - as if they’re the same personality exchanging words back and forth.
5. I despise every character. I didn’t find redeeming qualities in any of the personalities on display. The main character lacks any motivation. And lastly, nobody does anything! Things kind of happen to them occasionally but your own life is more exciting and less mundane than most of the occurrences in this novel (with a few rare exceptions).
I’ve wasted too much damn time with this book. I hate it. I’m going to finish it, but I hate it.
Literary self flagellation
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