
Doctor Faustus
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Narrated by:
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David Rintoul
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By:
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Thomas Mann
About this listen
Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.
Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and nihilism. It is also Mann's most profound meditation on the German genius—both national and individual—and the terrible responsibilities of the truly great artist.
"John E. Woods is revising our impression of Thomas Mann, masterpiece by masterpiece."—The New Yorker
"Doctor Faustus is Mann's deepest artistic gesture. . . . Finely translated by John E. Woods."—The New Republic
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Critic reviews
'Arguably the great German novel'—New York Times
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Story
"Dein Leben soll kalt sein – darum darfst du keinen Menschen lieben!" Das ist der Preis, den der geniale Komponist Adrian Leverkühn dem Teufel dafür bezahlen muss, dass ihn die Inspiration nicht mehr verlässt. Die Regie von Leonhard Koppelmann hält gekonnt die Balance zwischen der dämonisch-düsteren Grundstimmung und den humoristischen Zwischenakkorden. Gemeinsam mit dem Komponisten Hermann Kretzschmar lässt der Regisseur einen klanggewaltigen Hörfilm mit musikalischer Tiefenschärfe abrollen, bei dem Dialogszenen, Erzählertexte, Musik und Geräusche harmonisch zusammenklingen.
By: Thomas Mann, and others
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The Kill
- La Curée
- By: Émile Zola
- Narrated by: Leighton Pugh
- Length: 12 hrs and 37 mins
- Unabridged
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Story
Against a backdrop of modernisation, extravagant luxury, political intrigue and sexual immorality, Saccard treats close relationships as money-making opportunities and loved ones as mere commodities. As one character puts it: ‘You see, everything is fine, as long as you make money from it.’
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one of Zola's best
- By Nom de Guerre on 05-05-25
By: Émile Zola
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Crime and Punishment
- The New Translation by Richard Pevear and Larissa Volokhonsky
- By: Fyodor Dostoevsky, Richard Pevear - translator, Larissa Volokhonsky - translator
- Narrated by: Bill Homewood
- Length: 28 hrs and 4 mins
- Unabridged
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Story
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Crime and Punishment, Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
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Narration
- By Zane on 04-29-25
By: Fyodor Dostoevsky, and others
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Thomas Mann
- New Selected Stories
- By: Thomas Mann, Damion Searls - translator
- Narrated by: James Anderson Foster
- Length: 9 hrs and 17 mins
- Unabridged
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A towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer—"the starched collar," as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann's genius.
By: Thomas Mann, and others
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The Man Without Qualities
- By: Robert Musil
- Narrated by: John Telfer
- Length: 60 hrs and 30 mins
- Unabridged
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In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.
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An unmatched intellectual epic
- By Delano on 06-23-22
By: Robert Musil
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This Is Berlin
- Radio Broadcasts from Nazi Germany
- By: William Shirer
- Narrated by: Grover Gardner
- Length: 21 hrs and 41 mins
- Unabridged
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Overall
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Performance
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Story
This collection of William L. Shirer’s radio broadcasts tells the vivid story of WWII and brings the suspense of the times to life for today’s audience. As the first journalist hired by CBS to cover the war in Europe, Shirer compiled two and a half years’ worth of wartime broadcasts including Hitler’s invasion of Austria, the armistice between France and Nazi forces in June of 1940, daily roundups of news from Paris, Vienna, Berlin, London and Rome, documenting the conditions of these countries under invasion.
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Another banger from Willy and Grover
- By Garrett Webster on 04-08-24
By: William Shirer
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Doktor Faustus
- Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde
- By: Thomas Mann
- Narrated by: Gert Westphal
- Length: 28 hrs and 8 mins
- Abridged
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Story
In der Lebensgeschichte Adrian Leverkühns – der fiktiven Romanbiographie eines Komponisten, der sich dem Teufel verschreibt – fasst Thomas Mann alle Entwicklungsstufen der alten Faust-Sage zusammen und verknüpft sie mit den politischen Ereignissen seiner Zeit. Der zeitliche Rahmen umgrenzt die Jahre von 1884 bis 1945, seine eigene Epoche. Er selbst nannte den "Doktor Faustus" "ein Lebensbuch von fast sträflicher Schonungslosigkeit, eine sonderbare Art von übertragener Autobiographie, ein Werk, das mich mehr gekostet und tiefer an mir gezehrt hat, als jedes frühere".
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Hervorragend / Superb
- By Rick on 12-20-24
By: Thomas Mann
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The Good Soldier Svejk
- By: Jaroslav Hasek
- Narrated by: David Horovitch
- Length: 28 hrs and 44 mins
- Unabridged
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The Good Soldier Švejk, written shortly after the First World War, is one of the great antiwar satires - and one of the funniest books of the 20th (or any) century. In creating his eponymous hero, Jaroslav Hašek produced an unforgettable character who charms and infuriates and bamboozles his way through the conflagration that tore through the heart of Europe, upending empires and changing social history. It is the closing period of the Austro-Hungarian Empire. The assassination at Sarajevo has just occurred and armies are on the march.
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This is real!
- By Lorenzo Coopman on 10-08-20
By: Jaroslav Hasek
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Wilhelm Meister's Apprenticeship
- By: Johann Wolfgang von Goethe
- Narrated by: Leighton Pugh
- Length: 22 hrs and 57 mins
- Unabridged
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Wilhelm Meister’s Apprenticeship was Goethe’s second novel, published 1795-6, almost two decades after The Sorrows of Young Werther. It again focuses on a young man but this time on his growing understanding and maturity as he makes his way in the world. As such, it is regarded as the founding work in the ‘coming of age’ genre: the ‘bildungsroman’ ( a term actually coined some 30 years later), which characterised a philosophical novel tracing the cultural, emotional and educational development of an individual from youth to adulthood.
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The ending
- By Angel Ddia on 03-23-24
Wonderful Narration of a Great Translation
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A performance well mach for such a master piece.
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At long last! Absolutely essential
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Worth it
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Extraordinarily written and voiced.
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Beautiful book
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The Good: The narrator’s performance. He’s gifted with an incredible voice and gives an outstanding oration.
The Bad:
1. The faux-classic writing style. Doctor Faustus reads like a book written hundreds of years before its time. Hell, Von Goethe’s Faust is less antiquated at times!
2. NOTHING HAPPENS FOR FAR TOO LONG. The promise of the book is a lie - the single chapter that I enjoyed, in retrospect, seems like it was inserted into the novel at the 55% mark when the editor reminded Mann that his intention was to write a Faustian tale.
3. The digressions into obscure musical theory are tedious, self indulgent and… perhaps insecure? It almost seems like he writes those sections with an agenda. They don’t serve the story! It’s as though the author feels he has something to prove regarding his musical knowledge and is writing for an audience of one. They’re so woefully unnecessary, I label their inclusion as obscene. Where was the editor?!?
4. Horrendous dialogue. Awful chunks of long winded, irritating dialogue. There’s one monologue (not a lecture) that must’ve gone on for ten or more pages. Furthermore - every character sounds the same - as if they’re the same personality exchanging words back and forth.
5. I despise every character. I didn’t find redeeming qualities in any of the personalities on display. The main character lacks any motivation. And lastly, nobody does anything! Things kind of happen to them occasionally but your own life is more exciting and less mundane than most of the occurrences in this novel (with a few rare exceptions).
I’ve wasted too much damn time with this book. I hate it. I’m going to finish it, but I hate it.
Literary self flagellation
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