In 1697, Quebec is an island of French civilization perched on a bare gray rock amid a wilderness of trackless forests. For many of its settlers, Quebec is a place of exile, so remote that an entire winter passes without a word from home. But to 12-year-old Cécile Auclair, the rock is home, where even the formidable Governor Frontenac entertains children in his palace and beavers lie beside the lambs in a Christmas créche.

In 1851, Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. Out of these events, Cather gives us an indelible vision of life unfolding in a place where time itself seems suspended.

This is One of Ours, the Pulitzer Prize-winning novel by Willa Cather, America’s greatest writer of the prairie heartland. It is set in rural Nebraska in the early 20th century prior to the first World War that enveloped Europe and eventually the United States. The story focuses on the young Claude Wheeler, a well-to-do farmer’s son who secretly longs for something to take him away from the hum-drum agrarian life he has inherited. As he prepares to take over his family’s farm business, war intrudes.

Marian Forrester arrives in Sweet Water as the treasured bride of a retired builder. To her husband she embodies the idealism of this railroad town on the Western plains. And to Niel Herbert, a smitten young local boy, she’s so perfect as to belong to a different world. But as Niel comes of age, the fortunes of Sweet Water decline, and as the promise of the frontier fades, his perception of the fallible woman he has idolized since boyhood is shattered.

The Prairie Trilogy is a series of three novels centered around life in the Midwest during the late 19th/early 20th centuries by Pulitzer Prize-winning author Willa Cather. First, in "O Pioneers!," we meet Alexandra Bergson, who inherits the family farm after her father dies and leaves her to care for her three siblings. While many immigrant families are giving up their farms and moving back to the city (or to their home countries), Alexandra decides to try to tough it out on the prairie.

Through Jim Burden's endearing, smitten voice, we revisit the remarkable vicissitudes of immigrant life in the Nebraska heartland, with all its insistent bonds. Guiding the way are some of literature's most beguiling characters: the Russian brothers plagued by memories of a fateful sleigh ride, Antonia's desperately homesick father and self-indulgent mother, and the coy Lena Lingard. Holding the pastoral society's heart, of course, is the bewitching, free-spirited Antonia.

First published in 1926, this book is Willa Cather's sparest and most dramatic novel, a dark and prescient portrait of a marriage that subverts our oldest notions about the nature of domestic happiness.

Sapphira Dodderidge, a Virginia lady of the 19th century, marries beneath her and becomes irrationally jealous of Nancy, a beautiful slave. One of Cather's later works.

Willa Cather achieved recognition for her novels depicting American life on the prairie frontier.

The story of Willa Cather is defined by a lifetime of determination, struggle, and gradual emergence. Some show their full powers early, yet Cather was the opposite—she took her time and transformed herself by stages. The writer who leapt to the forefront of American letters with O Pioneers! (1913), The Song of the Lark (1915), and My Ántonia (1918) was already well into middle age. Through years of provincial journalism in Nebraska, brief spells of teaching, and editorial work on magazines, she persevered in pursuit of the ultimate goal—literary immortality.

Homer’s Iliad and Odyssey are unquestionably two of the greatest epic masterpieces in Western literature. Though more than 2,700 years old, their stories of brave heroics, capricious gods, and towering human emotions are vividly timeless. The Iliad can justly be called the world’s greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns. The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars to his beloved wife.

Set in the mountains of southern Appalachia, Demon Copperhead is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father’s good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. Relayed in his own unsparing voice, Demon braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses.

Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth—all as a decade of excess and speculation draws to an end. But at what cost have they acquired their immense fortune? This is the mystery at the center of Bonds, a successful 1937 novel that all of New York seems to have read. Yet there are other versions of this tale of privilege and deceit.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and one of the greatest novels of the twentieth century.

This astonishing novel was chosen as a Best Book of the Year by the Los Angeles Times, Entertainment Weekly, Publisher's Weekly and Newsweek. Contained within is the story of Edgar Mint, the half-Apache, mostly orphaned child who overcomes a serious childhood injury to embark on a life of tragedies, including a boarding school for Native Americans and a dysfunctional Mormon foster family.

It's a normal night in August. Literature professor Arne and artist Tove are with their children at the resort in Sørlandet. Their friend, Egil, a driver by day, is staying in a cabin nearby. Kathrine, a priest, is on her way home from a seminar; the journalist Jostein is out on the town; and his wife, Turid, who is an assistant nurse, has a night shift. Above them all, a huge star suddenly appears in the sky. No one, not even the astronomers, knows for sure what kind of phenomenon it is.

Singapore, 1942. As Japanese troops sweep down Malaysia and into Singapore, a village is ransacked, leaving only two survivors and one tiny child. In a neighboring village, 17-year-old Wang Di is strapped into the back of a troop carrier and shipped off to a Japanese military brothel where she is forced into sexual slavery as a “comfort woman”. After 60 years of silence, what she saw and experienced still haunts her. In the year 2000, when 12-year-old Kevin overhears his ailing grandmother's mumbled confession, he sets out to discover the truth, wherever it might lead.

Women of the Sparrow family have unusual gifts. Elinor can detect falsehood. Her daughter, Jenny, can see people's dreams when they sleep. Granddaughter Stella has a mental window to the future - a future that she might not want to see.

He's one of America's most recognizable and acclaimed actors: a star on Broadway, an Oscar nominee for The Aviator, and the only person to ever win Emmys for acting, writing, and directing, during his 11 years on M*A*S*H. Now Alan Alda has written a memoir as elegant, funny, and affecting as his greatest performances.

The child of a scheming father and ruthless mother, Lady Jane Grey is born during a time when ambition dictates action. Cousin to Edward VI, Mary I, and Elizabeth I, she is merely a pawn in a political and religious game in which one false step means a certain demise. But Lady Jane has remarkable qualities that help her to withstand the constant pressures of the royal machinery far better than most expect.

It is only after the sudden death of his wife, Birgit, that Kaspar discovers the price she paid years earlier when she fled East Germany to join him: she had to abandon her baby. Shattered by grief, yet animated by a new hope, Kaspar closes up his bookshop in present day Berlin and sets off to find her lost child in the east. His search leads him to a rural community of neo-Nazis, intent on reclaiming and settling ancestral lands to the East. Among them, Kaspar encounters Svenja, a woman whose eyes, hair, and even voice remind him of Birgit.

At the age of eighteen, Lucy Gayheart heads for Chicago to study music. She is beautiful and impressionable and ardent, and these qualities attract the attention of Clement Sebastian, an aging but charismatic singer who exercises all the tragic, sinister fascination of a man who has renounced life only to turn back to seize it one last time. Out of their doomed love affair—and Lucy's fatal estrangement from her origins—Willa Cather creates a novel that is as achingly lovely as a Schubert sonata.

Giving all the “Little Women” the stories they deserve at last, this imaginative historical novel and companion to the much-loved classic draws Meg, Beth, and Amy March from behind the shadow of Jo—Louisa May Alcott’s alter-ego and the “author” of Little Women—as vibrant and unforgettable characters grappling with societal strictures, queer love, motherhood, chronic illness, artistic ambition, and more.

Since the Gutenberg Bible first went on sale in 1455, printing has been viewed as one of the highest achievements of human innovation. But the march of progress hasn't been smooth; downright bizarre is more like it. Printer's Error chronicles some of the strangest and most humorous episodes in the history of Western printing. Take, for example, the Gutenberg Bible. While the book is regarded as the first printed work in the Western world, Gutenberg's name doesn't appear anywhere on it.

As far as Gemma is concerned, her days of dating are over. In fact, it’s her job to cater other peoples’ dates, and that’s just fine by her. At 37, she has her own business, working as a private chef, and her life feels full. She’s got six steady clients that keep her hands full. For Gemma, cooking is predictable. Recipes are certain. Use good ingredients, follow the directions, and you are assured success. Life, on the other hand, is full of variables. So when Gemma’s takes an unexpected turn on a road she always thought was straight and narrow, she must face her past.

On March 14, 1889, Susan La Flesche received her medical degree - becoming the first Native American doctor in US history. She earned her degree 31 years before women could vote and 35 years before Indians could become citizens in their own country. This is the story of an Indian woman who effectively became the chief of an entrenched patriarchal tribe, the story of a woman who crashed through thick walls of ethnic, racial, and gender prejudice and then spent the rest of her life using a unique bicultural identity to improve the lot of her people.

Joni Mitchell, Carole King, and Carly Simon remain among the most enduring and important women in popular music. Their stories trace the arc of the now-mythic generation known as "the 60s" - the female version. Filled with the voices of dozens of these women's intimates, this alternating biography reads like a novel. Except it's all true.

"Of the place where he had been a boy he had written well enough. As well as he could then." So thought a dying writer in an early version of The Snows of Kilimanjaro. The writer was, of course, Ernest Hemingway. The place was the Michigan of his boyhood, where he remembered himself as Nick Adams. The now-famous "Nick Adams" stories show a memorable character growing from child to adolescent to soldier, veteran, writer, and parent - a sequence closely paralleling the events of Hemingway's life.

Claude Wheeler resembles the youngest son of an American fairy tale. His fortune is ready-made for him, but he refuses to settle for it. Alienated from his crass father and pious mother, all but rejected by a wife who reserves her ardor for missionary work, and dissatisfied with farming, Claude is an idealist without an ideal to cling to. It is only when his country enters the First World War that Claude finds what he has been searching for all his life.