The Queen of the Tambourine
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Narrated by:
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Hollis McCarthy
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By:
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Jane Gardam
About this listen
In prose vibrant and witty, The Queen of the Tambourine traces the emotional breakdown - and eventual restoration - of Eliza Peabody, a smart and wildly imaginative woman who has become unbearably isolated in her prosperous London neighborhood. Eliza must reach the depths of her downward spiral before she can once again find health and serenity. This story of a woman's confrontation with the realities of sanity will delight listeners who enjoy the works of Anita Brookner, Sybille Bedford, Muriel Spark, and Sylvia Plath. Winner of the Whitbread Prize for Best Novel of the Year.
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A sweeping story of three generations of women, crossing from London to Ireland and back again, and the enduring effort to retrieve the secrets of the past.
By: Esther Freud
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Rebecca
- By: Daphne du Maurier
- Narrated by: Anna Massey
- Length: 14 hrs and 48 mins
- Unabridged
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Last night I dreamt I went to Manderley again.... The novel begins in Monte Carlo, where our heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned and working as a lady's maid, she can barely believe her luck. It is only when they arrive at his massive country estate that she realizes how large a shadow his late wife will cast over their lives - presenting her with a lingering evil that threatens to destroy their marriage from beyond the grave.
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Easily the best audiobook I have ever heard!
- By Kid at Heart on 11-10-18
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The Road Home
- By: Rose Tremain
- Narrated by: Juliet Stevenson
- Length: 7 hrs and 55 mins
- Abridged
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Winner of the Orange Broadband Prize for Fiction 2008, The Road Home is the best-selling story of Lev, a middle-aged migrant from Eastern Europe, who moves to London in search of work after losing his wife and job. Lev's London is awash with money, celebrity and complacency. The world Tremain creates is both convincing and poignant.
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OK - nice narration - good characters
- By bea on 02-21-11
By: Rose Tremain
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The Best Exotic Marigold Hotel
- A Novel
- By: Deborah Moggach
- Narrated by: Juliet Mills
- Length: 11 hrs and 16 mins
- Unabridged
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When Ravi Kapoor, an overworked London doctor, reaches the breaking point with his difficult father-in-law, he asks his wife: “Can’t we just send him away somewhere? Somewhere far, far away.” His prayer is seemingly answered when Ravi’s entrepreneurial cousin sets up a retirement home in India, hoping to re-create in Bangalore an elegant lost corner of England. Several retirees are enticed by the promise of indulgent living at a bargain price, but upon arriving, they are dismayed to find that restoration of the once sophisiticated hotel has stalled....
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Screenwriters Changed it for the Better
- By Carole T. on 06-05-12
By: Deborah Moggach
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Staying On
- By: Paul Scott
- Narrated by: Paul Shelley
- Length: 9 hrs and 1 min
- Unabridged
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Tusker and Lily Smalley stayed on in India. Given the chance to return ‘home’ when Tusker, once a Colonel in the British Army, retired, they chose instead to remain in the small hill town of Pankot, with its eccentric inhabitants and archaic rituals left over from the days of the Empire. Only the tyranny of their imposing landlady threatens to upset the quiet rhythm of their days.
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A Pleasant Meander
- By Ian C Robertson on 09-22-14
By: Paul Scott
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The Bell Jar
- By: Sylvia Plath
- Narrated by: Maggie Gyllenhaal
- Length: 7 hrs and 24 mins
- Unabridged
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The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.
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A must-read for every woman
- By Julie W. Capell on 05-06-16
By: Sylvia Plath
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Christmas at Thrush Green
- By: Miss Read
- Narrated by: Nicolette McKenzie
- Length: 8 hrs and 43 mins
- Unabridged
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The villagers of Thrush Green celebrate Christmas traditionally, in a way that has hardly changed over the generations. Children eagerly hang up their stockings, families go to church together and everyone enjoys the treats of the festive season. And when it snows as the carol singers make their way round the cottages on the green, it looks as if Christmas will be perfect this year. But not everything is as peaceful as it seems.
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Wish there were more
- By Anne Milnes on 10-26-20
By: Miss Read
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The Darkest Secret
- A Novel
- By: Alex Marwood
- Narrated by: Beverley A. Crick
- Length: 12 hrs and 39 mins
- Unabridged
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Real estate mogul Sean Jackson is throwing himself a splashy 50th birthday party, but trouble starts almost immediately: His ex-wife has sent his teenage daughters to the party without telling him; his current wife has fired the nanny; and he's finding it difficult to sneak away to his mistress. Then something truly terrible happens: one of his three-year-old twins goes missing. No trace of her is ever found. The attendees of the party, nicknamed the Jackson Associates by the press, become infamous overnight.
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Wow
- By Christina on 09-14-16
By: Alex Marwood
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Children Playing Before a Statue of Hercules (Unabridged Selections)
- By: Edited by David Sedaris
- Narrated by: David Sedaris, Mary-Louise Parker, Cherry Jones
- Length: 2 hrs and 54 mins
- Unabridged
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Children Playing Before a Statue of Hercules is a collection of short stories, some classic, others impending, selected and introduced by David Sedaris.
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Great stories but only 5 of 17 are included
- By Terri Kirk on 07-13-12
What listeners say about The Queen of the Tambourine
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Cariola
- 07-08-14
Rather Disappointing
Sorry to say that, in the end, I'm rather disappointed with this one. Gardam uses an epistolary framework--although it's hard to remember that midway, when the letters become so lengthy and self-absorbed that the reader forgets there is a supposed recipient. The writer/narrator, Eliza Peabody, is a middle-aged know-it-all who initially feels compelled to proffer her superior wisdom--gained a s a hospice volunteer--to her neighbor, Joan, who apparently suffers from debilitating pain in one leg. Eliza has decided that Joan's pain is psychosomatic and advises her to just get over it, offering her own help as an amateur psychotherapist. Surprisingly, after a few more letters, it is discovered that Joan has run off, leaving her leg brace in the marital bed. Although Joan never replies to Eliza's letters, we learn that she has embarked on a new life, travelling to exotic locations and having affairs with much younger foreign men. Periodically, gifts from Joan arrive--but never a letter. In the meantime, Eliza's own life takes a turn for the worst as her husband moves out to take a flat with Joan's abandoned husband. The letters continue, with Eliza portraying herself, narcissistically, as the abandoned spouse, now abandoned as well by any borderline friends she might have had, and making herself out to be the heroine of everyone's lives, from Joan's university-student daughter to Barry, a young man dying of AIDS in the hospice.
Initially, I was intrigued by Eliza's voice, which Gardam conveyed with much humor. But as the letters dragged on and the descriptions of her own escapades and musings became longer and more self-pitying, I got bored. Yes, I do understand that what Gardam was trying to portray was the sadness and near-madness of a woman who has isolated herself from everyone; it just didn't particularly interest me, and I found the one-sided epistolary device tedious.
Three stars for the writing and the creation of a complete character, plus the initial humor is Eliza's self-deceptive letters to Joan. But Gardam has written much better novels.
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- Anne
- 06-05-17
Reader with a cloth ear for English accents!
Wonderfully fanciful story of a middle aged woman whose husband has left her, in the form of letters to a neighbor. She is a delightfully unreliable narrator who's character develops and expands throughout.
Sadly the reader was terrible. Her grasp of British regional and upper class accents so poor that it really spoiled the book for me.
Was it not possible to have an English reader with a feel for the voices and changes of accent so central to this novel?
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- Athene
- 02-10-15
Not quite right ...
Jane Gardam always creates fascinating characters in gripping circumstances, but The Queen of the Tambourine's structure didn't hold together for me. I experienced this to a lesser degree in other novels of hers, but this one just fell apart. Many times, I wasn't sure whether it was worth the effort to sweep together the scattered fragments. Of course, I finished listening to it ....... a real credit to her power as a writer.
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- P
- 09-03-23
A Gem
I’ve read all of Gardam, and this one is my favorite. Brilliant writing, perfectly read.
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- Tessa Hansen
- 09-27-21
Terrible reader
Jane Gardam is a genius. But for some odd reason the publisher has retained an American actress to play the main character, an Englishwoman. The reader’s painfully clunky attempt at an English accent detracts from the book.
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- BSR
- 07-25-14
The story kept dragging me down into depression
What disappointed you about The Queen of the Tambourine?
After an hour, I finally stopped listening. I didn't know the story was going to be a first person monologue with a narrator who sounded depressed. However, a depressed narrator does fit the content of the monologue, even though she expressed some hope at times, so perhaps the narrator intentional came across that way. In that case, she was talented and effective.
What do you think your next listen will be?
I'm going to listen to a cozy mystery from the Mrs. Jeffries series and the Molly Murphy series.
Who would you have cast as narrator instead of Hollis McCarthy?
The narrator was fine.
Any additional comments?
In all fairness, I did not listen long enough to see if there was an a ha! moment or a clever twist. I kept waiting for something to happen or a change in the narrator or tone. The whole performance was just too gloomy for me, but may be perfect for someone else. I don't normally like the best sellers that most people do. I like lighthearted cozy mysteries like Hamish MacBeth, Her Royal Spyness, The Poor Relation, and Agatha Raisin.
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