It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Handsome, wealthy, and a veteran of service in India, Captain Edward Ashburnham appears to be the ideal "good soldier" and the embodiment of English upper-class virtues. But for his creator, Ford Madox Ford, he also represents the corruption at society's core. Beneath Ashburnham's charming, polished exterior lurks a soul well-versed in the arts of deception, hypocrisy, and betrayal.

Set in English society before the 1832 Reform Bill, Wives and Daughters centers on the story of youthful Molly Gibson, brought up from childhood by her father. When he remarries, a new stepsister enters Molly's quiet life, the loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.

George Eliot's first full-length novel Adam Bede is a profound rendering of 19th century English pastoral life. This timeless story of seduction and betrayal follows the virtuous carpenter Adam Bede, whose world is soon disrupted when the all-too-beautiful Hetty betrays him for another villager. Her actions precipitate a turmoil of tragic events that shake the very foundations of their serene rural community.

The Sad Fortunes of the Rev. Amos Barton, through vignettes of his life, portrays a character who is hard to like and easy to ridicule. Many people do ridicule as well as slander and despise him, until his suffering shocks them into fellowship and sympathy.

The best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse.

Between the Acts is often an overlooked work in her oeuvre because she did express her intention to revise it before publication, though in the event this never happened. So it comes as a surprise to find that, while it probably would have benefited from revision, it is something of an unpolished gem, at times sparkling and actually very engaging. The writing is subtle, varied in tone and purpose; at times serious and complex and at others lighthearted and even downright funny. And unpredictable.

Indoors are servants, meals, and furniture. There, too, is The Man of Wrath, her upright Teutonic husband, inspiring in Elizabeth a mixture of irritation, affection, and irreverence. But outside she can escape domestic routine, read favorite books, play with her three babies and garden to her heart's content. Through Elizabeth's eyes we watch the seasons, from May's "oasis of bird-cherries and greenery" to the time when "snow carpets her Pomeranian wilderness".

Lawrence explores love, sex, passion, and marriage through the eyes of two sisters, Gudrun and Ursula Brangwen. Intelligent, incisive, and observant, the two very different sisters pursue thrilling, torrid affairs with their lovers, Rupert and Gerald, while searching for more mature emotional relationships. Against a haunting World War I backdrop of coal mines, factories, and a beleaguered working class, Gudrun and Ursula's temperamental differences spark an ongoing debate regarding their society and their inner lives.

Based in part on Dickens's own life, it is the story of a young man's journey from an unhappy and impoverished childhood to the discovery of his vocation as a successful novelist. Among its gloriously vivid cast of characters, he e.ncounters his tyrannical stepfather, Mr. Murdstone; his formidable aunt, Betsey Trotwood; the eternally humble yet treacherous Uriah Heep; the frivolous, enchanting Dora; and one of literature's great comic creations, the magnificently impecunious Mr. Micawber.

The first novel of six in Trollope's series of the Chronicles of Barsetshire introducing the fictional cathedral town of Barchester and the characters of Septimus Harding, the Warden, and his son-in-law Archdeacon Grantly. The Warden concerns the moral dilemma of the conscientious Reverend Septimus Harding, who finds himself at the centre of a bitter conflict between defenders of Church privilege and the reformers of the mid-Victorian period.

Virginia Woolf's semi-biographical novel, inspired by her life changing love affair with Vita Sackville-West, takes us on an exhilarating, fantastical roller coaster, tracing 400 years of English history, in the company of her shape-shifting, gender-bending, time-travelling hero Orlando, whose inner conflicts and triumphs challenge our preconceptions of the nature of love, the battle of the sexes, posing socal and metaphysical questions including what we now call climate change.

Barbara is a major in the Salvation Army - but she's also the daughter of Andrew Undershaft, a man who's made millions from the sale of weapons of war. The real battle, however, rages between between the devilish father and his idealistic daughter as they answer the question: does salvation come through faith or finance? This sparkling comedy traverses family relations, religion, ethics and politics - as only Shaw, the master dramatist, can!

With all of the pluck and charm of its eponymous young hero, Rachel McAdams (The Notebook, Spotlight, Midnight in Paris) delivers a spectacular reading of Montgomery's beloved bildungsroman. In moments both funny and bittersweet, McAdams' voice is imbued with the spark that has made Anne a much-loved symbol of individualism and cheer for over a century.

Maud Martha Brown is a little girl growing up on the South Side of 1940s Chicago. Amidst the crumbling taverns and overgrown yards, she dreams: of New York, romance, her future. She admires dandelions, learns to drink coffee, falls in love, decorates her kitchenette, visits the Jungly Hovel, guts a chicken, buys hats, gives birth. But her lighter-skinned husband has dreams, too: of the Foxy Cats Club, other women, war. And the 'scraps of baffled hate'—a certain word from a saleswoman, that visit to the cinema, the cruelty of a department store Santa Claus—are always there.