Briony has a secret. She believes her secret killed her stepmother, destroyed her twin sister’s mind, and threatens all the children in the Swampsea. She yearns to be rid of her terrible secret, but risks being hanged if she tells a soul. That’s what happens to witches: They’re hanged by the neck until dead.Then Eldric arrives - Eldric with his golden mane and lion eyes and electric energy - and he refuses to believe anything dark about Briony. But he wonders what’s been buried beneath her self-hatred, hidden in Rose’s mangled thoughts, and whispered about by the Old Ones.

“Here in the Cellar”, Corinna says, “I control the Folk. Here, I’m queen of the world”. As Folk Keeper at the Rhysbridge Home, she feeds the fierce, dark-dwelling cave Folk; keeps them from souring the milk, killing the chickens, and venting their anger on the neighborhood; and writes it all down in her Folk Record. Since only boys are Folk Keepers, she has disguised herself as a boy, Corin, and it is a boy and a Folk Keeper she intends to stay. Yet there comes a moment when someone else knows the truth.

Alex Green is a young girl in a world much like ours, except for its most seminal event: the Mass Dragoning of 1955, when hundreds of thousands of ordinary wives and mothers sprouted wings, scales, and talons; left a trail of fiery destruction in their path; and took to the skies. Was it their choice? What will become of those left behind? Why did Alex’s beloved aunt Marla transform but her mother did not? Alex doesn’t know. It’s taboo to speak of.

And so it is that a girl with a head full of stories - powerful tales-within-the-tale of queens and kings, mermaids and wolves - ventures into a dark wood in search of the castle of one who wishes her dead. With its timeless themes, unforgettable cast, and magical medieval setting, Kate DiCamillo’s lyrical tale is one for all ages.

Red Kenny is on a road trip for spring break with five friends: Her best friend - the older brother - his perfect girlfriend - a secret crush - a classmate - and a killer. When their RV breaks down in the middle of nowhere with no cell service, they soon realize this is no accident. They have been trapped by someone out there in the dark, someone who clearly wants one of them dead. With eight hours until dawn, the six friends must escape, or figure out which of them is the target.

This sprawling and often brutal novel, set in the rich farmlands of California's Salinas Valley, follows the intertwined destinies of two families - the Trasks and the Hamiltons - whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel.

A middle-aged man returns to his childhood home to attend a funeral. He is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock. Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie - magical, comforting, wise beyond her years - promised to protect him, no matter what.

In Coraline's family's new flat are twenty-one windows and fourteen doors. Thirteen of the doors open and close. The fourteenth is locked, and on the other side is only a brick wall, until the day Coraline unlocks the door to find a passage to another flat in another house just like her own.

Spanning Gaiman’s career to date, The Neil Gaiman Reader: Selected Fiction is a captivating collection from one of the world’s most beloved writers, chosen by those who know his work best: his devoted fans. A brilliant representation of Gaiman's groundbreaking, entrancing, endlessly imaginative fiction, this captivating volume includes excerpts from each of his five novels for adults—Neverwhere, Stardust, American Gods, Anansi Boys, and The Ocean at the End of the Lane—and nearly fifty of his short stories.

Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling. On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family’s history that began before he was born - a history whose epicenter is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation.

Based on the extraordinary life of National Book Award-winning author Louise Erdrich’s grandfather who worked as a night watchman and carried the fight against Native dispossession from rural North Dakota all the way to Washington, DC, this powerful novel explores themes of love and death with lightness and gravity and unfolds with the elegant prose, sly humor, and depth of feeling of a master craftsman.

Carson McCullers was all of 23 when she published her first novel, The Heart Is a Lonely Hunter. She became an overnight literary sensation, and soon such authors as Tennessee Williams were calling her "the greatest prose writer that the South [has] produced." The Heart Is a Lonely Hunter tells an unforgettable tale of moral isolation in a small southern mill town in the 1930s.

In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.

When Frankie’s mother died and her father left her and her siblings at an orphanage in Chicago, it was supposed to be only temporary - just long enough for him to get back on his feet and be able to provide for them once again. That’s why Frankie's not prepared for the day that he arrives for his weekend visit with a new woman on his arm and out-of-state train tickets in his pocket. Now, Frankie and her sister, Toni, are abandoned alongside so many other orphans - two young, unwanted women doing everything they can to survive.

Ireland, 1959: Young Christopher Hurley is a tinker, a Pavee gypsy, who roams with his father and extended family from town to town, carrying all their worldly possessions in their wagons. Christy carries with him a burden of guilt as well, haunted by the story of his mother’s death in childbirth. The wandering life is the only one Christy has ever known, but when his grandfather dies, everything changes. His father decides to settle briefly, in a town, where Christy and his cousin can receive proper schooling and prepare for their first communions.

When Frankie’s mother died and her father left her and her siblings at an orphanage in Chicago, it was supposed to be only temporary - just long enough for him to get back on his feet and be able to provide for them once again. That’s why Frankie's not prepared for the day that he arrives for his weekend visit with a new woman on his arm and out-of-state train tickets in his pocket. Now, Frankie and her sister, Toni, are abandoned alongside so many other orphans - two young, unwanted women doing everything they can to survive.

In Ysabeau S. Wilce's exciting debut novel, Flora's mom is away, leaving Flora and her father home alone at Crackpot Hall with its 11,000 constantly shifting rooms. Late for school one day, Flora decides to take the elevator down to the first floor. But without her mother around, the elevator has ideas of its own and drops Flora in an unfamiliar room. Lost in her own house, Flora embarks on a harrowing quest to find her way back to where she started.

In Coraline's family's new flat are twenty-one windows and fourteen doors. Thirteen of the doors open and close. The fourteenth is locked, and on the other side is only a brick wall, until the day Coraline unlocks the door to find a passage to another flat in another house just like her own.

In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.

For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.

It’s wintertime at Greenglass House. The creaky smuggler’s inn is always quiet during this season, and 12-year-old Milo, the innkeepers’ adopted son, plans to spend his holidays relaxing. But on the first icy night of vacation, out of nowhere, the guest bell rings. Then rings again. And again....

Young Emmett Farmer is working in the fields when a strange letter arrives summoning him away from his family. He is to begin an apprenticeship as a bookbinder - a vocation that arouses fear, superstition, and prejudice among their small community, but one neither he nor his parents can afford to refuse. For as long as he can recall, Emmett has been drawn to books, even though they are strictly forbidden. Bookbinding is a sacred calling, Seredith informs her new apprentice, and he is a binder born.

A once-fashionable, now fading resort hotel. A spinster aunt living in an attic. Dirt roads that lead to dead ends. A house full of secrets and old, dusty furnishings, uninhabited for almost half a century. A 12-year-old girl with a passion for double-chocolate ice cream sodas, and decaying lakefronts, and an obsession with the death by drowning of another young girl, 40 years before. Like all important events in the past, there are repercussions and ramifications in the present.

A plain-spoken, appealing narrator relates the history of her parents - a Nevada silver baron who forced the Crow people to give up one of their most beautiful daughters, Gun That Sings, in marriage to him. With her mother's death in childbirth, so begins a heroine's tale equal parts heartbreak and strength. This girl has been born into a world with no place for a half-native, half-white child. After being hidden for years, a very wicked stepmother finally gifts her with the name Snow White, referring to the pale skin she will never have.

This story of a young woman's confrontation with death and her past is a poetic study of human relations.

Imagine an alternate universe where romance and technology reign. Where tinkerers and dreamers craft and recraft a world of automatons, ornate clockworks, calculating machines, and other marvels that. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, and intrepid orphans - decked out in corsets, clockwerk suits, and tall black boots - solve dastardly crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships.

This complete collection includes all of the published stories of Eudora Welty. There are 41 stories in all, including those in the earlier collections A Curtain of Green, The Wide Net, The Golden Apples, and The Bride of the Innisfallen, as well as previously uncollected stories.

How Green Was My Valley is Richard Llewellyn’s best-selling - and timeless - classic, as well as the basis of a beloved film. As Huw Morgan is about to leave home forever, he reminisces about the golden days of his youth when South Wales still prospered, when coal dust had not yet blackened the valley. Drawn simply and lovingly, with a crisp Welsh humor, Llewellyn’s characters fight, love, laugh, and cry, creating an indelible portrait of a people. Richard Llewellyn (1906–1983), a Welsh novelist, was born in Hendon, England, in the county of Middlesex.

In the tiny timber town of Cordelia, Idaho, 99-year-old Weldon Applegate recounts his life in all its glory, filled with tall tales writ large with murder, mayhem, avalanches, and bootlegging. It’s the story of dark pine forests brewing with ancient magic, and Weldon’s struggle as a boy to keep his father’s inherited timber claim, the Lost Lot, from the ravenous clutches of Linden Laughlin.

For fourteen-year-old Leah Payne, life in her beloved coastal Carolina town is worlds away from the harsh realities of the day. Loyal to her lumberjack father, she knows only of the familiarity of her small community, the magic of the natural world, and the creative intuition that prompts her to march to the beat of her own drum. But when an accident takes her father's life, leaving her an orphan, Leah finds herself cast into a family of strangers whose welcoming façade hides a terrible secret.