It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders. An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember.

From the best-selling author of The Handmaid's Tale and The Testaments - one of Margaret Atwood’s most unforgettable characters lurks at the center of this intricate novel like a spider in a web. The glamorous, irresistible, unscrupulous Zenia is nothing less than a fairy-tale villain in the memories of her former friends. Roz, Charis, and Tony - university classmates decades ago - were reunited at Zenia’s funeral and have met monthly for lunch ever since, obsessively retracing the destructive swath she once cut through their lives.

From fat girl to thin, from red hair to mud brown, from London to Toronto, from Polish count to radical husband - Joan Foster is utterly confused by her life of multiple identities. She decides to escape to an Italian hill town to take stock of her life. But first, she must organize her own death.

The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly?

Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancé and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine and her digestion. Marriage a la mode, Marian discovers, is something she literally can't stomach....

In these ten interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences—the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present.

Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.

A collection of highly imaginative short pieces that speak to our times with deadly accuracy. Vintage Atwood creativity, intelligence, and humor: think Alias Grace. Margaret Atwood turns to short fiction for the first time since her 2006 collection, Moral Disorder, with nine tales of acute psychological insight and turbulent relationships bringing to mind her award-winning 1996 novel, Alias Grace.

In more than fifty pieces, Atwood aims her prodigious intellect and impish humor at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump, and a pandemic. From when to dispense advice to the young (answer: only when asked) to Atwood’s views on the climate crisis, we have no better guide to the many and varied mysteries of our universe.

Students and journalists, farmers and birdwatchers, ex-wives, adolescent lovers, and dancing girls. All are ordinary people. Or are they? In this splendid collection of short stories, Margaret Atwood maps the human motivation we scarcely know we have in a startlingly original voice, full of a rare intensity and exceptional intelligence. With brilliant flashes of fantasy, humor, and unexpected violence, these stories reveal the complexities of human relationships and bring to life characters that evoke laughter, compassion, terror, and recognition.

The Poisonwood Bible is a story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it - from garden seeds to Scripture - is calamitously transformed on African soil. What follows is a suspenseful epic of one family’s tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa.

In this gripping first novel, a young girl, orphaned when her mother murders an ex-lover, endures the shuffle of a foster child's life. Oprah enjoyed her book club pick so much that she narrates the audiobook edition!

Browse more Oprah Picks.

Penobscot Indian Molly Ayer is close to "aging out" out of the foster care system. A community-service position helping an elderly woman clean out her home is the only thing keeping Molly out of juvie and worse.... As she helps Vivian sort through her possessions and memories, Molly learns that she and Vivian aren’t as different as they seem to be. A young Irish immigrant orphaned in New York City, Vivian was put on a train to the Midwest with hundreds of other children whose destinies would be determined by luck and chance.

This sprawling and often brutal novel, set in the rich farmlands of California's Salinas Valley, follows the intertwined destinies of two families - the Trasks and the Hamiltons - whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel.

Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is 12, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.

For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.

The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.

Children Playing Before a Statue of Hercules is a collection of short stories, some classic, others impending, selected and introduced by David Sedaris.

There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities.

Joy Williams has been celebrated as a master of the short story for four decades, her renown passing from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: 33 stories drawn from three much-lauded collections and another 13 appearing here for the first time in book form.

Owls Do Cry is Janet Frame's first novel. She describes her idea behind it in the second volume of her autobiography: 'Pictures of great treasure in the midst of sadness and waste haunted me and I began to think, in fiction, of a childhood, home life, hospital life, using people known to me as a base for main characters, and inventing minor characters.'

When we last saw Zippy, she was oblivious to the storm that was brewing in her home. Her mother, Delonda, had literally just gotten up off the couch and ridden her rickety bicycle down the road. Her dad was off somewhere, gambling or "working." And Zippy was lost in her own fabulous world of exploring the fringes of Moorland, Indiana.

From the author of When We Lost Our Heads, a spellbinding story about two gifted orphans - in love with each other since they can remember - whose childhood talents allow them to rewrite their future. The Lonely Hearts Hotel is a love story with the power of legend. An unparalleled tale of charismatic pianos, invisible dance partners, radicalized chorus girls, drug-addicted musicians, brooding clowns, and an underworld whose economy hinges on the price of a kiss. In a landscape like this, it takes great creative gifts to thwart one’s origins.

Lala Reyes’ grandmother is descended from a family of renowned rebozo, or shawl-makers. The striped (caramelo) is the most beautiful of all, and the one that makes its way, like the family history it has come to represent, into Lala’s possession. The novel opens with the Reyes’ annual car trip - a caravan overflowing with children, laughter, and quarrels - from Chicago to “the other side”, Mexico City. It is there, each year, that Lala hears her family’s stories, separating the truth from the “healthy lies” that have ricocheted from one generation to the next.

This powerful and haunting memoir details the years Paula McLain and her two sisters spent as foster children after being abandoned by both parents in California in the early 1970s. As wards of the State, the sisters spent the next 14 years moving from foster home to foster home. The dislocations, confusions, and odd pleasures of an unrooted life form the basis of one of the most compelling memoirs in recent years - a book in the tradition of Jo Ann Beard's The Boys of My Youth and Mary Karr's The Liars' Club.

A young woman sits in jail, accused of the mercy killing of her dying mother. She didn't do it, but she thinks she knows who did. In the last months of her life, Ellen Gulden's mother revealed startling secrets that challenged everything Ellen believed about her family. Now, in jail, Ellen believes those secrets will tell her who had the courage to end her mother's suffering.

In 1935, six-year-old Emily Evans vanishes from her family's vacation home on a remote Minnesota lake. Her disappearance destroys the family - her father commits suicide, and her mother and two older sisters spend the rest of their lives at the lake house, keeping a decades-long vigil for the lost child. Sixty years later, Lucy, the quiet and watchful middle sister, lives in the lake house alone. Before her death, she writes the story of that devastating summer in a notebook that she leaves, along with the house, to the only person who might care: her grandniece, Justine.

Prudence Eleanor Vilkas was born with a pair of wings molded to her back. Considered a birth defect, her wings were surgically removed, leaving only the ghost of them behind. Growing up in Los Vientos, Florida, Prudence meets her long-estranged Lithuanian grandfather and discovers a miraculous lineage beating and pulsing with past Lithuanian bird-women.

So begins this extraordinary first novel about one wild year in the life of 14-year-old Charlotte Flax, when she and her sister Kate move with Mrs. Flax into a sleepy 1960's Massachusetts town. Mrs. Flax is a woman who wears polka-dot dresses and serves hors d'oeuvres for dinner every night, and Kate is a child who basically wants to be a fish. And then there's Charlotte, who in Patty Dann's hands, is transformed into a young woman of infinite whim and variety.

Seven-year-old Chula and her older sister, Cassandra, enjoy carefree lives thanks to their gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation. When their mother hires Petrona, a live-in-maid from the city's guerrilla-occupied slum, Chula makes it her mission to understand Petrona's mysterious ways.

From the best-selling author of The Handmaid's Tale and The Testaments - one of Margaret Atwood’s most unforgettable characters lurks at the center of this intricate novel like a spider in a web. The glamorous, irresistible, unscrupulous Zenia is nothing less than a fairy-tale villain in the memories of her former friends. Roz, Charis, and Tony - university classmates decades ago - were reunited at Zenia’s funeral and have met monthly for lunch ever since, obsessively retracing the destructive swath she once cut through their lives.

From fat girl to thin, from red hair to mud brown, from London to Toronto, from Polish count to radical husband - Joan Foster is utterly confused by her life of multiple identities. She decides to escape to an Italian hill town to take stock of her life. But first, she must organize her own death.

For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.

Stan and Charmaine are a married couple trying to stay afloat in the midst of an economic and social collapse. Job loss has forced them to live in their car, leaving them vulnerable to roving gangs. They desperately need to turn their situation around—and fast. The Positron Project in the town of Consilience seems to be the answer to their prayers. No one is unemployed and everyone gets a comfortable, clean house to live in . . . for six months out of the year. On alternating months, residents of Consilience must leave their homes and function as inmates in the Positron prison system.

Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancé and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine and her digestion. Marriage a la mode, Marian discovers, is something she literally can't stomach....

The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly?

A collection of highly imaginative short pieces that speak to our times with deadly accuracy. Vintage Atwood creativity, intelligence, and humor: think Alias Grace. Margaret Atwood turns to short fiction for the first time since her 2006 collection, Moral Disorder, with nine tales of acute psychological insight and turbulent relationships bringing to mind her award-winning 1996 novel, Alias Grace.

Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect.

Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose.

In more than fifty pieces, Atwood aims her prodigious intellect and impish humor at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump, and a pandemic. From when to dispense advice to the young (answer: only when asked) to Atwood’s views on the climate crisis, we have no better guide to the many and varied mysteries of our universe.

In these ten interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences—the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present.