It’s going to be so much fun! All of the kids in the neighborhood are playing a super fun game - Invasion!

The story takes place on Mars, where a lone narrator lives in a well, waiting patiently for unsuspecting Earth explorers to arrive on Mars, only to fall victim to his terrifying presence. Ray Bradbury's masterful storytelling and vivid descriptions bring the eerie atmosphere of the Martian landscape to life. The story explores themes of isolation, loneliness, and the consequences of human curiosity. Bradbury's ability to create a sense of unease and apprehension keeps readers engaged from start to finish.

Morgue Ship by Ray Bradbury is a science fiction short story, which appeared in the summer 1944 issue of Planet Stories and is therefore eligible for the 1945 Retro Hugos. Morgue Ship is short, only six pages long, but Bradbury perfectly manages to capture the atmosphere aboard the morgue ship with its clinical interior, its shelves full of dead soldiers, the churning blood pumps and whirring machinery, in such a short space. Bradbury also manages to pack the horrors of war in space, the exploding ships and spinning dead bodies among the wreckage, into just a few paragraphs.

Asleep in Armageddon delves into the recesses of human imagination as Ray Bradbury crafts a mesmerizing narrative set against a backdrop of impending cataclysm. In this thought-provoking short story, Bradbury explores the complex interplay between dreams and reality, challenging conventional notions of existence. As the world hurtles toward an uncertain fate, the protagonist grapples with the surreal landscape of their own subconscious, blurring the lines between nightmare and actuality. Bradbury's poetic prose and evocative imagery converge in this tale, creating a vivid exploration of the human psyche in the face of existential turmoil.

Some short stories are amusing and soon forgotten, and others set one thinking. "Oh yeah, or what if". This collection narrated by award-winning audiobook narrator, Mike Vendetti is in the latter category.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.