Asleep in Armageddon delves into the recesses of human imagination as Ray Bradbury crafts a mesmerizing narrative set against a backdrop of impending cataclysm. In this thought-provoking short story, Bradbury explores the complex interplay between dreams and reality, challenging conventional notions of existence. As the world hurtles toward an uncertain fate, the protagonist grapples with the surreal landscape of their own subconscious, blurring the lines between nightmare and actuality. Bradbury's poetic prose and evocative imagery converge in this tale, creating a vivid exploration of the human psyche in the face of existential turmoil.

The protagonist, Layeville, had built a time machine and invited the world’s top scientists to attend its first performance. Unfortunately, a massive explosion killed them all, and for his crime, Layeville was imprisoned in a glass pendulum for what seemed an eternity. The people called him The Prisoner of Time. But everything comes to an end.

Three hundred years after his death, William Lantry awakes from his coffin. One thing is very clear to him - this sterile world without superstition, fear, or imagination must be destroyed.

This is one of the few Bradbury short stories that has never been reprinted since its appearance in the Spring 1948 issue of PLANET STORIES. It's about an old man named Nibley who has a unique, almost supernatural ability to calculate the orbits of objects in motion. That's a valuable ability to have for navigating in space, of course, but science has passed Nibley by and all rockets now have radar computators to handle such navigation. But then an accident happens and the fate of the entire Earth colony on Jupiter relies on getting a supply ship through the Asteroid Belt without its instruments, with only a dying old man to guide the way.

Defense Mech by Ray Bradbury in Planet Stories Spring 1946. Halloway stared down at Earth, and his brain tore loose and screamed, Man, man, how'd you get in a mess like this, in a rocket a million miles past the moon, shooting for Mars and danger and terror and maybe death.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.